Paul Beatty - The Sellout

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The Sellout: краткое содержание, описание и аннотация

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A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's
challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality-the black Chinese restaurant.
Born in the "agrarian ghetto" of Dickens-on the southern outskirts of Los Angeles-the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes, but when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.
Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident-the last surviving Little Rascal, Hominy Jenkins-he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

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“I said, ‘Brother, you have to ask yourself two questions, Who am I? And how may I become myself?’ That’s basic person-centered therapeutics. You want the client to feel important, to feel that he or she is in control of the healing process. Remember that shit.”

I wanted to ask him why he never spoke to me in the same reassuring tone that he used with his “clients,” but I knew, instead of an answer, I’d get the belt, and my healing process would involve Mercurochrome and, in place of being grounded, a sentence of five to no less than three weeks of Jungian active imagination. In the distance, hurtling away from me like some distant spiral galaxy, the red and blue sirens spun silently but brilliantly, lighting up the mist of the morning marine layer like some inner-city aurora borealis. I fingered a bullet hole in the tree bark, thinking that like the slug buried ten rings deep in the trunk, I’d never leave this neighborhood. That I’d go to the local high school. Graduate in the middle of my class, another Willie Lump Lump with a six-line résumé rife with spelling errors, trekking back and forth between the Job Center, the strip club parking lot, and the civil service exam tutorials. I’d marry, fuck, and kill Marpessa Delissa Dawson, the bitch next door and my one and only love. Have kids. Threaten them with military school and promises not to bail them out if they ever got arrested. I’d be the type of nigger who played pool at the titty bar and cheated on his wife with the blond cheese girl from the Trader Joe’s on National and Westwood Boulevards. I’d stop pestering my father about my missing mother, finally admitting to myself that motherhood, like the artistic trilogy, is overrated. After a lifetime of beating myself up for never having been breast-fed or finishing The Lord of the Rings, Paradise , and The Hitchhiker’s Guide to the Galaxy , eventually, like all lower-middle-class Californians, I’d die in the same bedroom I’d grown up in, looking up at the cracks in the stucco ceiling that’ve been there since the ’68 quake. So introspective questions like “Who am I? And how can I be that person?” didn’t pertain to me then, because I already knew the answer. Like the entire town of Dickens, I was my father’s child, a product of my environment, and nothing more. Dickens was me. And I was my father. Problem is, they both disappeared from my life, first my dad, and then my hometown, and suddenly I had no idea who I was, and no clue how to become myself.

Two

Westside, nigger! What?

Three

The three basic laws of ghetto physics are: Niggers in your face tend to stay in your face; no matter where the sun is in the sky, the time is always “Half past a monkey’s ass and a quarter to his balls”; and the third is that whenever someone you love has been shot, invariably you will be back home on winter break, halfway through your junior year of college, taking the horse on a little afternoon ride to rendezvous with your father for a meeting of the Dum Dum Donut Intellectuals, the local think tank, where he and the rest of the neighborhood savants will ply you with cider, cinnamon rolls, and conversion therapy. (Not that your dad thinks that you’re gay, but he’s worried that you never stay out past eleven and the word “booty” doesn’t seem to be in your vocabulary.) It’s a cold night. You’re minding your own business, savoring the last of your vanilla shake, when you come upon a drove of detectives huddled around the body. You dismount. Step closer and recognize a shoe, or a shirtsleeve, or a piece of jewelry. My father was facedown in the intersection. I recognized him by his fist, cocked and knuckled up tight, the veins on the back of his hand still bulging and full. I compromised the crime scene by picking lint off his matted Afro, straightening the rumpled collar of his Oxford shirt, brushing the pebbles of gravel from his cheek, and, according to the police report, most egregiously by sticking my hand in the blood pooled around his body, which to my surprise was cold. Not hot, roiling with the black anger and lifelong frustration of a decent, albeit slightly crazy man who never became what he thought he was.

“You the son?”

The detective looked me up and down. His brow wrinkled, his eyes flicking back and forth from identifying feature to identifying feature. Behind the dismissive smirk I could almost see his brain cross-referencing my scars, height, and build with some database of wanted felons filed inside his head.

“Yes, I am.”

“You something special?”

“Huh?”

“The officers involved said that when he charged them, he shouted, and I quote, ‘I’m warning you, you anal-retentive, authoritarian archetypes, you don’t know who my son is!’ So, you someone special?”

Who am I? And how can I be that person?

“No, I’m no one special.”

You’re supposed to cry when your dad dies. Curse the system because your father has died at the hands of the police. Bemoan being lower-middle-class and colored in a police state that protects only rich white people and movie stars of all races, though I can’t think of any Asian-American ones. But I didn’t cry. I thought his death was a trick. Another one of his elaborate schemes to educate me on the plight of the black race and to inspire me to make something of myself, I half expected him to get up, brush himself off, and say, “See, nigger, if this could happen to the world’s smartest black man, just imagine what could happen to your dumb ass. Just because racism is dead don’t mean they still don’t shoot niggers on sight.”

Now, if I had my druthers, I couldn’t care less about being black. To this day, when the census form arrives in the mail, under the “RACE” question I check the box marked “Some other race” and proudly write in “Californian.” Of course, two months later, a census worker shows up at my door, takes one look at me, and says, “You foul nigger. As a black man, what do you have to say for yourself?” And as a black man, I never have anything to say for myself. Hence, the need for a motto, which, if we had, I’d raise my fist, shout it out, and slam the door in the government’s face. But we don’t. So I mumble Sorry and scribble my initials next to the box marked “Black, African-American, Negro, coward.”

No, what little inspiration I have in life comes not from any sense of racial pride. It stems from the same age-old yearning that has produced great presidents and great pretenders, birthed captains of industry and captains of football; that Oedipal yen that makes men do all sorts of shit we’d rather not do, like try out for basketball and fistfight the kid next door because in this family we don’t start shit but we damn sure finish it. I speak only of that most basic of needs, the child’s need to please the father.

Many fathers foster that need in their children through a wanton manipulation that starts in infancy. They dote on the kids with airplane spins, ice cream cones on cold days, and weekend custody trips to the Salton Sea and the science museum. The incessant magic tricks that produced dollar pieces out of thin air and the open-house mind games that made you think that the view from the second-floor Tudor-style miracle in the hills, if not the world, would soon be yours are designed to fool us into believing that without daddies and the fatherly guidance they provide, the rest of our lives will be futile Mickey Mouseless I-told-ya-so existences. But later in adolescence, after one too many accidental driveway basketball elbows, drunken midnight slaps to the upside of our heads, puffs of crystal meth exhaled in our faces, jalapeño peppers snapped in half and ground into our lips for saying “fuck” when you were only trying to be like Daddy, you come to realize that the frozen niceties and trips to the drive-thru car wash were bait-and-switch parenting. Ploys and cover-ups for their reduced sex drives, stagnant take-home pay, and their own inabilities to live up to their father’s expectations. The Oedipal yen to please Father is so powerful that it holds sway even in a neighborhood like mine, where fatherhood for the most part happens in absentia, yet nevertheless the kids sit dutifully by the window at night waiting for Daddy to come home. Of course, my problem was that Daddy was always home.

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