David Bezmozgis - Natasha and Other Stories

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Natasha and Other Stories: краткое содержание, описание и аннотация

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Few readers had heard of David Bezmozgis before last May, when
and
all printed stories from his forthcoming collection. In the space of a few weeks, these magazines introduced America to the Bermans-Bella and Roman and their son, Mark-Russian Jews who have fled the Riga of Brezhnev for Toronto, the city of their dreams.
Told through Mark's eyes, and spanning the last twenty-three years, Natasha brings the Bermans and the Russian-Jewish enclaves of Toronto to life in stories full of big, desperate, utterly believable consequence. In "Tapka" six-year-old Mark's first experiments in English bring ruin and near tragedy to the neighbors upstairs. In "Roman Berman, Massage Therapist," Roman and Bella stake all their hopes for Roman's business on their first, humiliating dinner in a North American home. Later, in the title story, a stark, funny anatomy of first love, we witness Mark's sexual awakening at the hands of his fourteen-year-old cousin, a new immigrant from the New Russia. In "Minyan," Mark and his grandfather watch as the death of a tough old Odessan cabdriver sets off a religious controversy among the poor residents of a Jewish old-folks' home.
The stories in
capture the immigrant experience with a serious wit as compelling as the work of Jhumpa Lahiri, Nathan Englander, or Adam Haslett. At the same time, their evocation of boyhood and youth, and the battle for selfhood in a passionately loving Jewish family, recalls the first published stories of Bernard Malamud, Harold Brodkey, Leonard Michaels, and Philip Roth.

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Holocaust Day was also the one day that Rabbi Gurvich supervised personally. Gurvich’s father was a Holocaust survivor and had, that year, published his memoirs. We were all encouraged to buy the book. When the copies arrived, Gurvich led his father from class to class so that the old man could sign them. Whereas Gurvich was imposing — dark, unsmiling, possessing a gruff seismic voice — his father was frail and mild. In our class, the old man perched himself behind the teacher’s desk and smiled benignly as he inked each copy with the double imperative: Yizkor; al tishkach! Remember; don’t forget!

Even though I had spent the two days of my suspension fantasizing about killing Gurvich and Ackerman, I returned to school and avoided them both. Gurvich was easy to avoid. With the exception of Holocaust Day, his primary role was that of disciplinarian and — unless you were called into his office — he was rarely seen. Ackerman was different. The only class we shared was gym, but in the mornings I saw him grinning as I got my books from my locker; at lunch I sat across the cafeteria as he conspired against me; and at recess, if he was playing, then I abstained from tennis-ball soccer.

For Holocaust Day we were called down into the basement by grades. The hallway was long and, arranged in orderly columns, an entire grade could fit into the basement at one time. After Gurvich made the announcement over the intercom, we followed our teachers down. We were quiet on the way and silent once we got there. Some people started crying before we entered the basement; others started to cry when we reached the dimness and saw the photos on the walls. As we filed in, Gurvich stood waiting for us beside the menorah. When everyone was in the basement, the double doors were closed behind us and we waited for Gurvich to begin. Because the hallway was extremely reverberant, Gurvich’s deliberate pause was filled with the echo of stifled sobs, and because there were no windows and the pool was so close, the basement was stuffy and reeked of chlorine.

Gurvich began the service by telling us about the six million, about the vicious Nazis, about our history of oppression. His heavy voice occupied the entire space, and when he intoned the El Maleh Rachamim, I felt his voice reach into me, down into that place where my mother said I was supposed to have the thing called my “Jewish soul.” Gurvich sang: O God, full of compassion, who dwells on high, grant true rest upon the wings of the Divine Presence. And when he sang this, his harsh baritone filled with grief so that his voice seemed no longer his own; his voice belonged to the six million. Every syllable that came out of his mouth was important. The sounds he made were dictated by centuries of ancestral mourning. I couldn’t understand how it was possible for Gurvich not to cry when his voice sounded the way it did.

After Gurvich finished the prayer, we slowly made our way through the memorial. I stopped by photos of the Warsaw ghetto during the uprising and then beside a portrait of Mordecai Anilewicz, the leader of the ghetto resistance. I noticed Ackerman behind me. He was with two friends and I turned my head to look.

— What are you looking at, assface?

