Seré Halverson - The Underside of Joy

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Set against the backdrop of Redwood forests and shimmering vineyards, Seré Prince Halverson’s compelling debut tells the story of two women, bound by an unspeakable loss, who each claims to be the mother of the same two children. To Ella Beene, happiness means living in the northern California river town of Elbow with her husband, Joe, and his two young children. Yet one summer day Joe breaks his own rule—
—and a sleeper wave strikes him down, drowning not only the man but his many secrets.
For three years, Ella has been the only mother the kids have known and has believed that their biological mother, Paige, abandoned them. But when Paige shows up at the funeral, intent on reclaiming the children, Ella soon realizes there may be more to Paige and Joe’s story. “Ella’s the best thing that’s happened to this family,” say her close-knit Italian-American in-laws, for generations the proprietors of a local market. But their devotion quickly falters when the custody fight between mother and stepmother urgently and powerfully collides with Ella’s quest for truth.
The Underside of Joy Weaving a rich fictional tapestry abundantly alive with the glorious natural beauty of the novel’s setting, Halverson is a captivating guide through the flora and fauna of human emotion-grief and anger, shame and forgiveness, happiness and its shadow complement… the underside of joy.
Review “The Underside of Joy” covers the transforming experiences of most of our lives — marriage, parenthood and death — with maturity, understanding and grace… the book offers a lot to think about. I suspect it will be a book club favorite.”
—M.L. Johnson, Associated Press “[An] exquisite debut… moving and hopeful”
—People Style Watch “Seré Prince Halverson’s debut novel is a faultless exploration of sadness and shame, anger and forgiveness; a story well told about people we would like to know.”
—Shelf Awareness “Halverson’s gloriously down-to-earth novel is so pitch perfect that as readers reluctantly reach the last page, wanting more, they will have to take it on faith that this really is her first fiction.”
—Library Journal, Starred Review “…As she mines the family secrets her characters hold close and how those affect their relationships with one another, Halverson proves she’s a wordsmith and a storyteller to keep an eye on.”
—Bookpage, Fiction Top Pick “A poignant debut about mothers, secrets and sacrifices…Halverson avoids sentimentality, aiming for higher ground in this lucid and graceful examination of the dangers and blessings of familial bonds.”
—Kirkus Reviews “Halverson paints a lovely picture of small-town life and intimate family drama…Nuanced characters and lack of cliché make for a winning debut.”
—Publishers Weekly “Halverson’s debut novel marks her as a strong new voice in women’s fiction…this would make an excellent book-club choice.”
— From the Back Cover “The writing in The Underside of Joy is as purely beautiful as the story is emotionally complex. When Ella Beene is wrenched from a state of unexamined happiness into confusion and grief, she finds that her only hope of emerging whole is to face searing and long-buried truths. Ella embarks on a difficult journey, both morally and materially, one that requires her to risk losing everything she most loves. I cheered (sometimes through tears) her every step.”
— “Searingly smart and exquisitely written, Halverson’s knockout debut limns family, marriage and a custody battle in a way that gets under your skin and leaves you changed. To say I loved this book would be an understatement.”
—New York Times bestselling author of Pictures of You Caroline Leavitt

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The Underside of Joy

by

Seré Prince Halverson

Dedication

For Stan

Chapter One

I recently read a study that claimed happy people aren’t made. They’re born. Happiness, the report pointed out, is all about genetics — a cheerful gene passed merrily, merrily down from one smiling generation to the next. I know enough about life to understand the old adage that one person can’t make you happy, or that money can’t buy happiness. But I’m not buying this theory that your bliss can be only as deep as your gene pool.

For three years, I did backflips in the deep end of happiness.

The joy was palpable and often loud. Other times it softened — Zach’s milky breath on my neck, or Annie’s hair entwined in my fingers as I braided it, or Joe humming some old Crowded House song in the shower while I brushed my teeth. The steam on the mirror blurred my vision, misted my reflection, like a soft-focus photograph smoothing out my wrinkles, but even those didn’t bother me. You can’t have crow’s-feet if you don’t smile, and I smiled a lot.

I also know now, years later, something else: The most genuine happiness cannot be so pure, so deep, or so blind.

On that first dawn of the summer of ’99, Joe pulled the comforter down and kissed my forehead. I opened one eye. He wore his grey sweatshirt, his camera bag slung over his shoulder, his toothpaste and coffee breath whispering something about heading out to Bodega before he opened the store. He traced the freckles on my arm where he always said they spelled his name. He’d say I had so many freckles that he could see the letters not just for Joe, but for Joseph Anthony Capozzi, Jr — all on my arm. That morning he added, ‘Wow, junior ’s even spelled out. ’ He tucked the blanket back over me. ‘You’re amazing.’

‘You’re a smart-ass,’ I said, already falling back to sleep. But I was smiling. We’d had a good night. He whispered that he’d left me a note, and I heard him walk out the door, down the porch steps, the truck door yawning open, the engine crowing louder and louder, then fading, until he was gone.

