Rafael Yglesias - Dr. Neruda's Cure for Evil

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Dr. Neruda's Cure for Evil: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook. A suspenseful novel of ideas that explores the limitations of science, the origins of immorality, and the ultimate unknowability of the human psyche. Rafael Neruda is a brilliant psychiatrist renowned for his effective treatment of former child-abuse victims. Apart from his talent as an analyst, he’s deeply empathetic — he himself has been a victim of abuse. Gene Kenny is simply one more patient that Dr. Neruda has “cured” of past trauma. And then Kenny commits a terrible crime. Desperate to find out why, Dr. Neruda must shed the standards of his training, risking his own sanity in uncovering the disturbing secrets of Kenny’s former life. Structured as actual case studies and steeped in the history of psychoanalysis, Dr. Neruda’s Cure for Evil is Yglesias’s most formally and intellectually ambitious novel. This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.

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“That’s not—!” I wanted to explain that it had nothing to do with all the secrets I wasn’t supposed to tell, about my father being in Cuba, Mom and Dad being Communists or the rest. But her web of fingers tugged a warning and I shut up before she interrupted me.

“That’s not what you were lying about this time?” she said, again with no hint of anger, in a sweet understanding tone.

Mr. Stein, back to his mouse-like squeak, finally spoke. “He told us a long involved — a whole thing about a softball tournament in school. Supposedly he’s the captain and he wanted Joseph to play. He was going to take him all over the city … supposedly to these baseball games.”

“I see.” Ruth pushed me away from her. “Go to your room. Go straight to your room. Don’t go poking around looking for your toys. Go straight to your room, shut the door and stay there until I come in. Go!”

I went. I heard the start of her apology to Mr. Stein.

“There’s probably some truth to it, but of course it’s a lie. You’ll have to forgive him—”

As I passed, I noticed that the door to her bedroom was closed. That was unusual. I didn’t think about it. I was enraged. I slammed my own door shut and hurled myself onto the bed. I pressed my face into the pillow. Wild anger pulsed in my head, the kind that makes you feel will explode your skin and scatter your character into unrecoverable bits.

Worse than the fury, however, was my confusion. Why had she done this? Why had she told such a diabolical lie, a lie that left my character in ruins? She had heard from Mr. Stein himself that his worries had nothing to do with Dad or Cuba and yet she had made me into a living paradox, someone who would be believed less and less the more he told the truth. I was in quicksand; my end would only be hastened by resistance. How could I free myself from what Mr. Stein would tell Joseph and, by extension, every friend of mine, their parents and finally (Washington Heights was a small town in this respect) my teachers? Even the candy store man who sold me baseball cards, Milky Ways, and Pinkies would hear of it eventually. I would be Rafe the liar to them all.

I couldn’t stand it. Longing for justice, I opened my door and walked out. My bedroom was the third in line off a narrow hall. A small bedroom, which my father used as a study, lay between my room and the master bedroom. All three shared a bathroom at my end of the hall. A strong smell of paint lingered in the windowless passageway. I took one step out of my room and stopped. I didn’t proceed into the living room and foyer to confront my mother and Mr. Stein because a strange man stood at the study door, looking at me.

Shocked, I inhaled sharply and held the breath.

The stranger whispered to me in an intense voice. When he was done, he put his finger over his lips. He spoke in Spanish but I knew enough to understand. He said, “I am a friend of your father’s. Be still.”

He was Latin. He looked a little like my stout, black-haired, round-faced Cousin Pancho. An Asturian, my father would say, referring to natives of the Spanish province of Asturias. “Pancho, you have the Asturian sturdiness,” my father liked to compliment his cousin. “You’re built like a thoroughbred bull. The one that gores the matador.” But I knew that my father preferred his own build, which he would praise using my body as a mirror. “You have the broad shoulders and narrow hips of the Gallego,” Francisco told me almost every time we were alone. “Women like that shape in a man,” he would add and smile into the distance. This strange Asturian moved on his toes toward the hall entrance. I remained stuck in place, holding my breath, watching him. I could hear that Mr. Stein was talking, but not the words.

“I understand,” my mother’s voice was loud, so loud I was startled. The Asturian also. He stopped in his tracks. Mom sounded strained and angry. “No further discussion is necessary. I’m sorry if any of this has caused trouble for you, although I don’t see how it has.”

