Paul Beatty - The Sellout

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The Sellout: краткое содержание, описание и аннотация

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A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's
challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality-the black Chinese restaurant.
Born in the "agrarian ghetto" of Dickens-on the southern outskirts of Los Angeles-the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes, but when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.
Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident-the last surviving Little Rascal, Hominy Jenkins-he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

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Daddy’s friends would watch me expertly pluck cotton bolls from the dried stems, waiting for me to snort and overthrow the Orwellian social order, and thus confirm my hog-tied upbringing.

1. Whatever goes upon two legs is an enemy.

2. Whatever goes on four legs, or six wings and a biscuit, is a friend.

3. No Pigger shall wear shorts in the fall, much less the winter.

4. No Pigger shall be caught sleeping.

5. No Pigger shall drink presweetened Kool-Aid.

6. All Piggers are created equal, but some Piggers ain’t shit.

I don’t remember my father tying my right hand behind my back or being babysat in the pigpen, but I do remember pushing Savoir Faire, one hand on each prickly milk-fattened hindquarter, up the wooden ramp and into the trailer. The last driver on Earth to use hand signals, my father took the corners slowly, lecturing me on how fall was the best time to kill a pig because there were less flies and the meat would keep for a while outside, because once you freeze it, the quality starts to go down. Unbuckled, like any child raised before car seats and airbags, I knelt in the seat facing backward, looking out that tiny rear window at Savior Faire, the doomed, cloven-hoofed genius squealing like a four-hundred-pound bitch the whole way to the slaughterhouse. “You done won your last game of Connect Four, you fucking getting mucus on the pieces, ‘I sunk your battleship,’ ‘King me!’ son of a bitch.” At stoplights Daddy would stick his arm out of the window, bent at the elbow, hand toward the ground, palm facing the rear. “People eat the shit you shovel them!” he’d shout over the radio music, somehow shifting, steering, turning on the blinker, making the hand signal, a left turn, singing along to Ella Fitzgerald, and reading the L.A. Times bestseller list all at the same time.

People eat the shit you shovel them.

* * *

I’d like to say, “I buried my father in the backyard and that day I became a man,” or some other droll American bullshit, but all that happened was that day I became relieved. No more trying to look uninvolved as my own father fought for parking spaces at the Farmers Market. Shouting down Beverly Hills dowagers asserting their luxury sedan right of way by nosing their gigantic cars into spaces marked COMPACT ONLY. You stupid overmedicated bitch. If you don’t back that fucking jalopy out my space, I swear to God, I’m going to punch you in your anti-aging-cold-cream face and permanently reverse five hundred years of white privilege and five hundred thousand dollars of plastic surgery.

People eat the shit you shovel them. And sometimes, when I pull up to the drive-thru window on horseback or return the disbelieving stares of a convertible carload of out-of-town vatos pointing at the black vaquero grazing his livestock in the trash-strewn fields underneath the power lines that stretch Eiffel Tower — like alongside West Greenleaf Boulevard, I think about all the lines of ad infinitum bullshit my father shoveled down my throat, until his dreams became my dreams. Sometimes, while I’m sharpening the plowshare and shearing the sheep, I feel like every moment of my life isn’t mine but one of his “déjà vus.” No, I don’t miss my father. I just regret that I never had the nerve to ask him if it was really true that I’d spent the sensorimotor and preoperational stages of my life with one hand tied behind my back. Talk about starting life off with a handicap. Fuck being black. Try learning to crawl, ride a tricycle, cover both eyes while playing peek-a-boo, and constructing a meaningful theory of mind, all with one hand.

