Ervin Krause - You Will Never See Any God - Stories

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A farmer perishing under a fallen tractor makes a last stab at philosophizing: “There was nothing dead that was ever beautiful.” It is a sentiment belied not only by the strange beauty in his story but also in the rough lives and deaths, small and large, that fill these haunting tales. Pulp-fiction grim and gritty but with the rhythm and resonance of classic folklore, these stories take place in a world of shadowy figures and childhood fears, in a countryside peopled by witches and skinflints, by men and women mercilessly unforgiving of one another’s trespasses, and in nights prowled by wolves and scrutinized by an “agonized and lamenting” moon. Ervin D. Krause’s characters pontificate in saloons, condemning the morals of others as they slowly get sloshed; they have affairs in old cars on winter nights; they traffic in gossip, terrorize their neighbors, steal, hunt, and spy.
This collection includes award-winning stories like “The Snake” and “The Quick and the Dead” as well as the previously unpublished “Anniversary,” which stirred a national controversy when it was censored by the University of Nebraska and barred from appearing in
. Krause’s portrayal of the matter-of-fact cruelty and hopeful fragility of humanity is a critical addition to the canon of twentieth-century American literature.

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The boy came around behind me, dragging the stake. “It’s a big snake, isn’t it?” he said. “I’m going to tell everybody how big a snake I killed.”

“Don’t you see what you have done?” I said. “Don’t you see the difference now?”

“It’s an ugly, terrible snake,” he said. He came up and was going to push at it with his heavy shoes. I could see the happiness in the boy’s eyes, the gleeful brutality.

“Don’t,” I said. I could have slapped the boy. He looked up at me, puzzled, and he swayed his head from side to side. I thought, you little brute, you nasty, selfish, little beast, with brutality already developed within that brain and in those eyes. I wanted to slap his face, to wipe forever the insolence and brutal glee from his mouth, and I decided then, very suddenly, what I would do.

I drew the snake up and I saw the blue eyes of the boy open wide and change and fright, and I stepped towards him as he cringed back, and I shouted, “It’s alive, it’s alive!” and I looped the tube of the snake’s body around the boy’s neck.

The boy shrieked and turned in his terror and ran, and I followed a few steps, shouting after him, “It’s alive, it’s alive, alive!”

The boy gasped and cried out in his terror and he fled towards the distant house, stumbling and falling and rising to run again, and the dead snake hung on him, looped around his neck, and the boy tore at it, but it would not fall off.

The little brute, I thought, the little cruel brute, to hurt and seek to kill something so beautiful and clean, and I couldn’t help smiling and feeling satisfied because the boy, too, had suffered a little for his savageness, and I felt my mouth trying to smile about it. And I stopped suddenly and I said, oh God, with the fierce smile of brutality frightening my face, and I thought, oh God, oh God. I climbed quickly onto the tractor and I started it and pulled the throttle open to drown the echoes of the boy shrieking down there in the long valley. I was trembling and I could not steer the tractor well, and I saw that my hands were suffused and flushed, red with a hot blood color.

About the Author

Nebraska-born Ervin D. Krause’s(1931–70) stories have appeared in literary magazines and two O. Henry Prize Stories anthologies.

About the Editor

Timothy Schaffert’sbooks include The Swan Gondola .

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