Daniel Price - Slick

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Slick: краткое содержание, описание и аннотация

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She teases and deceives. She writhes her way across the nation and beyond, seducing us all with her light and noise. Love her or hate her, you can’t escape her. She’s the American media — and nobody understands her better than Scott Singer.
A rising star in the world of public relations, Scott is a master at manipulating the news, especially when the news isn’t good for his clients. To journalists, he’s the dark prince of deception. To others, he’s merely the product of an amoral corporate culture. Not that their opinions matter to Scott, who shelved his ego years ago. It’s the only way to stay sane in a business that thrives on flying off the handle.
The trouble begins on the first day of Sweeps, when a fifteen-year-old girl goes on a fatal shooting spree in her high school cafeteria. For the news networks, it’s a ratings bonanza, especially when clues suggest that the tragedy was loosely inspired by a popular rap song. Suddenly America’s outrage is focused on Hunta, a young L.A. hip-hop artist who was on the verge of becoming a mainstream star. Now he’s Public Enemy Number One, and his life is about to get infinitely worse.
Saving Hunta could be the crowning achievement of Scott’s career, but he knows it won’t be easy. To take control of the story, he’ll have to upstage it. And to do that, he’ll have to engineer a hoax more ambitious and more elaborate than any publicist has ever attempted before.

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________________

“Well?”

“Well what?”

“You got my mother’s approval like six hours ago. So am I working for you or not?”

Madison had called me right before I’d left for the Flower Club. I could just picture the dramatic debates that had gone on in the Spelling/McKnight household over the last twenty-four hours. First Madison does her umpteenth disappearing act, and now she has a standing job offer from a strange man who by all rights should be subjecting Jean to the full fury of Allstate instead of making standing job offers.

Indeed, six hours before, Jean had sent me a heartfelt e-mail. Although it was nice to see her with her all-caps off, I was daunted by the sheer amount of text she’d thrown my way. I was used to taking her in palm-sized doses.

Scott,

I know I already thanked you a million times for everything but please accept thanks number million and one. I’d be lying if I said I wasn’t a little hesitant about your taking on my daughter. My first concern is whether or not Madison’s responsible enough to handle a job. My second concern is whether or not you’re tough enough to handle Madison! As you know by now, the kid’s a handful.

On the other hand, I can’t remember her being so excited about anything. You wouldn’t believe the promises I got her to make in exchange for letting her work for you. As soon as my husband and I left the bargaining table, we high-fived each other like crazy. When it comes to Madison, we don’t get leverage very often. It was awesome.

So if you’re still cool with bringing her in, I’m ready to give the green light. But I do have a few provisions:

1) she only works after school on weekdays, until I pick her up at six

2) any bad behavior on her part (equal but not limited to acts of tantrum, insubordination and /or sass mouth) gets reported to me posthaste for immediate parenting, and finally,

3) this is an UNPAID internship. I mean it, mister. If anything, I should be paying you (see: your mechanic).

Oh, and you may want to anticipate her occasional absence due to grounding.

That’s about it. I have the urge to add some mushy sentiment about what an uncommonly kind person you are, but you strike me as a man with a low-mush threshold. So just accept thanks #1,000,002 and let me know when you’d like Madison to start.

Best regards,

Jean

PS — Kudos on not being a registered sex offender.

The only time I laughed was at the very end. The rest of her message was the clear reflection of a woman who got off on being cute. But I admired her for having the smarts to run a check on me, plus the honesty to admit it.

Now I just had to decide whether or not I was really going through with this.

“It’s not a matter of if you’re going to work for me,” I assured Madison. “It’s a matter of when.”

“Meaning what?”

“Meaning I’ve got a lot on my plate right now.”

“Oh,” she dryly replied. “I can see why you wouldn’t want help then.”

“Sarcastic little thing, aren’t you?”

“Let me help!”

“I will. I promise. I just need to get organized. As soon as I’m ready—”

“How soon?”

