Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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“Should we do the bedtime things before we go?” Mommy asked, the real mommy, her voice like the sunny day, clear and lit, not glowing. “Daddy can read you a story—”

“You read me,” Luke said, and felt his eyes hurt and squeezed and wet. He knew he was lost now. They would leave.

“Okay,” Mommy said like a kiss.

PETER TOLD Rachel. At least, he tried to tell her about Larry. She tilted her head and listened with open, wondering sympathetic eyes. But Peter felt she was puzzled. After all, what did it amount to? When Peter was eight and nine, Larry, taking advantage of opportunities created by living with Gary, asked Peter a lot of leering questions, made suggestions about masturbation, reached in Peter’s pants and rubbed his penis, once put it in his mouth; the incidents were all brief, never brutal, and when Peter finally was able to refuse, Larry stopped. Peter told this to Rachel guiltily, his eyes averted, his voice low, halting, summarizing the items, a sinner confessing. She looked puzzled when he came to the end. Was that all? her look seemed to say.

But then Rachel hugged him for an answer. She put her hand behind his head and pressed his nose into her shoulder. “Poor baby,” she prayed over him. “You must have been so scared.”

She trapped him in the embrace, as if he were slipping away and had to hang on.

He felt awkward in Rachel’s arms, irritated by her motherly softness, although that’s what he had come for, that’s why he had called the office to say he would miss the staff meeting. That’s why he had told her: to be petted, to be soothed. But once in her arms, he wasn’t a sad little boy anymore; he was a disgruntled teenager. He wanted to shake free, peel off her sticky affection.

“It’s okay,” he said, and pushed his way out of her spidery love.

“It must have made you angry.”

“I’m not angry,” Peter answered, and looked at his watch. He wanted to leave. The nervous morning, going to Larry’s building, coming to Rachel’s, had made nonsense of his day. He had told his secretary he had family business to take care of — how could he show up now?

“You’re not?”

“No,” he answered, surprised at her perceptiveness. “I’m not angry at you — I just needed to breathe.”

“At me? Why would you be angry at me? I meant at that man.”

God, what a mistake. No, he wasn’t angry at Larry. He didn’t believe Larry still existed; that’s why Gary’s account of Larry’s current activities was a surprise; that’s why he had gone to the building lobby, to see if Larry really had such a company. Larry was a fossil of his past. Like Tyrannosaurus standing gaunt in a museum, Larry was a bone-dead terror; this abrupt growth of muscle and skin was more weird than anything else.

And there was another worry, something he felt constrained to tell Rachel, because she was his mistress and Peter didn’t think he should talk about his son with her. Byron, when he was grabbed in the park by a pervert, brought home the implication of Larry’s continued presence. There must be other boys, other lives being— what? Ruined. No, hardly. But touched, touched forever. Not merely the temporary contact of lust, but the lingering interrogation of the past. Not merely the cracks it made in sexuality, but also faith in parents, the trust of authority, and the vague, but persistent, disgust with intimacy. Other boys. Other boys. Happening now. Peter could see their faces, and (he had to admit this) what happened to them was partly his fault.

Wasn’t it?

He could stop it, couldn’t he?

Couldn’t he? Well, perhaps—

Couldn’t he?

NINA KISSED Luke’s sweet soft cheek as she laid him down into his crib. He had grown so big that letting go of him was a relief.

“Ma, Ma,” he said through his pacifier.

“Shhh,” she whispered. “If you need anything, Grandma and Grandpa will get it.”

Luke whimpered. He pressed his face into the mattress, his legs curled up, and he sucked hard on the pacifier.

Nina inhaled, held her breath, and turned. She walked out purposefully (she heard Luke sit up and make a sound of protest) and did not look back.

Eric confronted her in the hall, his body worried and inquisitive. She shushed him before he could speak and made for the door.

“I didn’t say good—” Eric began.

Nina took his arm. “Just go,” she said. This wasn’t their first departure from Luke, but it was the first Luke knew of. Their other dates — they felt like dates, arranged in advance, dressing up, having a time limit — had been when Luke would fall asleep at six-thirty or seven. They would read him his bedtime stories, give him his bottle, rock him to sleep (Luke almost never woke up during the night, and when he did, it was in the early hours of the morning), and only then would the sitter arrive and Nina and Eric leave. In his infancy, when they were most confident Luke would stay asleep, they used a widow who lived in their building. The widow knew Luke only from encounters in the lobby or elevator, not from her vigils in their apartment. Luke had never stirred, had never known she was there. But finally, as he got older, his bedtime later, his consciousness of the world keener, Nina had decided the deception was too risky, even though they had begun to use Eric’s parents, whom Luke knew well. He might guess, he might delay going to bed just long enough to make them late for an eight o’clock show. He had a tendency to lie awake for up to an hour before falling asleep; if he called out (as he sometimes did) to ask for water, or tell some observation, and Grandma or Grandpa walked in … Well, it was a betrayal, a horrible betrayal, and Luke would be shocked, unforgiving, inconsolable. However difficult telling Luke in advance might be, that honest hurt would keep more important feelings unbruised.

Luke knew Eric’s parents, even had something of a relationship with them, especially with Eric’s father, Barry. How bad could it be for Luke? Leaving him with his grandparents, surely that was nothing, nothing, nothing. Everything was going to be fine.

They got outside, onto the lively Village street, full of students in their wild outfits, full of gays in their wild outfits, full of tourists looking at the wild outfits, full of yuppies in dull outfits not looking at anyone. There were so many people strolling, laughing, on their way to something, that the street had a party atmosphere, a late spring night in New York, too early for the desertion to the Hamptons, or the return to provincial homes after graduation. The Friday release made the gray week of law, banking, publishing, psychiatry into a memory. The black night changed the monochromatic day to fuzzy glowing reds and yellows, winking pinks and blues, bouncing lights everywhere, the city a torchlight parade of celebrants, some decayed, some naïve, some earnest, and some mad.

Nina was glad to be back among them, in the free world, released from the dress gray of motherhood.

“What should we do?” Eric asked. A group of college kids, in torn bulky rags, their young cheeks red with excitement, came bounding by, splitting Eric and Nina.

“Sorry—” one of the girls called back.

“What can we do?” Eric wondered.

They hadn’t made a plan in case Luke’s reaction caused a delay. Now it would be hard to get into a good restaurant without a reservation. “A movie?” Nina asked, thinking of the early days together (only three years ago in fact, but eons in memory) when a movie and late dinner were their coziest, happiest times.

Eric looked doubtful while they rushed around the corner to the stationery store (about to close its doors) and bought a paper to see what was showing. They were out of sync with the local theater’s starting times, but Nina figured out they could go to midtown, grab a bite, and get into a nine o’clock show of a movie they both wanted to see. “Let’s go,” she said, excited, pulling Eric’s large, thick warm hand to get him to the corner.

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