Rohinton Mistry - Such A Long Journey

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It is Bombay in 1971, the year India went to war over what was to become Bangladesh. A hard-working bank clerk, Gustad Noble is a devoted family man who gradually sees his modest life unravelling. His young daughter falls ill; his promising son defies his father’s ambitions for him. He is the one reasonable voice amidst the ongoing dramas of his neighbours. One day, he receives a letter from an old friend, asking him to help in what at first seems like an heroic mission. But he soon finds himself unwittingly drawn into a dangerous network of deception. Compassionate, and rich in details of character and place, this unforgettable novel charts the journey of a moral heart in a turbulent world of change.

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‘I phoned the Tower of Silence while Nusli was in the bathroom. They said the hearse will come in half an hour.’

The patients who had decided to close their eyes after Alamai silenced Nusli, opened them again. For Nusli chose to speak once more with his high-pitched instrument. ‘I am so scared, Auntie!’

‘A-ra-ra-ra! Now what are you scared of?’

‘Of the hearse,’ he whined. ‘I don’t want to sit in it!’

‘You boy-without-brain, what is there to be scared of? It’s just like a van. Remember, we all went for a picnic in the van last year with Dorab Uncle’s family to Victoria Garden? And saw all the animals there? A van, just like that one.’

‘No, Auntie, please, I am so scared.’ He cringed and wrung his hands.

Marey em-no-em ! God knows to collect what dust I brought you along! Thought you would be a help. Help, my head!’ and she struck it hard with both hands.

Gustad felt it was time to intervene, before more patients were awakened to the nightmare in their ward. ‘Alamai, I will be happy to come with you in the hearse. To help with everything.’

‘See? See, you lumbasoo-baywakoof, listen to Gustad Uncle. He is not scared, is he?’ Nusli gazed at his feet and pursed his lips as though to blow spit bubbles. She thumped him on the back, and he lurched forward. ‘Look at me when I talk to you!’

‘Yes, yes, he will come,’ said Gustad. ‘He will sit beside me. Won’t you, Nusli?’

‘OK,’ said Nusli, and giggled.

‘I don’t want any of your khikhi-khaakhaa,’ said Alamai. But Nusli permitted himself another short paroxysm of giggles before heeding her injunction.

She turned her attention now to Dinshawji’s trunk under the bed. ‘Come on, come on, Nusla! Don’t just stand there! Come here and pull it out for me. I want to check everything that Pappa brought from home. Cannot trust these hospital people.’

Gustad felt it was a good moment to disappear. He could return at the hearse’s appointed time. ‘Excuse me, I will be back in a few minutes.’

Alamai, engrossed in taking an inventory, granted him leave with an imperious wave of her hand. He caught a glimpse of Dinshawji’s black Naughty Boys in the trunk. Empty of their owner’s feet, they seemed larger than life.

He walked down the long cold corridor and down the stairs. Through the reception area, through the lobby, till he was outside, in the hospital grounds. The lawn was slightly damp, there was a pleasing fresh-cut scent in the grass. The grounds were dark except for the dim light from an ornate cast-iron lamppost by the walkway. He headed for the little garden with the arbor where he had sat many Sundays ago, when Dinshawji had newly arrived at the hospital.

The bench, like the lawn, was damp. Too early for dew, it must have been made wet when the maali watered the flowers. Gustad spread his handkerchief and sat. The exhaustion he had kept at bay now overtook him. He felt drained, emptied of the last bit of energy that had got him through the day, took him to Crawford Market and to Mount Mary, that kept his limp under control, that made him suffer Alamai with forbearance.

