Daniel Price - Slick

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Slick: краткое содержание, описание и аннотация

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She teases and deceives. She writhes her way across the nation and beyond, seducing us all with her light and noise. Love her or hate her, you can’t escape her. She’s the American media — and nobody understands her better than Scott Singer.
A rising star in the world of public relations, Scott is a master at manipulating the news, especially when the news isn’t good for his clients. To journalists, he’s the dark prince of deception. To others, he’s merely the product of an amoral corporate culture. Not that their opinions matter to Scott, who shelved his ego years ago. It’s the only way to stay sane in a business that thrives on flying off the handle.
The trouble begins on the first day of Sweeps, when a fifteen-year-old girl goes on a fatal shooting spree in her high school cafeteria. For the news networks, it’s a ratings bonanza, especially when clues suggest that the tragedy was loosely inspired by a popular rap song. Suddenly America’s outrage is focused on Hunta, a young L.A. hip-hop artist who was on the verge of becoming a mainstream star. Now he’s Public Enemy Number One, and his life is about to get infinitely worse.
Saving Hunta could be the crowning achievement of Scott’s career, but he knows it won’t be easy. To take control of the story, he’ll have to upstage it. And to do that, he’ll have to engineer a hoax more ambitious and more elaborate than any publicist has ever attempted before.

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I laughed. “I can’t stop her. Nobody can. I just need to chart her damage, look for weak spots, and make recommendations accordingly.”

“Wow,” she echoed. “I’m sorry to be so…That’s just so cool. I mean I was never a fan of Hunta’s—”

“Neither was I.”

“—but I am so psyched to help. Just tell me what to do.”

I told her. Five hours later, I told her mother. If I didn’t, who would?

>What’s your job? What’s HER job?

My job is complex. I’ll try that one later. Madison’s job, however, is easy to explain. Using my computer, she’ll keep tabs on all the mainstream media websites for me. That may sound like a chore but she’s only tracking one developing story. Her goal isn’t to rehash what people are saying but to read between the lines and sniff out the bias. That I’m teaching her how to do.

So far she loves it. It actually works out great for both of us. I need to know which way the wind is blowing and your daughter’s the one with her finger in the air (no, not THAT finger).

You have a great kid, Jean. I really enjoy working with her. If you have any more offspring to lend me, please do. I could always use a collator.

Off to the races,

Scott

PS — Thanks for the great gift. IT’S WAY TOO MUCH! But thank you.

With all my Harmony- and Madison-related business, I had completely forgotten about Jean. I wanted to e-mail her and hose her down before she hit me with some immoderate present. Too late. It wasn’t until she pulled up in front of my building at six o’clock that the present hit me from behind.

“Oh shit!” said Madison, poring through her book bag. “I was supposed to give you something.”

Sandwiched between two textbooks was a pristine Uncanny X-Men comic, complete with Mylar sleeve and cardboard backing. From Madison’s disparaging look, she might as well have been holding the latest issue of Hustler .

“Scott, please tell me my mother’s wrong and you’re not into this stuff.”

I chuckled a little too defensively. “I wouldn’t say I’m into it. I mean it’s not like I dress up and go to… uh…” I got lost in the issue’s cover. “That’s not what I think it is, is it?”

“How the hell should I know?”

“It can’t be.” I took the comic out of her hands. “Holy crap. This is X-Men 137.”

Madison grimaced. “Oh God. You’re just like her.”

“You don’t understand. This issue’s a milestone. This is the one where Phoenix dies.”

“No, you don’t understand. You guys are adults.”

“Yeah, but I was your age when this came out. Jesus. This must be worth hundreds. Is it a gift or a loaner?”

“She said it’s a gift.”

“That’s insane. I can’t take this. It’s too much.”

“Her collection’s worth a gazillion dollars,” she replied, unfazed. “She lives for it. And she loves discussing it. Just wait. She’s going to spam you with geek talk until you hang yourself.”

Damn, this issue brought me back, all the way to the house I grew up in. My parents never understood what I saw in these “funny books,” either. Now, in this one, I saw them.

