Robert Butler - Mr. Spaceman

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"There are three things about this planet which are too wonderful for me. Make that four things. The way of dreams in the mind; the way of tears in the eye; the way of words in the mouth; and the way of my wife Edna Bradshaw when she acts like a cat and love-nibbles me into her arms." This is the voice of Desi, the hero of Robert Olen Butler's novel Mr. Spaceman, who has kept a quiet vigil above the Earth for decades while studying the confusing, fascinating, and frustrating primary species of our planet, occasionally venturing to the planet's surface to hear their thoughts and experience their memories using his empathic powers. Now, on December 31, 2000, he prepares for the final phase of his mysterious mission, which begins when he beams a tour bus bound for a Louisiana casino aboard his ship. The twelve passengers will be the last humans whose lives he will experience before he positions his spaceship in full and irrefutable view of the people of Earth, and descend to the planet's surface to proclaim his presence to all of humanity at the turn of the millennium. Poignant, funny, and charming, Mr. Spaceman is filled with unexpected twists and turns, a tribute to the powers of love and understanding and the essence of what it means to be human.

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Now listen to me there. I haven’t thought of those words for twenty some-odd years. Not to mention let them pass out of my mouth. Not even sure I could tell you what they all mean right now, exactly. But my zoot suit was the color of a singing canary and I was big inside that thing, real big, and all those words I said was like singing. I was forty-four years old at that time. My one child, my daughter Carolyn, was living with her husband by then in Milwaukee and my wife, Sadie, bless her heart, which was big as all of Lake Michigan, she went along with my second adolescence just fine. I miss her bad now, I can tell you. I was hoping when you took me up that I just had died and I was about to see her again.

Some people think the zoots was a Mexican thing. But our man Cab Calloway was the first to billboard himself like that, make his shoulders wide and his drape long and you could see that he was master of something, bigger than anybody would expect him to be. Not that I’m saying the Mexicans couldn’t be like that, too. They went through the troubles like we did, I expect. And they paid for their threads with blood out in Los Angeles. In ’43, I think it was. There was an actual zoot suit riot, with the police and the soldiers and the sailors out there hunting down the cats with the reet pleats and beating them to death for being who they are.

Doesn’t take much, does it, for the bad guys to go putting a world of hurt on you. These things going on in Chicago today and Detroit and all around. In my own street. People forget it’s happened before in this town. I come here with my daddy and my mammy from Mississippi before the first war and I was just a kid. Missed that war, too. I was too young. Like I was too old for the second one. Not that it was so easy to be able to fight for your country if you was a Negro, but I would’ve tried. Still, let’s see, what was I? I was nineteen when President Wilson finally had to start sending us over. I guess I could’ve died in France or somewhere at nineteen. But like I say, it was a known fact that they didn’t want Negro kids in the Army. We wasn’t worthy of dying for a country.

What we could die for was a water fountain or a seat on a bus or some damn miserable little thing like that. Or a place to swim. See, there was a riot — just like this one — back right after the first war. It was a real hot summer, July or August, and it must have been about 1919. A Negro boy was out swimming in the lake and somehow he got in a current or something or he got turned around. But anyways he show up just off the shore at the Twenty-ninth Street beach and that was forbidden. People think it was just the South that have a white this and a colored that, but we couldn’t go nowhere near the Twenty-ninth Street beach at that time. That was before the whole South Side from Twenty-sixth to Fifty-first and from the lake to the Rock Island tracks had gone and turn into Bronzeville. We was already living pretty thick over near the railroad but there was still a bunch of German Jews and Irish Catholics living in the area, especially along Douglas and Grand Boulevard and they let us clean their houses but we couldn’t mess up the water off their shores. So some of those boys saw this Negro swimming out there and they threw stones against him till he went down and drowned. Just for being in the water.

Lookit. There’s this thing that happens right here in the center of my chest when I say that. Right now. That’s interesting to me. I get to thrashing around in there. It’s enough that I might could do something real angry if I was a young man still, or even a forty-four-year-old man, and if I let myself dwell on what they did to Reverend King and what they did to Muhammad Ali and what they doing to all our Negro boys in this war in Vietnam. It’s only too easy now for a Negro to die in a war. And nobody kids himself it’s to save our country or save the world or nothing like that. So let the Negroes die in Vietnam, they be thinking. Do us all some good.

I don’t know why I didn’t go and get into fights and burn some things down when I was twenty-one years old and we had a week or more of fighting in the streets over that boy being stoned to death in Lake Michigan. Guess it was ’cause I only just did started out at the Stockyards and I was glad to have a job, even for fifteen dollars a week, and even if it was just as a driver at that time, wading around ankle-deep in pig shit herding those animals from train car to holding pen and from holding pen to killing room.

Even going to work, though, I had my chances to do something about how I felt. There was plenty of Irish living west of the Rock Island tracks, in between us and the Yards, in a place they called Canaryville. I think May or Daley lives there right now. And I remember we had to go through there to get to work, through that Irish neighborhood, and it was real rough, especially during that week or two in 1919. We took some tough words and we took some spit and all like that. But I just turned the other cheek, so to speak. No matter how angry I was inside.

I guess I feel a little ashamed of that now. I had plenty of cause to act on this thrash-around feeling in the center of me back then. I was a young man. I could’ve picked up a rock and throwed it. Or done something. And I can be thinking about white folks like they think about us. Whitey this. Whitey that. Ain’t no good Whitey but a dead Whitey. But lookit here. I figure that’d be a way for those white people who be racists, all the dumb shits with the bed sheets on or the spit flying out of their filthy mouths, it’d be a way for them to get the Negro real good once and for all. You know how that is? By turning us into them, that’s how. Make us think like they do. Make us see a color, no matter what it is, even if it’s white, and we think we know that person because of it. If we do the Whitey this and the Whitey that, then we’re being just like them boys in the sheets. That’d give them a good laugh, wouldn’t it. See, I got to go back now and say that in the time they killed that Negro boy who was just swimming out in the lake, it was only some particular Irish Catholics and German Jews who done it. I know there be plenty of good folks among them, just like we want them to know that we got plenty of good folks among us.

Still you get mad. You know? You still got to deal with that feeling in your chest. That’s probably partly why I was wearing a zoot suit when I was forty-four years old. I got robbed of something long before that. Like that boy in the lake. He was maybe twelve, thirteen years old and there was nothing more for him in this life. He got robbed of his childhood, is what. Well, that’s what happened to me, too. What happened to most of us. You don’t live like we all lived in those times from the cradle on up and ever get to wear the bright colors and the big shoulders and the floppy pants of childhood. That’s what they took from us and what I tried to get back dressing up like you there, Mr. Space Alien. I’m ready to believe there be some real good folks among you Space People, too. I hope you had a nice childhood. I sure wonder what it would’ve been like. But I want to shake your hand because I am not a prejudiced man. I won’t never let that happen to me. Man, you’ve got a lot of fingers. But that’s hep, Jackson. Meeting you’s money from home.

This voice vanishes now into the darkness. I look at my strikingly befingered hand and I think of slapping the skin with Herbert Jenkins and I am glad to have thought of him, to have listened to him at this moment. I realize that part of my present terror, facing my assignment, comes from a sense of those below who will look upon my body and be ravished by its differences from their own and see in me only their fears which they will turn to prejudice and then to hatred and then to rage and then to murder. Have things changed so much down there in the subsequent thirty-two revolutions about this frankly mediocre star? Dear Herbert Jenkins. I wish I could move my hand and bring back your body from that great darkness that puzzles us together, your species and mine. I wish I could hear new words from you. And that is the Bible.

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