It was cool on the bench under the trees. Peaceful. Like the countryside. Or a hill station, with the nocturnal insect sounds. Matheran, when I was eight years old. Where Pappa had taken the entire family: Grandma, Grandpa, the younger brother’s family (the one who was to betray Pappa’s trust and ruin him), and two servants. They had reserved four rooms at Central Hotel. It was raining when they alighted from the toy train that chugged slowly up the hill. Everything was damp as they arrived by rickshaw at the hotel. The manager was Pappa’s personal friend. He sent cups of hot Bournvita to their rooms. When it got dark and the lights went on, the mosquitoes came. It was the first time for Gustad, sleeping under mosquito nets. He slipped in through the opening, then his mother tucked the flap securely under the mattress. It was strange to say goodnight-Godblessyou through the gauze-like material and then listen to her say it. Her voice came clearly, but she looked so insubstantial behind the enveloping veil, far away, beyond his reach, and he was all alone, under the canopy of white, entombed in his mosquito-free mausoleum. It had been such a long journey, and he fell asleep.

But that picture. That picture of my mother — locked away for ever in my mind: my mother through the white, diaphanous mosquito net, saying goodnight-Godblessyou, smiling, soft and evanescent, floating before my sleepy eyes, floating for ever with her eyes so gentle and kind. That was the way he chose to remember her, when he was eighteen and she was dead.

And there had never again been cornflakes as delicious as the ones he ate at breakfast in Matheran. Or toast, with roses of butter, and marmalade. With the jabbering brown monkeys always waiting to snatch what fell or was carelessly left around. One had even grabbed a packet of Gluco biscuits from his hand. There were pony rides. Long walks in the mornings and evenings, to Echo Point, Monkey Point, Panorama Point, Charlotte Lake. With walking-sticks. Pappa bought one for each member of the party: freshly carved, with the smell of the tree still strong upon it. The cool, crisp mountain air filled their lungs, driving out the city staleness. At dusk it was chilly, and they needed pullovers. The manager told them stories of tiger hunts he had been on in these hills. And on the last night, the chef made a special pudding for them. After it was eaten, he came out to say goodbye, then pretended to be disappointed that they did not enjoy his pudding. They thought he was joking, for the bowl had been licked clean. But the chef picked up the empty bowl, broke it before their startled eyes, and distributed the shards in their plates, eating one himself to demonstrate. Everyone laughed at how well they had been fooled, crunching the pieces moulded from sugar and gelatine. ‘Now this is what you call a sweet dish,’ said Pappa.

But Gustad sat silent and downcast throughout dinner, thinking of the morrow, the end of the holiday. His father had tried to cheer him up, saying they would come again another year. And then, the bowl was broken and eaten. There was something so final and terrible about the act. He refused to eat a single piece of the flavoured sugar and gelatine.

And when the bookstore was bankrupt and the bailiff arrived, I remembered the broken bowl. Watching helplessly as the shelves were emptied and the books were loaded on lorries. Pappa begging and pleading in vain with the bailiff. The cleats on the bailiff’s shoes clattering brazenly on the stone floor. The men continuing their task, dismantling Pappa’s life, breaking it up into little pieces, feeding the pieces into the bellies of the lorries. Then rolling away, leaving in their wake a noxious smell. Diesel fumes. And I remembering the dinner-table in Matheran, the crunching down of the broken bowl — such a terrible, final act.

But what pudding was it that night? Lemon? No, it was pineapple. Or maybe caramel? Perhaps. Even memories do not stay intact for ever. Have to be careful, scrupulous, in dealing with them. And Dinshu is dead. Tomorrow, the vultures. Then, nothing. Except memories. His jokes. About the two men whose wives. And the other one, the bicycle pump. O give me a home where the nurses’ hands roam…

Gustad closed his eyes, nodded. Jerked his head up. But down it went again. And up. His spectacles slid a little bit lower. The third time he did not struggle to raise his head.

A loud honking across the dark, damp grass silenced the crickets and cicadas in the foliage, and ended Gustad’s brief nap. He pushed up his spectacles. A car was blocking the hospital driveway; a van waited to get through. He stood up. The building lights illuminated the legend on the van: HEARSE, and then the rest: Bombay Parsi Punchayet. The unpainted body of the vehicle shone eerily, silvery-white in the darkness.

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