David Peace - Tokyo Year Zero

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It's August 1946—one year after the Japanese surrender — and women are turning up dead all over Tokyo. Detective Minami of the Tokyo Metropolitan Police — irreverent, angry, despairing — goes on the hunt for a killer known as the Japanese Bluebeard — a decorated former Imperial soldier who raped and murdered at least ten women amidst the turmoil of post-war Tokyo. As he undertakes the case, Minami is haunted by his own memories of atrocities that he can no longer explain or forgive. Unblinking in its vision of a nation in a chaotic, hellish period in its history,
is a darkly lyrical and stunningly original crime novel.

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Her flesh far from here, carried in the mouths of others

I stare at the bleached white bones of her fingers –

I stare at the bleached white bones of her hands –

Her wrists and her forearms and her elbows –

The bleached white bones of her face –

The permed hair. The yellow teeth –

Her last, contorted smile

The shadows have lengthened now, the tall grasses and zelkova trees closer here.

*

The good detective visits the crime scene one hundred times . I have walked away from that place. The good detective knows nothing is random . I have walked out of the shadow and into the sunlight. The good detective knows in chaos lies order . I have walked back down the hill and into the temple grounds. In chaos lie answers

But there is nothing left of the Zōjōji Temple –

Huge scorched trees, their roots to the sky

Nothing but the ruin of the old Black Gate –

Branches charred and leaves lost

In this lonely place, I stand beneath the dark eaves of the gate and I watch the ambulance drive away –

We have seen hell, we have known heaven, we have heard the last judgment and we have witnessed the fall of the gods … Under the Black Gate, a stray dog pants –

But I am one of the survivors

His house lost, his master gone –

One of the lucky ones

In the Year of the Dog.

*

It is another long, hot walk back to Metropolitan Police Headquarters, a walk made worse by the dirt and the dust from the trucks and the jeeps with their big white stars and their big white teeth –

The constant, constant sound of hammering –

Ton-ton. Ton-ton. Ton-ton. Ton-ton

I knock on the door to Chief Kita’s office. I open it. I apologize. I bow. I enter. I take my seat at the table –

Chief Kita sits at the head of the table with his back to the window, its frame still buckled from the bombs; Chief Kita, the kachō of the whole of the First Investigative Division, an old but lean man with a deeply tanned face, a close-shaven head and hard, unblinking eyes; Chief Kita, the best friend my father ever had –

I don’t want to remember. I don’t want to remember

To his right, Chief Inspector Kanehara with Adachi –

But in the half-light, I can’t forget

To his left Inspector Kai, leader of the First Team, and me; Inspector Minami now, leader of the Second Team –

No one is who they seem to be

The report for the Public Safety Division is on the table. It has been translated into English, probably by Kanehara, and then typed up. It is passed round the table for all our signatures and seals –

I take out my pen. I stare at the report –

It could be Das Kapital

The typed Roman characters –

Mein Kampf

I sign it.

The report is returned to Chief Inspector Kanehara. Now Chief Kita nods at me and I begin my report; I repeat the timetable of the discovery and reporting of the first body; I detail the state and environment of the first body on our arrival; I recount my initial interview with the lumberjack; I defer then to Adachi who reports the timetable involving the photographer and the ambulance –

‘My initial deduction upon seeing the body was that a murder had been committed. Therefore, I ordered Inspector Minami and his men to conduct a thorough search of the immediate area surrounding the body. It was during the course of this search that Inspector Minami himself discovered the second body, which was approximately ten metres from the site of the first body.’

‘Detective Inspector Minami, please…’

‘As Chief Inspector Adachi has said, the second body was approximately ten metres from the site of the first body. The second body was badly decomposed and largely skeletal, but it appears to be the body of a young woman. However, unlike the first body, it was not naked but wearing a white half-sleeved chemise, a yellow and dark-blue striped pinafore dress, pink socks and white canvas shoes with red rubber soles. Initial inspection and experience would suggest that death occurred between three and four weeks ago but of course that will be precisely determined by the autopsy. It is clear though that the two women did not die at the same time.’

‘Do you believe these deaths are connected?’ asks Chief Kita.

‘Until the results of the autopsy are known, the location and sex of the two bodies remain the only connecting factors,’ I reply. ‘Despite their proximity, the nature of the vegetation meant that the site of one body was not visible from the other. As you are all aware, there was what would seem to be a piece of material tied round the neck of the first body, leading us to assume that death was a result of murder. On preliminary examination of the second body, no such material was found, nor were there any other obvious signs of a murder having occurred. As we know, in the last year a number of bodies have been found in the environs of Shiba Park. However, before today’s discovery, only one of these has proved to be murder. The other deaths were as a result of either suicide or disease.’

Chief Kita nods. Chief Kita says, ‘Chief Inspector?’

Adachi nods, reluctantly. ‘I agree with Inspector Minami.’

‘Then we’ll handle the two cases separately,’ says the chief. ‘Until we have the results from the autopsies which will be…?’

‘The day after tomorrow,’ says Adachi.

‘From Keiō or Tokyo?’

‘From Keiō…’

‘By?’

‘Dr. Nakadate.’

Kanehara and Kai pretend not to look up from their notes. Kanehara and Kai pretend not to look from me to Adachi to Chief Kita. Kanehara and Kai pretend not to see our exchange of glances –

I don’t want to remember. I don’t want to remember

‘It can’t be helped,’ says the chief. ‘Let’s proceed…’

Now comes the structure of the investigation. The delegation of responsibility. The division of labour

‘Inspector Kai and Room #1 will open the investigation into the first body. Inspector Kai and Room #1 will set up their Investigation Headquarters at the Atago police station. Inspector Kai will report to Chief Inspector Kanehara.’

Inspector Kai bows. Inspector Kai shouts, ‘I understand! Thank you! I will not let you down!’

Chief Inspector Kanehara bows. Kanehara shouts, ‘Thank you! I will not let you down!’

‘Inspector Minami and Room #2 will investigate the second body found at Shiba Park…’

I bow too hastily; there must be a hint of relief, a glimpse of respite in my action, because Chief Kita’s tone is harsh now –

‘Inspector Minami and Room #2 will conduct the investigation as a murder inquiry. Inspector Minami and Room #2 will also set up their Investigation Headquarters at Atago police station until further instructions are received. Inspector Minami and his team will report to Chief Inspector Adachi.’

I curse him. I curse him. I curse him

I bow again to the chief. I tell him I understand. I thank him. I promise I will not let him down –

So tomorrow morning Room #2 will take their trunk to Atago. Tomorrow morning our banner will be unfurled and raised on its poles. Tomorrow the investigation will begin. Day and night, night and day. From tomorrow morning there will be no rest, no time off for twenty days or until the case is closed

‘Has anyone anything else they wish to say?’ asks Chief Inspector Kanehara. ‘Anything they wish to clarify?’

There is nothing to say. Nothing to clarify –

There is silence now, almost –

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