Evan Connell - Mrs. Bridge

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Mrs. Bridge: краткое содержание, описание и аннотация

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In
, Evan S. Connell, a consummate storyteller, artfully crafts a portrait using the finest of details in everyday events and confrontations. With a surgeon’s skill, Connell cuts away the middle-class security blanket of uniformity to expose the arrested development underneath — the entropy of time and relationships lead Mrs. Bridge's three children and husband to recede into a remote silence, and she herself drifts further into doubt and confusion. The raised evening newspaper becomes almost a fire screen to deflect any possible spark of conversation. The novel is comprised of vignettes, images, fragments of conversations, events — all building powerfully toward the completed group portrait of a family, closely knit on the surface but deeply divided by loneliness, boredom, misunderstandings, isolation, sexual longing, and terminal isolation. In this special fiftieth anniversary edition, we are reminded once again why
has been hailed by readers and critics alike as one of the greatest novels in American literature.

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“Is somebody coming by for you?”

“I’m only going to the drugstore/’

“What on earth do you do in the drugstore?” asked Mrs. Bridge after a pause. “Madge Arlen told me she saw you there one evening sitting all by yourself in a booth. She said she supposed you were waiting for someone/’

At this Ruth stiffened noticeably, and Mrs. Bridge wanted to ask, “Were you?”

“I really don’t approve of you sitting around in drugstores/’ she went on, for she was afraid to ask directly if Ruth was going there to meet a boy not afraid of asking the question, but of the answer. “And I don’t believe your father would approve of it either/ she continued, feeling helpless and querulous in the knowledge that her daughter was hardly listening. “Goodness, I should think you could find something else to do. What about playing with Carolyn and her friends?*’

Ruth didn’t bother to answer.

“Ill lend you my blue suede purse, if you like/’ said Mrs. Bridge hopefully, but again there was no response. Ruth was still admiring herself in the mirror.

“I shouldn’t think you could carry much in those pockets/’

Ruth stepped backward, narrowed her eyes, and unfastened the top button of her blouse.

“Really, you need some things/’ Mrs. Bridge remarked a trifle sharply. “And button yourself up, for goodness sake. You look like a chorus girl/*

“Good night,” said Ruth flatly and started for the door.

“But, dear, a lady always carries a purse!” Mrs. Bridge was saying when the door closed.

25. From Another World

Ruth was not particularly extravagant, In contrast to Carolyn, who spent her allowance the day she received it usually on a scarf or a baggy sweater, despite the fact that her dresser drawers were filled with scarves and sweaters but Mrs. Bridge did not approve of Ruth’s taste. Her allowance was apt to go for a necklace, or a sheer blouse, or a pair of extreme earrings. The earrings were impossible. Mrs. Bridge, whose preference in earrings tended toward the inconspicuous, such as a moderately set pearl, tried to restrain herself whenever she caught sight of Ruth wearing something unusually objection-able, but there was one morning when she appeared for breakfast in Mexican huaraches, Japanese silk pajamas with the sleeves rolled up displaying a piece of adhesive tape where she had cut herself while shaving her forearms blue horn-rimmed reading glasses, and for earrings a cluster of tiny golden bells that tinkled whenever she moved. She might have gotten by that morning except for the fact that as she ate she steadily relaxed and contracted her feet so that the huaxaches creaked.

“Now see here, young lady,” Mrs. Bridge said with more authority than she felt, as she dropped a slice of bread into the automatic toaster. “In the morning one doesn’t wear earrings that dangle. People will think you’re something from another world.”

“So?” said Ruth without looking up from the newspaper.

“Just what do you mean by that?”

“So who cares?”

7 care, that’s who!” Mrs. Bridge cried, suddenly very close to hysteria, “I care very much/

26. Tower

Douglas did a peculiar thing.

Instead of building a cave, or a house in a tree, as most of his friends were doing, he chose to build a tower of rubbish.

“Sounds awfully exciting/’ Mrs. Bridge responded somewhat absently when he first told her of his project; then, because she knew children wanted their parents to be interested in what they were doing, she asked how big it was going to be. He was vague, saying only that it was going to be the biggest tower anybody ever saw. She smiled and patted him affectionately. He looked at her for a long moment, shrugged in a singular way, and returned to the vacant lot where he intended to build the tower.

In the lot he had found some two-by-fours and a number of old bricks and half a bag of cement. He did not know where these materials had come from; he waited several days to see if they belonged to anybody. Apparently they didn’t, so he claimed them. He got a shovel and went to work.

Having dug a hole about four feet deep, he lined it with brick and cement, planted the two-by-fours solidly upright, and liberally sprinkled this foundation with water. He then waited for his friends, the trash collectors, and followed their truck around the neighborhood. There was a moment between the time a rubbish barrel was rolled to the curb and the time the truck stopped for it that Douglas made good use of; he grabbed anything he thought belonged on his tower. He collected a great quantity of useful objects, and, on the side, about forty or fifty cereal boxtops, which he mailed to such places as Battle Creek, where there was a cereal factory, getting in return all kinds of prizes.

Within a week he had accumulated enough junk to keep the construction going for a long while. Half-hidden in the tall grass and wild shrubbery of the vacant lot lay a bundle of brass curtain rods which the Arlens thought were now in the city dump, a roll of electrician’s tape and a bent skillet from the Pfeiffers* trash barrel, a hatchet with a splintered handle, a cigar box full of rusty nails, a broken fishing rod, several lengths of clothesline and wire, coat hangers, bottles, two apple boxes, an old raincoat and a pair of worn galoshes, a punctured inner tube, some very old golf clubs with wooden shafts, the cylinder from a lawnmower, springs from an over-stuffed chair, and, among other articles, thanks again to the unconscious generosity of the Arlens, a mildewed leather suitcase.

“My I** said Mrs. Bridge, when he told her he was working on the tower, “I can see you’re going to be an architect or an engineer when you grow up. Now we’re having an early lunch because this is my day for bridge club, so don’t run off somewhere.”

Douglas said he would be in the vacant lot.

During the next week he managed to steal a full bag of powdered cement from a house going up in the next block; he broke it open after the workmen left, shoveled the powder into a wheelbarrow, and eventually managed to push the wheelbarrow into the vacant lot, where he dumped the powder In the pit and gave It a thorough watering. Thereafter he stopped mentioning his tower, and If asked what he was doing in the lot he would reply laconically that he was just playing.

With the addition of jugs and stones, tin cans, tree limbs, broken bottles, and all the other trash he could find, tied or nailed or cemented to the uprights, the tower continued to grow, until there came a Sunday morning when a man named Ewing who lived on the far side of the lot saw the tower rising above his hedge. At this point it was nearly six feet high. Ewing went around for a better look, and, discovering Douglas watching him from behind a sycamore tree, said to him, ^*What have you got here, my friend?”

“Nothing/’ replied Douglas, coming out from behind the sycamore. “It’s just a tower, that’s all. It isn’t hurting anybody/’

Having inspected the tower from all sides, Ewing turned his attention to Douglas, because it was the builder, after all, and not the building which was remarkable; and Douglas, embarrassed by the speculative eyes, picked up a length of pipe and struck the tower a resounding blow to prove it was as substantial as It looked.

Shortly thereafter Mrs. Bridge saw it too it rose jaggedly above the fence that divided their grounds from the lot and went out to investigate. She looked at it for a considerable period, tapping a fingernail against her teeth, and that same afternoon she said lightly to her son, “My, but that certainly is a big old tower/’

Douglas thrust his hands in his pockets and gazed with a distant expression at his shoes.

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