Later that morning, the kids climbed into bed with me, giggling. Zach lifted the sun-dappled sheet and held it over his head for a sail. Annie, as always, elected herself captain. Even before breakfast, we set out across an uncharted expanse, a smooth surface hiding the tangled, slippery underneath of things, destination unknown.

We clung to each other on the old rumpled Sealy Posturepedic, but we hadn’t yet heard the news that would change everything. We were playing Ship.

By their pronouncements, we faced a hairy morning at sea, and I needed coffee. Badly. I sat up and peeked over the sail at them, both their spun-gold heads still matted from sleep. ‘I’m rowing out to Kitchen Island for supplies.’

‘Not when such danger lurks,’ Annie said. Lurks? I thought. When I was six, had I even heard of that word? She bolted up, hands on hips while she balanced on the shifting mattress. ‘We might lose you.’

I stood, glad that I’d thought to slip my underwear and Joe’s T-shirt back on before I’d fallen asleep the night before. ‘But how, dear one, will we fight off the pirates without cookies?’

They looked at each other. Their eyes asked without words: Before breakfast ? Has she lost her mind ?

Cookies before breakfast… Oh, why the hell not? I felt a bit celebratory. It was the first fogless morning in weeks. The whole house glowed with the return of the prodigal sun, and the worry that had been pressing itself down on me had lifted. I picked up my water glass and the note Joe had left underneath it, the words blurred slightly by the water ring: Ella Bella, Gone to capture it all out at the coast before I open. Loved last night. Kisses to A&Z. Come by later if… but his last words were puddled ink streaks.

I’d loved the previous night too. After we’d tucked the kids in, we talked in the kitchen until dark, leaning back against the counters, him with his hands deep in his pockets, the way he always stood. We stuck to safe topics: Annie and Zach, a picnic we’d planned for Sunday, crazy town gossip he’d heard at the store — anything but the store itself. He threw his head back, laughing at something I said. What was it? I couldn’t remember.

We had fought the day before. After fifty-nine years in business, Capozzi’s Market was struggling. I wanted Joe to tell his dad. Joe wanted to keep pretending business was fine. Joe could barely tell himself the truth, let alone his father. Then he’d have a moment of clarity, tell me something about an overdue bill or how slow the inventory was moving, and I would freak out, which would immediately shut him back down. Call it a bad pattern we’d been following the past several months. Joe pushed off from the counter, came to me, held my shoulders, said, ‘We need to find a way to talk about the hard stuff.’ I nodded. We agreed that, until recently, there hadn’t been that much hard stuff to talk about.

I counted us lucky. ‘Annie, Zach. Us…’ Instead of tackling difficult topics right then, I’d kissed him and led him to our bedroom.

I feigned rowing down the narrow hall, stepping over Zach’s brontosaurus and a half-built Lego castle, until I was out of view, then stood in the kitchen braiding my hair in an effort to restrain it into single-file order down the back of my neck. Our house was a bit like my red hair — a mass of colour and disarray. We’d torn out the wall between the kitchen and living room, so, from where I stood, I could see the shelves crammed to the ceiling with books and plants and various art projects — a Popsicle-stick boat painted yellow and purple, a lopsided clay vase with Happy Mother’s Day spelled out in macaroni letters, the M long gone but leaving an indent in its place. Large patchworks of Joe’s black-and-white photographs hung in the few spaces that didn’t have built-ins or windows. One giant French window opened out to the front porch and our property beyond. The old glass made a feeble insulator, but we couldn’t bring ourselves to part with it. We loved its wavy effect on the view, as if we looked through water at the hydrangeas that lapped at the porch, the lavender field waiting to be harvested, the chicken coop and brambles of blackberries, the old tilted barn, built long before Grandpa Sergio bought the land in the thirties, and finally, growing across the meadow from the redwoods and oaks, the vegetable garden, our pride and glory. We had about an acre — mostly in the sun, all above the flood line, with a glimpse of the river if you stood in just the right spot.

Joe and I enjoyed tending the land, and it showed. But none of us, including the kids, were gifted at orderliness when it came to inside our home. I didn’t worry about it. My previous house — and life — had been extremely tidy, yet severe and empty, so I shrugged off the mess as a necessary side effect of a full life.

I took out the milk, then stuck Joe’s note on the fridge with a magnet. I’m not sure why I didn’t throw it out; it was probably the sweetness of the previous night’s reconciliation that I wanted to hang on to, the Ella Bella…

My name is Ella Beene, and as one might imagine, I’ve had my share of nicknames. Of all of them, Joe’s was one I downright cherished. I’m not a physical beauty — not ugly, but nothing near what I’d look like if I’d had a say in the matter. Yes, the red hair intrigues. But after that, things are pretty basic. I’m fair and freckled, too tall and skinny for some, with decent features — brown eyes, nice enough lips — that look better when I remember to wear makeup. But here’s the thing: I knew Joe liked the whole package. The inside, the outside, the in-between places, the whole five foot ten of me. And since all my nicknames fit me at their appointed times, I let myself bask in that one: Bella. So there I was. Thirty-five years old, beautiful in Italian, on a Saturday morning, making strong coffee, preparing a breakfast appetizer of cookies and milk for our children.

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