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Mohsin Hamid: How to Get Filthy Rich in Rising Asia

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Mohsin Hamid How to Get Filthy Rich in Rising Asia

How to Get Filthy Rich in Rising Asia: краткое содержание, описание и аннотация

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From the internationally bestselling author of , the boldly imagined tale of a poor boy’s quest for wealth and love. His first two novels established Mohsin Hamid as a radically inventive storyteller with his finger on the world’s pulse. *How to Get Filthy Rich in Rising Asia* meets that reputation and exceeds it. The astonishing and riveting tale of a man’s journey from impoverished rural boy to corporate tycoon, it steals its shape from the business self-help books devoured by ambitious youths all over “rising Asia.” It follows its nameless hero to the sprawling metropolis where he begins to amass an empire built on that most fluid, and increasingly scarce, of goods: water. Yet his heart remains set on something else: on the pretty girl whose star rises along with his, their paths crossing and recrossing, a lifelong affair sparked and snuffed and sparked again by the forces that careen their fates along. How to Get Filthy Rich in Rising Asia

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Your aunts next leave the compound, bearing clay pots on their heads for water and carrying clothes and soap for cleaning. These are social tasks. Your mother’s responsibility is solitary. Her alone, them together. It is not a coincidence. She squats as your father is likely squatting, handle-less broom in her hand instead of a sickle, her sweep-sweep-waddle approximating his own movements. Squatting is energy efficient, better for the back and hence ergonomic, and it is not painful. But done for hours and days and weeks and years its mild discomfort echoes in the mind like muffled screams from a subterranean torture chamber. It can be borne endlessly, provided it is never acknowledged.

Your mother cleans the courtyard under the gaze of her mother-in-law. The old woman sits in shadow, the edge of her shawl held in her mouth to conceal not her attributes of temptation but rather her lack of teeth, and looks on in unquenchable disapproval. Your mother is regarded in the compound as vain and arrogant and headstrong, and these accusations have bite, for they are all true. Your grandmother tells your mother she has missed a spot. Because she is toothless and holds the cloth between her lips, her words sound like she is spitting.

Your mother and grandmother play a waiting game. The older woman waits for the younger woman to age, the younger woman waits for the older woman to die. It is a game both will inevitably win. In the meantime, your grandmother flaunts her authority when she can, and your mother flaunts her physical strength. The other women of the compound would be frightened of your mother were it not for the reassuring existence of the men. In an all-female society your mother would likely rise to be queen, a bloody staff in her hand and crushed skulls beneath her feet. Here the best she has been able to manage is for the most part to be spared severe provocation. Even this, cut off as she is from her own village, is no small victory.

Unsaid between your mother and your father is that on ten thousand a month he could, just barely, afford to bring your mother and you children to the city. It would be tight but not impossible. At the moment he is able to send most of his salary back to the village, where it is split between your mother and the rest of the clan. If she and you children were to move in with him, the flow of his money to this place would slow to a trickle, swelling like the water in the gully only in the two festival months when he could perhaps expect a bonus and hopefully would not have debts to clear.

You watch your mother slice up a lengthy white radish and boil it over an open fire. The sun has banished the dew, and even unwell as you are, you no longer feel cold. You feel weak, though, and the pain in your gut is as if a parasite is eating you alive from within. So you do not resist as your mother lifts your head off the earth and ladles her elixir into your mouth. It smells like a burp, like the gasses from a man’s belly. It makes your gorge rise. But you have nothing inside that you can vomit, and you drink it without incident.

As you lie motionless afterwards, a young jaundiced village boy, radish juice dribbling from the corner of your lips and forming a small patch of mud on the ground, it must seem that getting filthy rich is beyond your reach. But have faith. You are not as powerless as you appear. Your moment is about to come. Yes, this book is going to offer you a choice.

Decision time arrives a few hours later. The sun has set and your mother has shifted you onto the cot, where you lie swaddled in a blanket even though the evening is warm. The men have returned from the fields, and the family, all except you, have eaten together in the courtyard. Through your doorway you can hear the gurgle of a water pipe and see the flare of its coals as one of your uncles inhales.

Your parents stand over you, looking down. Tomorrow your father will return to the city. He is thinking.

“Will you be all right?” he asks you.

It is the first question he has asked you on this visit, perhaps the first sentence he has uttered to you directly in months. You are in pain and frightened. So the answer is obviously no.

Yet you say, “Yes.”

And take your destiny into your own hands.

Your father absorbs your croak and nods. He says to your mother, “He’s a strong child. This one.”

She says, “He’s very strong.”

You’ll never know if it is your answer that makes your father change his answer. But that night he tells your mother that he has decided she and you children will join him in the city.

They seal the deal with sex. Intercourse in the village is a private act only when it takes place in the fields. Indoors, no couple has a room to themselves. Your parents share theirs with all three of their surviving children. But it is dark, so little is visible. Moreover, your mother and father remain almost entirely clothed. They have never in their lives stripped naked to copulate.

Kneeling, your father loosens the drawstring of his baggy trousers. Lying with her stomach on the floor, your mother pivots her pelvis and does the same. She reaches behind to tug on him with her hand, a firm and direct gesture not unlike her milking of the water buffalo this morning, but she finds him already ready. She rises onto all fours. He enters her, propping himself up with one hand and using the other on her breast, alternately to fondle and for purchase as he pulls himself forward. They engage in a degree of sound suppression, but muscular grunting, fleshy impact, traumatized respiration, and hydraulic suction nonetheless remain audible. You and your siblings sleep or pretend to sleep until they are done. Then they join you on your mother’s cot, exhausted, and are within moments lost in their dreams. Your mother snores.

A month later you are well enough to ride with your brother and sister on the roof of the overloaded bus that bears your family and threescore cramped others to the city. If it tips over as it careens down the road, swerving in mad competition with other equally crowded rivals as they seek to pick up the next and next groups of prospective passengers on this route, your likelihood of death or at least dismemberment will be extremely high. Such things happen often, although not nearly as often as they don’t happen. But today is your lucky day.

Gripping ropes that mostly succeed in binding luggage to this vehicle, you witness a passage of time that outstrips its chronological equivalent. Just as when headed into the mountains a quick shift in altitude can vault one from subtropical jungle to semi-arctic tundra, so too can a few hours on a bus from rural remoteness to urban centrality appear to span millennia.

Atop your inky-smoke-spewing, starboard-listing conveyance you survey the changes with awe. Dirt streets give way to paved ones, potholes grow less frequent and soon all but disappear, and the kamikaze rush of oncoming traffic vanishes, to be replaced by the enforced peace of the dual carriageway. Electricity makes its appearance, first in passing as you slip below a steel parade of high-voltage giants, then later in the form of wires running at bus-top eye level on either side of the road, and finally in streetlights and shop signs and glorious, magnificent billboards. Buildings go from mud to brick to concrete, then shoot up to an unimaginable four stories, even five.

At each subsequent wonder you think you have arrived, that surely nothing could belong more to your destination than this, and each time you are proven wrong until you cease thinking and simply surrender to the layers of marvels and visions washing over you like the walls of rain that follow one another seemingly endlessly in the monsoon, endlessly that is until they end, without warning, and then the bus shudders to a stop and you are finally, irrevocably there.

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