Paul Beatty - The Sellout

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The Sellout: краткое содержание, описание и аннотация

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A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's
challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality-the black Chinese restaurant.
Born in the "agrarian ghetto" of Dickens-on the southern outskirts of Los Angeles-the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes, but when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.
Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident-the last surviving Little Rascal, Hominy Jenkins-he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

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* * *

Sometimes in homage to my father, if Hominy was on his lunch break or asleep in the truck, I’d enter wearing Dad’s white lab coat and carrying a clipboard. I’d hand the owner my card and explain that I was with the Federal Department of Racial Injustice, and was conducting a monthlong study on the effects of “racial segregation on the normative behaviors of the racially segregated.” I’d offer them a flat fifty-dollar fee and three signs to choose from: BLACK, ASIAN, AND LATINO ONLY; LATINO, ASIAN, AND BLACK ONLY; and NO WHITES ALLOWED. I was surprised how many small-business people offered to pay me to display the NO WHITES ALLOWED sign. And like most social experiments, I never did the promised follow-up, but after the month was up, it wasn’t unusual to get calls from the proprietors asking Dr. Bonbon if they could keep the signs in the windows because they made their clientele feel special. “The customers love it. It’s like they belong to a private club that’s public!”

It didn’t take long to convince the manager of the Meralta, the only movie theater in town, that he could cut his complaints in half if he designated floor seating as WHITE AND NON-TALKERS ONLY, while reserving the balcony for BLACKS, LATINOS, AND THE HEARING IMPAIRED. We didn’t always ask permission; with paint and brush we changed the opening hours of the Wanda Coleman Public Library from “Sun — Tue: Closed, Wed — Sat: 10–5:30” to “Sun — Tue: Whites Only, Wed — Sat: Colored Only.” As word started to spread of the success Charisma was having at Chaff Middle School, every now and then an organization would seek me out for a little personalized segregation. In looking to reduce the youth crime rate in the neighborhood, the local chapter of Un Millar de Muchachos Mexicanos ( o Los Emes) wanted to do something other than midnight basketball. “Something a little more conducive to the Mexican and Native American stature,” a sporting endeavor that didn’t require a lot of space where the kids could compete on equal footing. Name-dropping the hoop success of Eduardo Nájera, Tahnee Robinson, Earl Watson, Shoni Schimmel, and Orlando Méndez-Valdez did nothing to dissuade them.

The meeting was brief, consisting of two questions on my part.

First: “Do you have any money?”

“We just got a $100,000 grant from Wish Upon a Star.”

Second: “I thought they only did things for dying kids?”

“Exactly.”

During the height of the government enforcement of the Civil Rights Act, some segregated townships filled in their municipal pools rather than let nonwhite kids share in the perverse joy of peeing in the water. But in an inspired act of reverse segregation, we used the money to hire a lifeguard who posed as a homeless person and built a “Whites Only” swimming pool surrounded by a chain-link fence that the kids loved to hop, so they could play Marco Polo and hold their collective breaths underwater whenever they spotted a patrol car passing by.

When Charisma felt that her students needed a counterbalance to the onslaught of disingenuous pride and niche marketing that took place during Black History and Hispanic Heritage Months, I came up with the one-off idea for Whitey Week. Contrary to the appellation, Whitey Week was actually a thirty-minute celebration of the wonders and contributions of the mysterious Caucasian race to the world of leisure. A moment of respite for children forced to participate in classroom reenactments of stories of migrant labor, illegal immigration, and the Middle Passage. Weary and stuffed from being force-fed the falsehood that when one of your kind makes it, it means that you’ve all made it. It took about two days to convert the long-out-of-business brushless car wash on Robertson Boulevard into a tunnel of whiteness. We altered the signs so that the children of Dickens could line up and choose from several race wash options:

Regular Whiteness:

Benefit of the Doubt

Higher Life Expectancy

Lower Insurance Premiums

Deluxe Whiteness:

Regular Whiteness Plus

Warnings Instead of Arrests from the Police

Decent Seats at Concerts and Sporting Events

World Revolves Around You and Your Concerns

Super Deluxe Whiteness:

Deluxe Whiteness Plus

Jobs with Annual Bonuses

Military Service Is for Suckers

Legacy Admission to College of Your Choice

Therapists That Listen

Boats That You Never Use

All Vices and Bad Habits Referred to as “Phases”

Not Responsible for Scratches, Dents, and Items Left in the Subconscious

To the whitest music we could think of (Madonna, The Clash, and Hootie & the Blowfish), the kids, dressed in bathing suits and cutoffs, danced and laughed in the hot water and suds. Ignoring the amber siren light, they ran under the waterfall of the not-so Hot Carnauba Wax. We handed them candy and soda pop and let them stand in front of the drying blast of the hot-air blowers for as long as they wanted. Reminding them that having a warm wind blowing in your face was what it felt like to be white and rich. That life for the fortunate few was like being in the front seat of a convertible twenty-four hours a day.

It wasn’t necessarily a case of saving the best for last, but as Hood Day approached, Hominy and I had managed to install some form of segregation in nearly every section and public facility in Dickens except for the Martin Luther “Killer” King, Jr., Hospital, which is paradoxically located in Polynesian Gardens. Polynesian Gardens, aka P.G., being a majority-Latino neighborhood that carried a rumored reputation for being hostile toward African-Americans. In fact, local legend had it that the injuries black Dickensians suffered while driving through P.G. to the hospital were often more severe than the afflictions that had caused them to seek medical attention in the first place. Between the police and the gangs, navigating the streets of any neighborhood in L.A. County, especially any section not familiar with you, can be dangerous. You just never know when you’re going to get rolled up on for being or wearing the wrong color. I’d never had any problems in Polynesian Gardens, but if I were to be honest, I never went there at night. And the evening before our planned action on the hospital, there’d been a shoot-out between Varrio Polynesian Gardens and Barrio Polynesian Gardens, two gangs with a longstanding blood feud over spelling and pronunciation. So to ensure Hominy and I got in and out with our asses intact, I attached two small purple-and-gold Lakers pennants to the front fenders of my pickup truck and, for good measure, flew a giant Iwo Jima — sized, 1987 Championship Lakers flag from the roof. Everybody, and I mean everybody in Los Angeles, loves the Lakers. And driving down Centennial Avenue, even behind slow-moving lowriders that refused to go faster than ten miles an hour, the Lakers flags billowed majestically in the night wind, giving the pickup truck an ambassadorial vibe that allowed us to cruise through with a temporary diplomatic immunity.

The director of Martin Luther “Killer” King, Jr., Hospital, Dr. Wilberforce Mingo, was an old friend of my father’s and had given me permission to segregate the place when I explained to him that it’d been me who painted the borderlines, put up the exit sign, and conceived the Wheaton Academy. He leaned back in his chair and said that for two pounds of cherries I could segregate his hospital in any way I saw fit. And under the cover of “no one gives a fuck” darkness, Hominy and I painted the words The Bessie Smith Trauma Center in thick, drippy, blood-red horror-movie-poster letters on what was until then a nameless glass-door emergency entrance to King Hospital. Then we drilled a plain black-and-white metal placard into the middlemost concrete pillar. It read, WHITE-OWNED AMBULANCE UNITS ONLY.

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