Reif Larsen - I Am Radar

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The moment just before Radar Radmanovic is born, all of the hospital’s electricity mysteriously fails. The delivery takes place in total darkness. Lights back on, the staff sees a healthy baby boy — with pitch-black skin — born to the stunned white parents. No one understands the uncanny electrical event or the unexpected skin color. “A childbirth is an explosion,” the ancient physician says by way of explanation. “Some shrapnel is inevitable, isn’t it?”
I Am Radar Deep in arctic Norway, a cadre of Norwegian schoolteachers is imprisoned during the Second World War. Founding a radical secret society that will hover on the margins of recorded history for decades to come, these schoolteachers steal radioactive material from a hidden Nazi nuclear reactor and use it to stage a surreal art performance on a frozen coastline. This strange society appears again in the aftermath of Cambodia’s murderous Khmer Rouge regime, when another secret performance takes place but goes horrifically wrong. Echoes of this disaster can be heard during the Yugoslavian wars, when an avant-garde puppeteer finds himself trapped inside Belgrade while his brother serves in the genocidal militia that attacks Srebrenica. Decades later, in the war-torn Congo, a disfigured literature professor assembles the largest library in the world even as the country around him collapses. All of these stories are linked by Radar — now a gifted radio operator living in the New Jersey Meadowlands — who struggles with love, a set of hapless parents,and a terrible medical affliction that he has only just begun to comprehend.

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I traveled a lot to discover the invented places in this book and was offered much guidance along the way. In New Jersey, I’d like to thank Stuart Engelke, Bob Janney, Jim Wright, Lilo Stainton, Tony Dee, and Gary Hanson. In Norway, gratitude goes to Solgunn Solli, Stine Qvistad Jenvin, Karin Johnsen, and Silje Bekeng. In Serbia, I was welcomed like a long lost relation. Thanks Darko Radulovic, Jasna Novakov Sibinovic, Vlada Bajac, Igor Cvi, and the entire Geopoetika team. In Cambodia, Tararith Kho, Proeung Pranit, and Sreang Heng took me to the borderlands. At CERN, Ariane Koek, Rolf Landau, Barbara Warmbein, Joe Incandela, and Katie Yurkewicz all put up with my ridiculous questions. In the Congo, Horeb Bulambo, Pascal Bashombana, and Stewart Lunanga showed me the best and worst that humanity has to offer. And thanks to others for arranging and advising: Bent-Jorgen Perlmutt, Elyse Lightman, Harlan Lane, Matthew Cohen, Avery Gilbert, Bert van Der Hove, and Bryan Mealer.

Some of this book was written in the rare territory of the Netherlands Institute of Advanced Study, where I was the writer-in-residence. Thanks to the wonderful people I met there: Nadège Lechevrel, Ianthi-Maria Tsimpli, Louise Mars, Jos Hooghuis, Kahliya Ronde, Saskia Peels, Joy Connolly, and, in particular, the crazy Balkanians, Mitja Velikonja and Dino Abazovic, who offered me such valuable insight and invited me to be an honorary member of their clan.

And a huge thank you to the multitude of readers that took the time to read this project in some ragged form and offer me their invaluable advice. Without all of you, I would still be lost at sea: Alena Graedon, Mike Lukas, Ian Cheney, Marijeta Bozovic, Konrad Ryushin Marchaj, Meehan Crist, Elliott Holt, Rains Paden, Niek Miedema, Manfred Allié, Dagfinn Møller, Nadja Bruner, Jordan Alport, Sarah Fornace, Hannah Pascal, Harrison Holt, Henry Rich, Akira Yamaguchi, and Maria Cristina Rueda, who also did such a beautiful job bringing the images into focus.

Finally, I would like to give a standing ovation for my endlessly supportive parents, Peik and Judith — you taught me how to be human and are the main reason why I write these words. Thank you, Jasper, for putting up with your tiresome, artsy family.

And thank you most of all to Katie and Holt, who form the rest of my solar system. You supply the gravity that keeps me on this planet.

Gassho.

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