Atticus Lish - Preparation for the Next Life

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Zou Lei, orphan of the desert, migrates to work in America and finds herself slaving in New York's kitchens. She falls in love with a young man whose heart has been broken in another desert. A new life may be possible if together they can survive homelessness, lockup, and the young man's nightmares, which may be more prophecy than madness.
Praise for
So much of American fiction has become playful, cynical and evasive. "Preparation for the Next Life" is the strong antidote to such inconsequentialities. Powerfully realistic, with a solemn, muscular lyricism, this is a very, very good book. — Joy Williams
The “next life” of Atticus Lish’s novel is the one you have to die to know. It’s also the next civilian life of a soldier ravaged by three tours in Iraq, and the dodgy life of an immigrant in the city’s sleepless boroughs. The work is violent, swift, and gloriously descriptive. It is love story and lament, a haunting record of unraveling lives. Lish says starkly and with enormous power: the spirit prevails until it doesn’t. A stunning debut.
— Noy Holland, author of An illegal Chinese immigrant meets a broken American warrior, and the great love story of the 21st century begins. The intersection of their paths seems inevitable, irrevocable. Their story: tender, violent, terrible, and beautiful. Atticus Lish's prose, lyrical and taut, sentences as exact and indisputable as chemical formulas, is trance-like, evangelical in its ability to convert and convince its reader.
is that rare novel that grabs you by the shirt and slaps you hard in the face. Look, it says. It isn't pretty. Turn away at your own risk. In case you haven't noticed, the American Dream has become a nightmare. Atticus Lish has your wake up call. He has created a new prototype of the hero, and her journey provides us with a devastating perspective on the "promised land" of the post 9/11 U.S., where being detained is a rite of passage and the banality of violence is simply part of the pre-apocalyptic landscape.
— Christopher Kennedy, author of Atticus Lish has written the most relevant, and beautiful, novel of the year.
— Scott McClanahan, author of
and

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The situation is changing since I am a kid. Before, we don’t have any technology. Now, the technology is getting stronger. We can use cyberwarfare — it’s very popular now. And we have many nuclear weapons, almost equal. We depend less on the individual soldier. Maybe, as we become greater, the individual is getting weaker.

Whenever disaster happens to our country, the army can do its best to save the people. If the river floods or the land slide. It happens countless times in our history. When it happens, no one will save us but the army.

Really, all the people must thank them or we would not be able to exist. When a farmer drives a truck filled with vegetables, the oil to run the motor is coming from the pipeline. I think if you are a woman in the market and you buy vegetables, you must thank my father.

I don’t think anyone remembers this. Even I forget, but I shouldn’t. Everything comes from somewhere.

I’m saying my father, but of course it wasn’t him alone. I mean the Lanzhou Regiment and the Western Development Project are responsible for providing oil. They made sure we got it instead of Russia.

They built the pipeline in the beginning with no equipment except shovels, picks, and baskets. The oil is covered by a mountain range called the Onion Mountains. If you can imagine, they dug through the mountains. It’s a little bit like when the Chinese built the railroad here, only in this case, they were serving their own people. So much dynamite was used that the herdsmen were superstitious. They believed a devil is trying to terrify them. Then they got used to them after a while. They called the soldiers the Thunders. This gave my dad an idea. He named me Thunder for good luck.

In China, if you ask what is the most dangerous job, everyone will tell you the job of coal miner is number one. The truth is, this job was even worse. Sometimes you can be working and someone is putting dynamite right next to you, and you don’t even know it until it goes off. The mountain can collapse at any time. Once, it fell in and trapped a lot of men. My father is lucky that he went to drink some water. Just at that place where he was before, it fell in.

Immediately, they all try to save the ones who are trapped. I think in a rich country, someone would bring some special equipment. Today, maybe in China they can have this equipment as well, but at the time, it is impossible. All that they can do is dig with tools in their hands. Of course, there’s no way it can work and the friends of theirs die. Actually, they have to let them die. The leaders cannot waste the time to save them. They were ordered to go back to work. It’s the same as war. The country is in a war to modernize, and many people have to give up their lives.

Including my father had to give his life. So, by what he did, he taught me what it’s all about to be a hero.

