Paul Beatty - The Sellout

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The Sellout: краткое содержание, описание и аннотация

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A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's
challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality-the black Chinese restaurant.
Born in the "agrarian ghetto" of Dickens-on the southern outskirts of Los Angeles-the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes, but when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.
Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident-the last surviving Little Rascal, Hominy Jenkins-he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

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Impugn? Maybe twenty years of Dum Dum Donuts rhetoric hadn’t all gone to waste. To his credit, McJones, despite Cuz’s tone and size, didn’t back down. “I may have misspoken. But I must take exception to your implication that Dickens is a city, when it’s clearly a locale, nothing more than an American shantytown. A post-black, post-racial, post-soul flashback, if you will, to a time of romanticized black ignorance…”

“Hey, look, fool, save that post-soul, post-black bullshit for somebody who gives a fuck, ’cause all I know is that I’m pre -black. Dickens born and raised. Homo sapiens OG Crip from the goddamn primordial giddy-up, nigger.”

King Cuz’s little soliloquy seemed to impress Ms. R _ _ _, because she uncrossed her ankles, opened her legs just enough to show off some right-wing inner thigh, and then tapped me on the shoulder.

“That big motherfucker play any football?”

“A little running back in high school.”

“Мои трусики мокрые,” she said in lip-licking Russian.

I’m no linguist, but my best guess is that it meant Cuz could penetrate her secondary anytime he wanted. The old veterano strode into the middle of the donut shop, the rubber soles of his canvas sneakers squeaking with every step. “This, you proudly uncool motherfucker, this is Dickens,” and to some beat that only he could hear, he broke into the complex gangster soft shoe known as the Crip Walk. Never turning his back to the crowd, he pivoted on the balls and heels of his feet. His knees together and his hands free, he skipped around the room in tight concentric circles that collapsed upon themselves as quickly as they expanded. It was as if the floor was heated, and too hot for him to stop in one spot for even a second. King Cuz was debating with McJones the best way he knew how.

Want some, get some, bad enough, take some …

Velis aliquam, acquīris aliquam, canīnus satis, capīs aliquam.

As the sparse crowd gathered around the two foes, I did what I’d come to do. I removed my daddy’s picture from the wall and tucked it under my arm. Segregating the city with his photo up would be like having sex in the room next to your parents’ bedroom. Not being able to concentrate. Not being able to be as loud as you wanted to be. I quietly dipped out as King Cuz was teaching McJones, _ _ _ l C _ _ _ y, _ _ _ _ n P _ _ _ _ _, and a dreamy-eyed _ o n d _ _ _ _ z z _ _ _ _ e the Crip Walk. And they were picking it up like pros. Strutting around like old-school bangers. It figures, because passed down from the Masai and stolen from the Cherokee war dances you see on old Westerns, the C-Walk is an ancient warrior dance. One that designates its baggy-pants danseur noble as target. It’s a dance that says, “You may fire when ready, Gridley.” And any nigger in the limelight, even those conservative shills, knows what it’s like to have the bull’s-eye placed squarely on your back.

I was untying my horse when Foy placed a father-figure arm around my shoulder. There was an uptight and nervous look to his goatee that I’d never seen before. His neck was caked with dirt, and a deep stench of body odor wafted over me.

“You riding off into the sunset, Sellout?”

“I am.”

“Long day.”

“That crap about being better off under slavery is too much even for you, isn’t it, Foy?”

“At least McJones cares.”

“Come on, he cares about black people like a seven-footer cares about basketball. He has to care because what else would he be good at.”

Knowing I was never coming back to the Dum Dum Donut Intellectuals, Foy gave me the same sorrowful look the missionaries must’ve given the jungle heathen. A look that said, It doesn’t matter if you’re too stupid to understand God’s love. He loves you regardless, just hand over the women, the distance runners, and the natural resources.

“You’re not worried about that all-white school?”

“Naw, white kids need learnin’, too.”

“But white kids aren’t going to buy my books. Speaking of which—” Foy handed me a copy of Tom Soarer , then signed it without me asking him to.

“Foy, can I ask you something?”

“Sure.”

“I know it’s probably urban myth, but is it true that you own the really racist Little Rascals movies? Because if you do, I can make you an offer.”

Apparently I touched a nerve. Foy shook his head, pointed to his book, then lumbered back inside. As the glass doors opened, I could hear King Cuz, the nation’s wealthiest black man, and two legendary Negro ministers plenipotentiary rapping the lyrics to NWA’s “Fuck tha Police” at the top of their lungs. Before placing Tom Soarer in the saddlebag, I read the inscription, which I found vaguely threatening.

To the Sellout,

Like father, like son …

Foy Cheshire

Fuck him. I galloped home. Drove the horse hard down Guthrie Boulevard, inventing some inner-city dressage along the way as I ignored the traffic cop and ran the horse through a series of figure eights by dashing in and out of the orange construction barrels in the shut-down center lane. On Chariton Drive, I latched onto a tiring skateboarder and, with one hand on the reins, pulled her along like a long board cabriolet from Airdrome to Sawyer, whipping her into a sharp turn onto Burnside. I don’t know what I expected from trying to restore Dickens to a glory that never existed. Even if Dickens were to one day be officially recognized, there’d be no fanfare or fireworks. No one would ever bother to erect a statue of me in the park or name an elementary school after me. There’d be none of the head rush Jean Baptiste Point du Sable and William Overton must’ve felt when they planted their flags in Chicago and Portland. After all, it wouldn’t be like I founded or discovered anything. I was just brushing the dirt off an artifact that had never really been buried, so when I arrived home to Hominy, he excitedly unsaddled my horse. Eager to show me some newly disambiguated entry in an online encyclopedia written by some anonymous scholar:

Dickens is an unincorporated city in southwest Los Angeles County. Used to be all black, now there’s hella Mexicans. Once known as the murder capital of the world, shit ain’t as bad as it used to be, but don’t trip.

Yes, if Dickens ever became a real place again, in all likelihood Hominy’s wide smile would be all the reward I’d ever receive.

Twenty

Keep this under your hat, but over the next few months the resegregation of Dickens was kind of fun. Unlike Hominy, I’ve never had a real job, and even though it didn’t pay, driving around town with Hominy as the African-American Igor to my evil social scientist was sort of empowering, even though we were mocking the notion of being powerless. Monday through Friday at exactly one o’clock he’d be out front standing next to the truck.

“Hominy, you ready to segregate?”

“Yes, master.”

We started small, Hominy’s local fame and adoration proving invaluable. He’d soft-shoe his way inside, bust out an insanely intricate song-and-dance routine from old Chitlin’ Circuit days that would’ve made the Nicholas Brothers, Honi Coles, and Buck and Bubbles green with blackface envy:

’Cause my hair is curly

Just because my teeth are pearly

Just because I always wear a smile

Like to dress up in the latest style

Cause I’m glad I’m livin’

I take these troubles all with a smile

Just because my color’s shady

Makes no difference, maybe

Why they call me “Shine”

Then, as if it were part of the act, he’d stick a COLORED ONLY sign in the storefront window of a restaurant or beauty shop. No one ever took them down, at least not in front of us; he’d worked too hard for it.

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