“You don’t!” We could now hear Mr. Stein as well. The Asturian looked silly — he was stuck in mid-stride — arms out, heels off the floor. He settled back on his heels and sure enough, a loose floorboard groaned. We both gasped. But the sound of the front door shutting with a bang drowned out all those noises; and then Mom was there, staring at us with a look of surprise.

Surprised at what? Didn’t she know the Asturian was in the apartment? For an awful moment, I was scared I had made a mistake in keeping quiet.

“Rafe, I told you to stay in your room,” she said, thoroughly annoyed. “God damn it, don’t you listen to me?”

“Who was the man?” the Asturian asked in English. “A police?”

“No,” my mother frowned in disgust. “A nutty neighbor,” she dismissed him. “He lives on another floor. Wait a few minutes, then take the stairs. He’s nothing to worry about, anyway. He’s got nothing to do with the police.”

The Asturian turned to smile at me. “Your son,” he said in Spanish to my mother, “is very handsome. And intelligent, too,” he added. “He didn’t give me away.”

My mother walked over and hugged me. She ran her hands through my hair and pressed my face into her cleavage. She smelled of paint, turpentine and sweat. “He’s a good boy,” she said.

“I’m sorry to bring bad news.”

“It could be worse,” my mother said. She kept my face tight against her. My lips were parted by one of the Brooks Brothers buttons. It was as smooth and hard as a pebble.

“I’ll go now,” the Asturian said.

My mother released me.

“Let me check the hallway first,” she said and left us.

As soon as she was gone, he came over and whispered in English, “Your father gave me a message only for you. He said”—the Asturian paused, eyes on the ceiling, then recited the message— “‘Remember, Rafa, remember to yourself always, that you have the hard-headed common sense of the Nerudas. If trouble gets in your way, use your brain.’ No, no,” he corrected himself, “‘If trouble finds you, use your peasant brain.’” The Asturian tousled my hair, smiled and then rushed off after my mother in a comical way, a hurried waddle.

Of course I forgot my anger. When Ruth returned, I didn’t confront her about the ruination of my character. There was a calm look of concentration in her green eyes, a strange and beautiful contrast to the wild tangle of her black hair. Her posture, often defeated and wary since our return from Florida, was erect and alert. “He brought a letter from Daddy,” she said to me, but also not to me, speaking over my head and scanning the hallway intently, as if trying to decipher something on the wall. “He didn’t want me to read it to you, but I’m going to. I’m going to have to destroy it and I want you to know it really existed. It’s too important for you to believe on just my say-so.”

She had no letter that I could see. She walked up and down our little hall, first peering into my room, then the study. “No!” she said decisively. “Certainly not here.” She put a finger to her lips and said, “Keep quiet.” She wasn’t talking to me. She took my hand and led me into the bathroom. It’s a bathroom that I sometimes see when I visit friends on the Upper West Side. But that’s rare. Those who pay today’s prices for New York apartments usually replace the characteristic black and white web pattern of tiles, the milky porcelain sink and faucets, the toilet whose flush sounds like an explosion, and the narrow frosted glass window, permanently stuck in a position not fully closed, so that, especially on a winter night, a breeze shocks the bare behind of its user.

Ruth pushed our blood-red shower curtain open and bent down to turn on the bathtub faucet. A squeal, a shudder from the pipes, and then a burst of water made thunder. She moved to the sink and both its faucets were wrung open to add to the storm. She tried and failed to shut the frosted glass window. The split in my father’s shirt billowed as she did and I saw all of her skinny back. There was more than a single line on her; another intersected it. She had an X painted on her back as if she were a target. She finally settled on the closed toilet seat, reached into the deep pockets of my father’s chinos, and pulled out a letter written on two sheets of unlined yellow typing paper, a kind of cheap foolscap that I can no longer find in my local stationery store. Today the pages are so brittle that the edges break off if any pressure is applied. Looking at them as I write this I see that the coarse paper absorbed the blue ink of my father’s pen unevenly. Some words are fat, others faded, a few almost illegibly blurred. She patted the rim of the bathtub near her, inviting me to sit. I obeyed.

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