Look, it’s me and you.

Yeah.

Macky D.

This is my screensaver.

She reached over his arm, her breast against his arm, and clicked to the next photograph. It was Skinner with New York behind him at night. Empire Building, she said. She studied the solitary white face in the camera’s flash, surrounded by the black sky and galactic skyline, a week before she had met him.

Then she clicked again and saw dull land and sky, blue over brown, dark palms, a blurred shadow of a vehicle, a striding figure in a robe. She clicked again and saw a haze of dust hanging over mud buildings. A mosque, a truck driving by in the glare. A goat lying on a rubble of bricks in a ditch, the blur of a child carrying a bucket, and a soldier looking the other way.

He had gotten silent. She kept clicking.

Those are the guys.

An angry face in a helmet. She clicked. Someone giving the camera the finger. A laugh. A picture of a military vehicle with the hatches open and gear everywhere as if it had been torn apart in a hurricane. The soldiers’ heads were down. They looked confused and disorganized. A focused man spoke on the radio.

The next picture was of a soldier sitting in a wooden latrine closet holding a roll of toilet paper in his filthy coal miner’s hands. He was speaking at the camera.

Damn. That’s Sconnie.

There was a picture of what was a human foot lying on the sand and another picture in which the object was shown from a greater distance and you couldn’t tell it was someone’s foot. But you could see something else, a pile of drenched clothing at a distance. In the pile, she made out a beard, a face — she thought. Blurred soldiers smoking. She saw animals, dogs. A woman covered in a nun-like robe, except for her fearsome face in mid-yell, her thick hands lifted and about to come down in the act of hurling curses at the picture taker.

She tapped the key again. She saw a platoon all sleeping like homeless men in shallow graves that they had dug in clay, lying in a spill of camouflage, each man’s boots next to him.

As she kept clicking, the disorder of everything seemed to reassemble itself in reverse. She saw them in shades, posing with their weapons, dressed as if for the beach in flip-flops and towels, sunglasses and guns.

There was a photograph of a young man asleep with his mouth open and someone holding a hotdog in front of his crotch and putting it to the other’s mouth.

Neither she nor Skinner laughed. She murmured, kept clicking. A photograph appeared of a young man, shirtless, in motion, close to the camera. He was extremely fit. Lines separated all the muscles of his torso. A gold light surrounded the subject. He bore a likeness to the man sitting next to her on the bed. A cousin, she thought. But his tattoos were the same.

Yeah, that’s me, he said. I know I’m not as good now.

Seeing a magazine under his bed, she said, Hm, what’s this? And she picked it up and started flipping through it. It contained pictures of people having sex in high resolution. There were two women having sex with one man, and two men having sex with one woman.

Aw that’s nothing serious. Well, you know what that is.

She knew what porn was, yes, she did. Chinese men had these kinds of magazines, showing Japanese women tied up with clothesline, men’s hands pinching their breasts. They included educational articles on the mechanics, significance, and health requirements of various sexual acts, such as so-called flute-blowing, which was described as the ultimate way to show appreciation of the man’s yang force by a devoted female on her knees. Bachelors read these stories when they came home from restaurant work and needed to relieve themselves. That was just men for you. The sound of them masturbating came through the plywood walls when she was trying to sleep.

The Western magazine she was now looking at was a Club International. With a raised eyebrow, she examined the scenes of double penetration and gazed long and skeptically at a woman sticking out her tongue with a proud and satisfied expression showing that the men had ejaculated in her mouth.

At length, Zou Lei tossed the magazine back on the floor. This kind of thing was fine for other people, but it was not for her.

You sure? Skinner asked, and she hit him. But he was serious.

You might not always know yourself.

Well, anyway, he said, take a look at this. Check this out. He stuck his cigarette in his mouth and rummaged on the floor, eyes slitted against his smoke, and found his Ironman and opened it for her. See this is what I’m doin now. And she joined him in looking at the lifters: athletes dividing their anatomy into logical sections and applying resistance to each section in accordance with a disciplined schedule. The lifter on the cover was straining and bulging, his skin straining and flushed red, his teeth bared in a grimace of ultimate effort, his face flexed and flushed and bulging with veins as if even his forehead were yet another slab of muscle.

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