Your brother’s work is in some senses like being an astronaut, or slightly more prosaically, a scuba diver. It too involves the hiss of air, the feeling of weightlessness, the sudden pressure headaches and nausea, the precariousness that results when an organic being and a machine are fused together. Then again, an astronaut or aquanaut sees unimaginable new worlds, whereas your brother sees only a monocolor haze of varying intensities.
His occupation requires patience and the fortitude to withstand a constant sense of low-level panic, both of which out of necessity your brother has acquired. In theory it also requires protection in the form of goggles and respirators, but these are clearly optional, as your brother and his master have neither, placing thin cotton rags over their mouths and noses instead. Hence, in the near term, your brother’s cough. Over the long term, consequences can be more serious. But a painter’s assistant is paid, the skills he learns are valuable, and in any case over sufficiently long a term, as everyone knows, there is nothing that does not have as its consequence death.
As your mother prepares dinner that evening, a lentil stew thickened with chunks of onion, not because onions are her favorite ingredient but because they appear to add substance to a meal and today in the market they were cheap, it may not seem that you are a lucky child. Your wounded ear is, after all, more visibly painful than the expression in your sister’s eyes or the residue of paint on your brother’s skin. Yet you are fortunate. Fortunate in being third-born.
Getting an education is a running leap towards becoming filthy rich in rising Asia. This is no secret. But like many desirable things, simply being well known does not make it easily achieved. There are forks in the road to wealth that have nothing to do with choice or desire or effort, forks that have to do with chance, and in your case, the order of your birth is one of these. Third means you are not heading back to the village. Third means you are not working as a painter’s assistant. Third also means you are not, like the fourth of you three surviving siblings, a tiny skeleton in a small grave at the base of a tree.
Your father comes home after you have eaten. He has his meals with the other servants at the house where he cooks. All of you crowd around the family television, a sign of your urban prosperity. It is powered by a wire of communally stolen electricity that runs down the front of your building. It is archaic, a black-and-white, cathode-ray-tube device with an excessively curved and annoyingly chipped screen. It is narrower than the distance between your wrist and your elbow. And it is able to capture only the few channels that broadcast terrestrially. But it works, and your family watches in a state of hushed rapture the musical variety show it delivers to your room.
When the show is done, credits roll. Your mother sees a meaningless stream of hieroglyphs. Your father and sister make out an occasional number, your brother that and the occasional word. For you alone does this part of the programming make sense. You understand it reveals who is responsible for what.
The electricity to your neighborhood cuts out on the hour, and with it the light from your single naked bulb. A candle burns while you all prepare to turn in, and is then extinguished by your mother with a squeeze of her fingers. In the room it is now dim but not dark, the glow of the city creeping in through your shutters, and quiet but not silent. You hear a train decelerate as it passes along the tracks. You tend to sleep deeply, so although you share a cot, your brother’s cough does not disturb you even once during the night.
MANY SELF-HELP BOOKS OFFER ADVICE ON HOW TO fall in love or, more to the point, how to make the object of your desire fall in love with you. This, to be absolutely clear, is not one of those self-help books. Because as far as getting rich is concerned, love can be an impediment. Yes, the pursuit of love and the pursuit of wealth have much in common. Both have the potential to inspire, motivate, uplift, and kill. But whereas achieving a massive bank balance demonstrably attracts fine physical specimens desperate to give their love in exchange, achieving love tends to do the opposite. It dampens the fire in the steam furnace of ambition, robbing of essential propulsion an already fraught upriver journey to the heart of financial success.
So it is worrisome that you, in the late middle of your teenage years, are infatuated with a pretty girl. Her looks would not traditionally have been considered beautiful. No milky complexion, raven tresses, bountiful bosom, or soft, moon-like face for her. Her skin is darker than average, her hair and eyes lighter, making all three features a strikingly similar shade of brown. This bestows upon her a smoky quality, as though she has been drawn with charcoal. She is also lean, tall, and flat-chested, her breasts the size, as your mother notes dismissively, of two cheap little squashed mangoes.
“A boy who wants to fuck a thing like that,” your mother says, “just wants to fuck another boy.”
Perhaps. But you are not the pretty girl’s only admirer. In fact, legions of boys your age turn to watch her as she walks by, her jaunty strut sticking out in your neighborhood like a bikini in a seminary. Maybe it’s a generational thing. You boys, unlike your fathers, have grown up in the city, bombarded by imagery from television and billboards. Excessive fertility is here a liability, not an asset as historically it has been in the countryside, where food was for the most part grown rather than bought, and work could be found even for unskilled pairs of hands, though now there too that time is coming to an end.
Whatever the reason, the pretty girl is the object of much desire, anguish, and masturbatory activity. And she seems for her part to have some mild degree of interest in you. You have always been a sturdy fellow, but you are currently impressively fit. This is partly the consequence of a daily regimen of decline feet-on-cot push-ups, hang-from-stair pull-ups, and weighted brick-in-hand crunches and back extensions taught to you by the former competitive bodybuilder, now middle-aged gunman, who lives next door. And it is partly the consequence of your night job as a DVD delivery boy.
Beyond your neighborhood is a strip of factories, and beyond that is a market at the edge of a more prosperous bit of town. The market is built on a roundabout, and among its shops is a video retailer, dark and dimly lit, barely large enough to accommodate three customers at the same time, with two walls entirely covered in movie posters and a third obscured by a single, moderately packed shelf of DVDs. All sell for the same low price, a mere twofold markup on the retail price of a blank DVD. It goes without saying that they are pirated.
Because of splintering consumer tastes, the proprietor keeps only a hundred or so best-selling titles in stock at any given time. But, recognizing the substantial combined demand for films that each sell just one or two copies a year, he has established in his back room a dedicated high-speed broadband connection, disc-burning equipment, and a photo-quality color printer. Customers can ask for virtually any film and he will have it dropped off to them the same day.
Which is where you come in. The proprietor has divided his delivery area into two zones. For the first zone, reachable on bicycle within a maximum of fifteen minutes, he has his junior delivery boy, you. For the second zone, parts of the city beyond that, he has his senior delivery boy, a man who zooms through town on his motorcycle. This man’s salary is twice yours, and his tips several times greater, for although your work is more strenuous, a man on a motorcycle is immediately perceived as a higher-end proposition than a boy on a bicycle. Unfair, possibly, but you at least do not have to pay monthly installments to a viciously scarred and dangerously unforgiving moneylender for your conveyance.
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