Pete Hamill - Forever

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Moving from Ireland to New York City in 1741, Cormac O’Connor witnesses the city’s transformation into a thriving metropolis while he explores the mysteries of time, loss, and love. By the author of Snow in August and A Drinking Life.
Reprint. 100,000 first printing.

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Kongo could no longer wait. He untied one of the cords in the shroud, went to Bridget Riley, grabbed her blouse, pulled it up over her head, exposing a laced garment covering her swelling breasts. He tied the blouse like a hood, the rope tight around her eyes. Then he stepped to the side and punched her hard. She fell without a word.

“Quick,” he said.

59.

In the black river, the skiff was pulled by the current. The earl’s body lay on the bottom of the boat, tied into its shroud, which was now heavy with rocks. Kongo stood guard at the stern, armed with the pistol and an ax, his eyes searching the river. They were passing the palisades that thrust up from the New Jersey shore. Cormac rowed desperately, trying to move them out of the grip of the current, closer to the Manhattan side, to a place of escape, but the skiff was being pulled by the black water toward the open harbor. Upriver, coming fast, they could see the bob and flicker of lights. A boat, with at least two lanterns. Coming after them. The earl’s men.

This was not in Kongo’s plan. There was no time to feel what he’d done, taking one life, sparing two. Sparing Bridget. Sparing a child. Almost surely the earl’s child. Did it matter? It might. The tribe ordered pursuit “to the end of the line.” Where was the end of the earl’s line? Not now, Cormac thought. No time to think. Time only to row, adding my own feeble power to the force of the river.

Until Kongo told him to stop rowing. Then he grabbed the upper part of the wrapped shroud and Cormac the bottom. The boat wobbled as they heaved. And the shroud sank into the black waters.

Upriver, the light was now larger. Yellow lantern light. The lamp of vengeance and punishment. Coming so fast that it must have five or six men rowing together.

Kongo glanced around, and then gripped the ax.

“We swim,” he said.

Cormac remembered swimming in rock pools in Ireland, in wide streams over hot summers, but he was afraid of the northern waters of the river. I can’t die. Not now, when I’m free.

But Kongo left no room for argument. He smashed at the keel with the ax. Sharp splitting sounds. Water erupted from one hole like a geyser. Followed by another, and a third. The boat slowed, the black water rose, and they were in the river.

The winter river shocked Cormac. He felt absolutely alone now, sinking and sinking, water filling nose and mouth, as he plunged into a black, shapeless, bone-freezing world. The sword was hooked into the back of his belt and seemed to weigh a hundred pounds. He beat hard with his hands and arms and kicked with his legs, but he seemed not to move. And then he started rising. He saw the smeared roof of the sky. He felt his long coat swollen with water, the sword digging into his flesh. He tried to wriggle an arm free of the coat, but water filled his nose and mouth. He now felt nothing in his hands. Or his feet. Down he plunged, down and down, ripped by the current. Thinking: I am dead. Thinking: I now join the earl. Thinking: I have done what I came to do. But now I die. Far from home. Thinking: Revenge drowns.

Then he felt a bumping beneath him.

A roundness.

Cold and sleek and bumping him, pushing him up and up and up, forcing him away from the dark, drowned river bottom. It was as if he were being pushed by some enormous fish. Some round, cold-fleshed dolphin lost in the icy north. Up. And up.

Until he burst free and saw the sky.

He gasped as air and life flowed back into him. Went under again. Then was bumped. Almost gently now. Like a series of cold caresses.

He surrendered to the creature.

And then the world swirled and the watery sky was full of black clouds and the cold gauzy moon and the bumping caresses turned him, shoved him, moved him into endless blackness.

He awoke to a cold pink dawn, lying in sand and scrubby weeds. A pale moon lingered in the sky. He ached in every joint and felt a throbbing pain in his back. He sat up. Felt a pressure. The sword. I still have the sword. The pain ceased as he stood on aching legs. Then the river and his fear erupted from him in bile and vomit. Finally, after another five minutes, he felt empty of everything. He stood with his head bowed, vacant, boneless, exhausted, freezing, and whispered hoarsely, “I’m alive.”

Seabirds cried and screeched above him, as if angered by his intrusion, circling, diving, swooping, but not attacking. Across the harbor, he could see the island of Manhattan and knew he was on the wild empty shore of New Jersey. Pushed here. Bumped here. Saved. When he looked again at the seabirds he saw among them one that was black and knew that it was a raven.

60.

When Cormac arrived that afternoon, after the ferry ride to the Manhattan dock, still barefoot in his soggy coat, Mr. Partridge looked relieved. Cormac didn’t show him the blurred, water-swollen letter signed by the earl.

“Have you been swimming?”

“Yes.”

“They say it’s good for the health.”

“It’s better in August.”

“Well, have a sleep, and we’ll work tonight.”

He surely must have suspected something terrible (Cormac thought), but he didn’t ask another question. Cormac removed his coat and trousers, brushed away the mud and nettles, hung them on a peg, then hid the earl’s letter and the sword. He fell into an aching, dreamless sleep.

When he awoke, Mr. Partridge was setting type by lantern light. He mentioned casually that an African had delivered the money for the posters.

“And by the way,” he said, “happy Saint Patrick’s Day.”

The night of the rising.

The date that had fueled Kongo’s urgency.

Cormac listened for street sounds but heard no clamor or alarm. He opened the door, and the night was very still, without wind. Of course. That was it: the wind. Or the lack of it. They had spoken about the need for wind before firing the fort. On this night, there was no wind. He closed the door, feeling reprieved.

“Expecting someone?” Mr. Partridge said.

“No, just a breath of air is what I needed.”

Mr. Partridge was silent for a while, type clicking in his swift hands. Cormac could hear his shallow breathing. Finally the older man spoke, in a grave voice.

“You’ve killed him, haven’t you?”

“Aye.”

He sighed. “And now what will you do?”

“I’ll finish learning my trade.”

Mr. Partridge looked at Cormac carefully, then handed him a sheet of foolscap.

“You can set this. I’ve work to do up above.”

“Good night, Mr. Partridge.”

And up he went on the ladder. No judgments. No expressions of a regret he did not feel. Cormac set type that night until he could no longer see.

When Cormac lay down to sleep at last, he was filled again with the events that had brought him there. He still felt almost nothing. It was as if the black river waters had purged remorse, and guilt, and even conscience. He hoped he would not be traced and arrested for murder most foul. He hoped Mr. Partridge was not drawn into any of it. And he feared Bridget Riley. As she must fear him. She was the only witness. She could call the constables, tell them about Cormac, and about Kongo, and that could be the end of them.

But he did not think she would give names or descriptions. If she had married the earl, then she was the widow. That possibility must have drawn her to America. To assail the earl with guilt, or threats of exposure, to force him to marry her in some chapel, anywhere from Boston to Charlotte. That would be her triumph. She’d been sold for oats and corn, and now she’d be a lady. She could make him juggle before admitting him to her bed. There must have been some risk: The earl could have had her killed. But perhaps there was something else. Perhaps he loved her. Perhaps he sent for her. Perhaps he felt an aching loneliness on the shore of this empty continent, this outpost on the moon.

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