Sarah Gerard - Binary Star

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Binary Star: краткое содержание, описание и аннотация

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The language of the stars is the language of the body. Like a star, the anorexic burns fuel that isn't replenished; she is held together by her own gravity.
With luminous, lyrical prose, Binary Star is an impassioned account of a young woman struggling with anorexia and her long-distance, alcoholic boyfriend. On a road-trip circumnavigating the United States, they stumble into a book on veganarchism, and believe they've found a direction.
Binary Star

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Just leave me alone, John.

Fine. You’re alone.

It rains in Texas and we get stuck in the mud driving between cow pastures. It was my idea to stop and look at the cows, but John drove too far off the main road and slipped into a ditch. Our shoes and pants are full of mud. There is mud on our faces and on our hands. I think it’s funny but John is too worried about his car to see the humor. I tell him he’s cute.

We pitch a tent among patties and see above us a sky full of stars, all fixed.

All fixed.

John takes his Seroquel and falls asleep in the tent before I can stop him. I’m too hungry to sleep, and I lie next to him, staring up at the apex where the tent’s two sides come together. An hour goes by in complete silence until I see lights shining through the flap. Four deer hunters hook their truck up to the back of John’s car and pull it out. They offer me jerky.

No, thank you, I’m vegan.

Where’s your man?

He’s sleeping in the tent.

They laugh.

They disconnect the car from the tethers and sit on the hatch. Stickers on the truck advertise John Deere and a local radio station called “The Pig.” They wipe the mud from their boots.

You look like you need some jerky.

Thank you.

That’s not nice, Wade.

She knows I’m kidding.

What’s vegan?

Still.

It’s a dietary restriction.

More than that. It’s a lifestyle.

I couldn’t do it.

Tell you what.

No shit.

One of them spits on the ground.

I need a good steak every now then. What’s your man like? He a sissy?

He’s not vegan.

Is vegan why you’re skinny?

Don’t you miss a big rare piece of meat?

Not really. I don’t like meat.

You’re lying.

You’re crazy.

Thank you.

No, I mean like, really crazy.

Thank you.

That night, I lie awake until the sun rises. When John wakes, he’s upset that I left him alone while I talked to the deer hunters. They could have hurt me.

We make love in the tent and lie there to watch the sun rise, then drive into town for breakfast. I order fruit salad.

картинка 4

We go back to the hospital first thing the next day. I have pinkeye probably caused by cow dung. I throw out my contact lens and wear a patch over my eye. I refuse to leave the car because I think people will stare at me. I can only see in two dimensions and I can’t see my whole periphery; I see ninety degrees to my right and that’s all. I can’t see John.

When I take the patch off my eye, all the world looks blue.

We drive toward New Orleans passing in and out of towns of clusters of three buildings, passing junk shops and farms laid fallow by the cold, billboards for Jesus and against homosexuals, for Popeyes and the American Bank of Texas but against Obama, for NASCAR and Keller Williams but against socialism. I eat four banana chips and regret it because they’re cooked in coconut oil and sugar. I feel like a failure.

John buys us coffee with cream when we stop at a RaceTrac and I use it to wash down two Hydroxycut, then remind him that I don’t eat dairy. My stomach turns circles in my chest and I roll down my window and stick my face into the wind.

John rolls the window back up. He’s exhausted. His pills sometimes make him tired all day. I think he’s mad at me.

I’m sorry we did that again, I say.

He’s not listening.

I roll down my window. He rolls it back up.

It’s cold, he says.

I’m claustrophobic. I need to move around. Or get out. I need some air.

Are you on something? You look terrible.

Thank you.

I’m serious. Did you take something?

What would I take?

Sit still. You’re making me nervous.

I can’t. My heart’s beating really fast.

What’s wrong with you?

I put my seat halfway back and shift around.

No offense, but you’re kind of annoying me, he says. You need to calm down.

I am calm. I have a headache.

We drive in silence for a long time before John asks me to plug in his iPhone and pick a song. Brown farms flow past us on either side like muddy rivers. I launch his Pandora and scroll through preprogrammed lists of like artists. I pick Billy Bragg and choose John’s favorite song. We listen for a few minutes until the station plays a Nissan commercial and then we switch to another station.

I hate that Pandora plays commercials, John says.

I guess they have to.

I’m sorry I can’t drive.

It’s fine. You’re blind.

I really am.

You really are. You’re totally blind.

We’re silent for several minutes while I study the margin of the road. We pass billboard after billboard for the same strip club.

I need to go to the bathroom, I say.

Jesus Christ.

I tried to hold it. I can’t hold it anymore.

I can’t believe you sometimes.

Tonight I am only proud of my abbreviated parts.

I have taken in one half cup of Eden pumpkin seeds and one cup of coffee with two Green Tea Fat Burner supplements. I am thinking about the grapes in the freezer. They’re little frozen spheres.

Cold food takes more energy to digest than warm food.

The body has to heat it up to break it down.

Time is a matter of scale and balance.

Equilibrium.

Of keeping myself intact while shedding outer layers.

I turn in circles before the mirror.

I urinate and return to the mirror.

I turn in circles.

I try on everything in my closet before the mirror and hate it.

I look terrible changing.

I weigh myself again and again and again and still I am 92.

By sunrise I will be 90.

When I die, I will be 0.

I walk back and forth from the futon to the scale to the spheres to the futon to the scale.

I urinate and drink more water.

I urinate.

You only see yourself, John says.

No, you only see yourself.

No, you only see yourself.

Every time it ends with you, John.

Tonight I feel the matter of emptiness.

I cannot control what my body does, though at times I feel I can control what I do to it, and thus what it becomes.

A morning is becoming.

I drink my Red Bull in the classroom this morning. I think nothing but feel my students watching me.

I luminesce. I cannot control them, I feel.

I cannot control the variable of morning. Of continuous morning.

This morning I was 92.

Still.

The longer I live in time, the less I believe in the future.

I am becoming in coming undone. I unbind.

I rise like the morning: revolution.

This morning, I turned in circles looking for my keys. I had never been asleep. I don’t sleep anymore.

John suggested a unit on primitivism. I have become so much him that who I am is empty. I have very few ideas of my own. I have very few new ideas because I am consumed by a singular idea.

I am an ideologue (an idealogue). I cannot teach them primitivism, John; I only teach the stars.

I have made myself empty of intention. My body is hollow: a form. A vessel.

An exploding vessel.

Gas.

To disagree with John would be to renounce what he believes are our beliefs, what I believe he believes are our beliefs. To disagree with him would be to admit that I’ve lied. He’ll know I’m lying.

Lying about all of it.

All of what?

I believe very few things about myself. I believe in the possibility of perfection. I believe that I have mostly starved myself of will.

Something is dawning that I cannot explain, though I know it’s related to darkness.

I am not really here though I am here, though I cannot be sure that I am anywhere, if I am even sure of that.

I mean that I’m not sure I’m anything.

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