I walked Madison to the door. “I should really thank your mother.”

“No, Scott. Don’t. Please. You’re just going to trigger a long, boring conversation about comics and I’m going to have to translate. Can’t you just e-mail her? Please?”

I eyed her briefly. “All right. Fine. But you know, these aren’t so bad.”

“They’re stories for kids.”

“Whatever. Just tell her I’m very appreciative.”

“I will. I will.”

Madison threw her book bag over her shoulder. She stopped at the door and, after a moment’s debate, rushed back toward me. She stood on her tiptoes and put her mouth near my ear.

“You may be a nerd,” she whispered, “but you’re the best thing that ever happened to me.”

Before I could even fathom her words, she was back at the door. She turned around and threw me a grin that was alarmingly mature.

“Don’t worry. That’s the last time I’ll ever get sappy with you. From now on I’m all business.”

And with that, she dashed off, in the extra-springy way that only a kid could run.

I studied the comic book again. The issue was a real heartbreaker. I actually cried when Phoenix first sacrificed her life on the blue area of the moon. I could feel the pain of Cyclops as the love of his life died screaming his name (and mine). This was how I got my drama fix, back when I was Madison’s age. I don’t know if it was a simpler time but Jesus Christ, I was a simpler kid.

________________

As far as puzzling figures went, Madison was a one-piece jigsaw compared to her mother. At 9:30, I received this narrow oddity in my inbox:

>PS-Thanks for the great gift. IT’S WAY

>TOO MUCH! But thank you.

I can tell you’re a reader, not a collector.

Don’t worry. Despite its great significance,

that issue’s only worth $40, mint condition.

So I wouldn’t call it “way too much.” I also

gave you a spare copy, so I wouldn’t call it

a GREAT gift either. Hell, it might not even

be a gift at all. It could be a subconscious

scheme to bring you down a rung or two in my

daughter’s high esteem. Can you blame me for

being jealous? I mean I was never really her

idol but damn it, we used to be so close. We

talked every day. Now all I get from her are

icy glares, secrecy, and a tsunami of drama.

So if I did subconsciously sabotage you, all

I can say is “oops” and “sorry.” Then again,

maybe the cigar’s just a cigar. Who can say?

In any case, please excuse my neurotic rant.

Sometimes I get a’Freud for no clear reason.

And yet this note seems strangely justified.

Enjoy the comic,

Jean

…who clearly has issues to spare.

Normally, I’d say this was a woman with way too much free time, but it had taken her just seven minutes to read and respond to my message. Seven minutes to express a few crazy thoughts, drop a few clever puns, and — most amazing — frame it all at exactly forty-four characters per line. How the hell did she do that in seven minutes?

By the time I finished admiring her handiwork, I noted the time. 9:43. All right, lady. Not only will I step up to the box, I’ll give it a little twist.

O

Jean,

don’t let

Madison’s new

esteem for me get

you down. By no means

does it indicate that you

somehow pale in comparison. I

have several unfair advantages in

that I’m not the one who tells her to

brush her teeth, finish all her broccoli,

write that thank-you note to Grandma for that

horrible green sweater, and so on, and so

forth. It’s all just part of the pain

of raising a teenager (not that I

would personally know). Look,

you did one hell of a job

with her. The kid is

a real diamond in

the rough. Oy!

Squarely,

Scott

S

…who has a number of classic issues himself.

I sent it off at 9:55. Twelve minutes. Damn. And I’d only worked in a fraction of the amount of text that she did. There was no denying it. Jean had kicked my ASCII.

And yet instead of being squarely smug, she simply shined on my crazy diamond. By her account, she had been composing a normal e-mail (well, as normal as she would get) when she noticed that the first four lines happened to be even. From there, she merely made a game out of it. She was only challenging herself. She never expected me to join in with my own text sculpture. Jean confessed that as far as speed went, she had the unfair advantage of being prelingually deaf. She thought in letters. I thought in sounds. But given my natural limitations, I did arousingly well (her words).

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