Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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“You work on Wall Street, right?”

“You can tell just by looking?”

“No.” Diane wasn’t amused. “I gossiped with Francine. She told me your wife has been at home, but she’s going back to work.”

“Well, to school first. She wants to design clothes, so she’s taking some courses at FIT.”

“Oh,” Diane said, her eyes doubtful. “Did she used to do that before?”

“No, she dabbled in photography. Did some work as a graphic designer. Flirted with acting when she first came to New York. You work?”

“I’m a lawyer.”

“Criminal?”

“Corporate.”

“And your husband?”

“He’s in charge of the Stillman Foundation’s funding to the lively arts.”

“Really? That’s interesting.” Diane named her and her husband’s jobs in a casual tone, as if they were unremarkable and ordinary. Since, in fact, they weren’t, her manner made Eric feel that she must believe herself and her husband to be very successful, perhaps too obviously successful, so that an open show of pride would be redundant. “Is he at work?”

“He’s asleep,” she said with a grunt. She poked her hands into her jacket, slumping down on the bench, like a benched ballplayer enviously eyeing his active peers. “And your wife?” she asked, turning her head for the first time to look directly into Eric’s eyes.

Reflexively, he couldn’t face them. “She’s asleep too.”

“Well, aren’t they lucky?” Diane said with another disgusted grunt.

“Yes, they are.”

“And how did we get to be such suckers?”

Eric laughed and with the laugh let go of his succession of worries — how can I get Luke to the park? how can I get him to be less shy? how can I get him to be less afraid? how can I make more money? how can I learn to make it on my own? How? How? How? He laughed them out and up, ugly pigeons on the wing, soaring into the open patch of the New York sky.

THAT MISERABLE day when Diane took Byron to the IQ test, expecting triumph and ending instead with hurling Byron into a cab, that miserable day, like so many others, found her happy to return to work. She had noticed long ago that the parents of young children were happy to be at the office on Monday mornings. That afternoon she was grateful for the obligation to get out of the house, away from her cranky two-year-old.

She settled at her desk, returned the accumulated phone calls, and finished the memo she had to prepare for Stoppard, all in record time, more than making up for her absence in the morning.

Then her mind wandered. She knew she should go home. Peter wouldn’t be there; he had a fund raiser and then a show. Peter had asked her to come along, she could call the baby-sitters, but the prospect of getting to bed at midnight or even later, only to be roused at three or four in the morning if she was unlucky (the nights they went out Byron tended to wake) or six-thirty if she was fortunate had defeated her. She should go home, deal with Byron. Maybe all the absences of parents had made him temperamental. She had to force Peter to develop a closer relationship with Byron. Maybe another child would help. Sure, Byron would be jealous, but he would have a companion.

Companion in misery?

It wasn’t that bad. She remembered last Saturday in the park, watching Byron play with that boy Luke. He was happy. And they were the two smartest kids there, she knew that. The parents around her and Luke’s father, Eric, stared openly when Byron and Luke returned from building their sand castle and went into a kind of elaborate duet of speech, their words fashioning the turrets their small awkward hands could not, their language sculpting details that the crude sand couldn’t define.

“How old are they?” one mother asked.

“Two,” Diane said.

The mother shook her head in unhappy confirmation and her eyes went to her own kid, a lummox, his eyes dull, his mouth hanging open moronically. He had pathetically tried to horn in on Byron and Luke’s creation. Luke had immediately backed off, Diane had noticed. She had felt Eric tense beside her, but her Byron had saved the situation.

“We’re building! Not you!” Byron had commanded and the dullard had stumbled back on his heels, as if pushed.

If only Byron had cooperated with the tester! What a show he would have put on! Diane had learned the various questions and tasks the IQ test put to the children and she knew Byron could manhandle them.

She liked Luke’s father. He was a huge man, well over six feet, with big, broad shoulders, his face wide and cheerful, his kinky hair glowing in the sun. His big, meaty hands were warm — he had touched her on the arm to emphasize some story — and he had a bearish love for his son. He gathered Luke into his thick arms when Luke finished gabbing about the castle and thus miniaturized Luke. Luke was swaddled like a newborn infant against Eric’s powerful chest. Eric’s full lips kissed Luke on the forehead unselfconsciously, with none of the shy affection Peter occasionally gave to Byron, with none of the false, presumably male heartiness of the typical American dad, but with a strong desire, fierce and desperate and comforting. “You’re great, Luke!” Eric had said, almost wildly, a stage character bursting into song.

She imagined going to bed with Eric, made small and warm and protected by his body, swamped by his wet lips, her hands on the tight engine of his ass. … “You’re great!” he might sing at the end.

She felt contempt for Peter.

Of course, Peter still shone bright; he was smooth, a polished precious gem, a jewel compared with other husbands. Eric might be good for a night, but probably the brain was oafish, his ability to understand her limited.

Yet she felt disdain for Peter. He was a jewel, but what use was it? What real value did she get out of his refinement? His wit? His charm? His impeccable taste? If Peter could take her to dinner and a show and then become a bear in bed, a hungry mammal, instead of a self-conscious civilized man, then …

That wasn’t it. It wasn’t sex. Peter didn’t feel passion, not for his child, not for her, not even for life. He felt only ironies. He understood when someone portrayed passion on the stage, but he’d flee from the roaring reality.

Byron had passion. He had energy and the love of doing, and his mind had the refinement to make something of life.

She missed Byron. Diane called home.

“The Hummel residence,” Francine’s obviously black accent answered.

How weird, Diane thought, at the picture of her life that was summoned by having a black servant answer with that antique phrase. “Hi, Francine, it’s Diane. How’s it going?”

Francine lowered her voice. “He’s playing in his room. Seems happy, but he keeps talking about”—she laughed, embarrassed—“keeps talking about how you don’t love him.”

“What?”

Francine whispered. “ ‘Mommy don’t love me, Mommy don’t love me,’ that’s what he keeps saying. I told him to stop.” She laughed again. “He told me I was fat.”

“I’m sorry.”

“I don’t mind, I just gave him a good hard pinch, told him he was too short to be telling me I was fat. That stopped him. He’s all right. Just likes to get his way. Who doesn’t?”

“I’m coming straight home,” Diane said.

“Not if you have work. He’s fine.”

“I’m done. That’s why I called. I’ll be home in twenty minutes.” She hung up and moved quickly, as if her house were burning down. I was wrong, I was wrong, she thought, clearing her desk.

Didi walked in just as Diane was ready to go. “Get your coat. We’re going for a drink with our mentors.”

“I can’t.” But she stopped still, waiting for permission to leave.

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