I turned away. I concentrated on moving down the hallway but felt a shove from behind and lost my balance. I managed to catch myself along the wall. My hand landed safely on top of a child’s crayon drawing, but my foot accidentally knocked over the Czech memorial candle. Everybody in the hallway froze at the sound of the breaking glass. I turned around and saw Ackerman snickering. Matthew Wise, Ackerman’s friend, stood between me and Ackerman. Wise was bigger than Ackerman, and I was sure he was the one who had pushed me. Instinctively, I lunged at Wise and tackled him to the ground. I was on top and choking him when Gurvich grabbed the back of my shirt and tried to pull me off. Even as Gurvich pulled me away I held on to Wise’s throat. And when Gurvich finally yanked me clear, I saw that Wise was still on the floor, trembling.

While the rest of my class finished going through the memorial, I waited upstairs in Gurvich’s office. I waited, also, until the sixth grade went down to the memorial, before Gurvich returned.

I sat for half an hour, maybe longer. I imagined the horrible consequences. I foresaw my mother’s reaction and, even worse, my father’s reaction. I didn’t regret what I had done, but the fear of squandering so much of my parents’ money made me physically sick.

When Gurvich finally walked into his office, he didn’t sit down. Without looking at me, he told me to get up out of my goddamn chair and go back downstairs. I was not to touch anything, I was not to move, I was to stay there until he came.

Back in the basement I waited for Gurvich by the menorah. I didn’t know where else to stand. I didn’t know where in the memorial my presence would be the least offensive to Gurvich. I stood in one place beside a picture of Jews looking out of their bunks, and somehow I felt that my standing there would anger Gurvich. I moved over to the sculptures and felt the same way. I wanted to strike some sort of anodyne pose, to make myself look like someone who didn’t deserve to be expelled.

I was tracing the ironwork on the menorah when Gurvich pushed the double doors open and entered. Very deliberately, as if he didn’t know what to say first, Gurvich walked over to where I stood. I took my hands off the menorah.

— How is it that all of this doesn’t mean anything to you, Berman? Can you tell me that?

— It means something.

— It means something? It means something when you jump on another Jew in this place, on Holocaust Day? This is how you demonstrate it means something?

He raised his voice.

— It means something when you act like an animal to the memory of everyone who died?

— What about Wise? He pushed me into the wall.

— Wise had to go home because of what you did, so don’t ask me about Wise. Wise wasn’t the one choking another Jew at a memorial for the Holocaust.

I didn’t say anything. Gurvich tugged at his beard.

— Look around this, Berman, what do you see?

I looked.

— The Holocaust.

— And does this make you feel anything?

— Yes.

— Yes? It does?

— Yes.

— I don’t believe you. I don’t believe you feel anything. He put his hand on my shoulder. He leaned in closer.

— Berman, a Nazi wouldn’t do here what you did today. Don’t tell me about how you feel.

— I’m not a Nazi.

— No, you’re not a Nazi? What are you?

— A Jew.

— What?

— A Jew.

— I can’t hear you.

— I’m a Jew.

— Why so quiet, Berman? It’s just us here. Don’t be so ashamed to say it.

— I’m a Jew, I said into my shoes.

He turned me around by my shoulder. I may have considered myself a tough little bastard, but when Gurvich gripped me I understood that mine was a boy’s shoulder and that his was a man’s hand. He put his face very close to mine and made me look at him. I could smell the musky staleness of his beard. For the first time, I felt I was going to cry.

— So that my uncles hear you in Treblinka! he commanded.

He tightened his grip on my shoulder until he saw it hurt. I was convinced he was going to hit me. The last thing I wanted to do was start crying, so I started crying.

— I’m a Jew! I shouted into his face.

My voice rang off the walls, and off the sculptures and the pictures and the candles. I had screamed it in his face wishing to kill him, but he only nodded his head. He kept his hand on my shoulder and waited until I really started to sob. My shoulder shuddered under his hand and I heard the repulsive sound of my own whimpering. Finally, Gurvich removed his hand and backed away a half step. As soon as he did, I wanted him to put his hand back. I was standing in the middle of the hallway, shaking. I wanted to sit down on the floor, or lean against a wall, something. Anything but stand in the middle of that hallway while Gurvich nodded his rabbinical head at me. When he was done nodding, he turned away and opened the double doors leading up to the stairs. Halfway out, before closing the doors, Gurvich looked back to where I hadn’t moved.

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