“Very soon.”

“I’m available tomorrow.”

“I might not be.”

Madison heaved a loud sigh. “Are you sure this isn’t some extended blowoff?”

That was quite possible. “It’s not. I promise.”

“Because if it is—”

“It’s not. I’ll let you know when I’m ready. I mean it.”

That seemed to sate her. “Okay. Sorry I got pushy.”

“Don’t be. In my line of work, that’s the only way to get things done.”

“Good,” she said with a charm well beyond her years. “In that case I’ll call you tomorrow.”

________________

The twenty-five minutes I waited for Harmony were hands down the most stressful part of the job yet. What if she’s not coming? Did I put enough bait on the hook? Too much? Would I have to start from scratch with one of the two inferior backup candidates? What if I couldn’t get them?

I parked across the street from the building and then turned off the ignition. Working under the lampposts, I loaded a new seventy minute sound chip into my Palm Pilot audio recorder and tested it out. It was in fine working order. One less thing to worry about.

After doing some fidgety cleanup work inside the car, I discovered Jean’s business card, the one she handed me right after the accident. Just for a diversion, I embarked upon the quest to send her a text message from my cell phone. It was easy enough to locate the function under all the sub-menus. The challenge was typing with a numeric keypad. With all the gaffes and misstrokes, it took me fifteen minutes to key in the following:

Received your e-mail. Your provisions are fine. Tell Madison she can start tomorrow if she wants.

And off it went. I wasn’t going to question my decision. For now and the foreseeable future, I’d reserve all my jitters for Harmony.

Soon after midnight, she exited the building. She had changed out of her little black dress and into a casual denim jacket and jeans. Her short hair, which had been moussed into a large and unwieldy construct, was now clean and slicked back. She looked totally different. With her makeup gone, I could see the kindness in her pretty young features. She had the type of face that TV producers craved, especially when they were looking to add a little nonthreatening color to an otherwise homogenous show. How the hell could someone go through everything she’d been through and still manage to look so wholesome?

She spotted me and started across the street. As I unlocked the door, I activated the Palm Pilot recorder and placed it atop the loose pens and nickels in the center storage well. I may have been floating on excitement and good-natured optimism, Harmony-wise, but I was still a realist. I knew how crucial it was to capture her voice. It was the only insurance we’d have if she ever went rogue on us.

Harmony entered and, after a brief hesitation, closed the door.

“Thanks for coming,” I said.

“No problem,” she replied in a timid half-whisper.

“Look, before I start the car, I just want to reiterate that I’m taking you straight home. And all we’re doing between now and then is having a conversation. Okay?”

“Okay.”

“Good.” I turned the key. “But just to prepare you, you should know that the whole thing will end with a job offer.”

That raised her interest, but didn’t lower her guard. She still couldn’t get her suspicions out of the gutter.

“What kind of job?”

“Acting.”

“What kind of acting?”

“Don’t worry. It’s for a network show.”

“Which network?”

I smiled at her. “All of them. Buckle up.”

And off we went.

________________

“Okay, let me give you the big picture for a moment. It’s no secret that all the media in this country are controlled by corporations. Big corporations. In fact it’s six giant multinationals that pretty much run the show. They don’t advertise that because they don’t want us making a big deal out of it. You know how we get when big business starts to look a little too big, like Microsoft. Who needs that kind of hassle? Still, you have your typical reactionaries who freak out and say that by controlling the airwaves, these few conglomerates are controlling us, the little people.

“I, for one, can tell you that’s bullshit. All of these companies News Corp, Viacom, Disney — they lose money on ninety percent of the things they push on us. For every hit there are nine misses. And why? Because we do have free will. Not only that, but we’re pretty goddamn fickle about where we put our valuable attention. So what you have in each of these six companies are thousands of executives and specialists and analysts scrambling to get a better understanding of the mass American psyche. I give them credit for trying but let’s face it. It’s like washing cars on the freeway.”

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