Four

You won’t find Dickens, California, on the map, because about five years after my father died, and a year after I graduated college, it, too, perished. There was no loud send-off. Dickens didn’t go out with a bang like Nagasaki, Sodom and Gomorrah, and my dad. It was quietly removed like those towns that vanished from maps of the Soviet Union during the Cold War, atomic accident by atomic accident. But the city of Dickens’s disappearance was no accident. It was part of a blatant conspiracy by the surrounding, increasingly affluent, two-car-garage communities to keep their property values up and blood pressures down. When the housing boom hit in the early part of the century, many moderate-income neighborhoods in Los Angeles County underwent real estate makeovers. Once pleasant working-class enclaves became rife with fake tits and fake graduation and crime rates, hair and tree transplants, lipo- and cholosuctions. In the wee hours of the night, after the community boards, homeowner associations, and real estate moguls banded together and coined descriptive names for nondescript neighborhoods, someone would bolt a large glittery Mediterranean-blue sign high up on a telephone pole. And when the fog lifted, the residents of the soon-to-be-gentrified blocks awoke to find out they lived in Crest View, La Cienega Heights, or Westdale. Even though there weren’t any topographical features like crests, views, heights, or dales to be found within ten miles. Nowadays Angelenos who used to see themselves as denizens of the west, east, and south sides wage protracted legal battles over whether their two-bedroom, charming country cottages reside within the confines of Beverlywood or Beverlywood Adjacent.

Dickens underwent a different type of transition. One clear South Central morning, we awoke to find that the city hadn’t been renamed but the signs that said WELCOME TO THE CITY OF DICKENS were gone. There was never an official announcement, an article in the paper, or a feature on the evening news. No one cared. In a way, most Dickensians were relieved to not be from anywhere. It saved them the embarrassment of having to answer the small-talk “Where are you from?” question with “Dickens,” then watching the person apologetically back away from you. “Sorry about that. Don’t kill me!” Rumor had it the county had revoked our charter because of the admittedly widespread local political corruption. The police and fire stations were closed down. You’d call what used to be city hall and a foul-mouthed teenager named Rebecca would answer, Don’t no niggers name Dickens live here, so don’t be calling here no more! The autonomous school board dismantled. Internet searches turned up only references to “Dickens, Charles John Huffam” and to a dust bowl county in Texas named after some unfortunate sap who may or may not have died at the Alamo.

In the years after my father died, the neighborhood looked to me to be the next Nigger Whisperer. I wish I could say that I answered the call to duty out of a sense of familial pride and communal concern, but the truth was, I did it because I had no social life. Nigger-whispering got me out of the house and away from the crops and the animals. I met interesting people and tried to convince them that no matter how much heroin and R. Kelly they had in their systems, they absolutely could not fly. When my father nigger-whispered, it didn’t look so hard. Unfortunately, I wasn’t blessed with my father’s sonorous, luxury-car-commercial voiceover bass profundo. I’m squeamishly shrill and possess all the speaking gravitas of the “shiest” member of your favorite boy band. The skinny, soft-spoken one who in the music video sits in the backseat of the convertible and never gets the girl, much less a solo, so I was issued a bullhorn. Ever try to whisper through a bullhorn?

Up until the city’s disappearance, the workload wasn’t so bad. I was an every-other-month crisis negotiator, a farmer doing a little nigger-whispering on the side. But since Dickens’s erasure I found myself in my pajamas, at least once a week, standing barefoot in an apartment complex courtyard, bullhorn in hand, staring up at some distraught, partially hotcombed-headed mother dangling her baby over a second-floor balcony ledge. When my father did the whispering, Friday nights were the busiest. Every payday he’d be inundated by teeming hordes of the bipolar poor, who having spent it all in one place, and grown tired and unsated from the night’s notoriously shitty prime-time television lineup, would unwedge themselves from between the couch-bound obese family members and the boxes of unsold Avon beauty products, turn off the kitchen radio pumping song after song extolling the virtues of Friday nights living it up at the club, popping bottles, niggers, and cherries in that order, then having canceled the next day’s appointment with their mental health care professional, the chatterbox cosmetologist, who after years doing heads, still knows only one hairstyle — fried, dyed, and laid to the side — they’d choose that Friday, “day of Venus,” goddess of love, beauty, and unpaid bills, to commit suicide, murder, or both. But under my watch people tend to snap on Wednesday. Hump day. And so sans juju, gris-gris, and the foggiest notion of what to say, I’ll press the trigger, and with a loud squeal of ear-piercing feedback, the bullhorn buzzes to staticky life. Half the unchosen tribe waiting for me to say the magic words and save the day; the other half waiting expectantly for a bathrobe to fly open and some milk-engorged titties to come popping out.

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