Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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Nina got up. Pearl said, “Oh, I know that girl. She’s always causing trouble,” but Nina had no time to answer. Her heart, as always, quickened at the sound of Luke’s broken feelings. By the time she reached Luke, his long black eyelashes were wet. They held tear droplets at their edges, glistening, like jewels, in the sunlight. Nina glanced about for someone who might be the girl’s mother or nanny, someone to intercede and get the shovel back.

“What’s the matter?” she heard herself ask Luke, even though she knew what was wrong.

“I wanna go home,” Luke bawled. He was shattered crockery.

“I’ll get your shovel—”

“Don’t want my shovel!” Luke said, for the moment not wilting anymore, his back straight, his eyes open.

Why does he do this? Nina asked herself. Why does he deny the simple truth?

“Oh?” Pearl’s resonant voice came from behind Nina. “Well, I happened to get it.” She put Luke’s shovel beside him. “Is it all right if I leave it here? In case you be needing it?”

Luke, surprised, looked up at Pearl with his great blue eyes. “Don’t want,” he said, but not sure anymore.

“Course you don’t. My, my, is that a castle?”

Luke nodded slowly, his face relaxing.

“Of course it is!” Pearl said. “Looks all done.”

Luke stared down at his creation. He had carefully sculpted the dirty sand (here and there were stray pigeon feathers, a cigarette butt, the top of a soda can) into walls and made little towers at the corners.

“So you won’t be needing the shovel,” Pearl said. “But it is yours,” Pearl added. “So let’s keep it here beside you.”

Luke nodded. “I made a tower,” he said, pointing.

“Un-huh,” Pearl said earnestly, studying Luke’s little structure hard. “That’s for the guards.”

Luke laughed. “To see!” he corrected.

“Oh, of course it is!” Pearl said, shaking her head at her stupidity. “I should’ve known that.”

Luke laughed loudly, his voice healing, his character reglued. “Yeah! Course, it’s for looking. What else could it be?”

“That’s right,” Pearl agreed, her dentures gleaming. “I must be crazy to think it’s for guards.”

“Yeah!” Luke said, getting to his feet to walk around his creation with pride. “Too small for people!” He roared at this and looked at them with joy, but his face, just as suddenly, went slack.

The girl was back. She stood a few feet off, hands on her hips, staring at Luke’s castle with an envious conqueror’s rage.

Pearl glanced at the little girl, lowered her voice to a threatening growl, and said, “Don’t be thinking of playing here. We’re playing here now. There’s plenty of room over there.” The girl shrugged her shoulders and moved off.

“I want to go home,” Luke said anyway, and reached for Nina’s hand.

“All right,” she agreed, the relief Pearl had brought, its refreshment, so quickly dissipated. “Thank you,” she said to Pearl. “How can I reach you?”

“I’ll call you,” Pearl said, and wrote down Nina’s phone number. “I’ll talk to my woman tonight,” Pearl added when they left.

At home that night Nina hesitated again, this time with Eric. She hesitated even though the idea of hiring Pearl wouldn’t be a shock. Eric knew that Nina planned to return to school in a month and he knew all about Pearl (although he’d never met her). Still, Eric, despite his apparent calm, would be nervous at the actual event of turning over Luke’s care to someone else. She worried he might balk at the last minute. Perhaps, on meeting Pearl, he would find fault with her to prevent Nina’s departure.

Luke, despite the miraculous cure of his colic, had never become an easy child. He remained serious and careful, even his best moods diluted by a wary distrust. But he was a sweet two-year-old, very loving, and very smart — sometimes it seemed like a terrible intelligence to Nina, that it was the intelligence which made him difficult. Luke slept through the night, he didn’t fuss about his food, or going places, he could be taken anywhere, restaurants, movies, trips, he showed no signs of the terrible twos, and yet he was completely dependent on Nina — or Eric. He almost never played by himself. He asked constant questions. He wanted to know the name of every object. He noticed every street horror. He feared the crowd of other children at the playground. He let his pail and shovel be taken from him without a protest, preferring to be stripped of his possessions rather than fight for them. He seemed to want and need a limitless supply of love, not things, not showy attention, but real contact, conversation, reading, play, intimacy, and patience. He could detect even a subsonic whine of irritation in response to a request and would then refuse to accept the giving, like the Jesus of her childhood sermons, wanting only pure love, not grudging duty. But granted generous love and ungrudging devotion, he was a miracle of happiness: easy, laughing, witty, and kind.

Most maddening of all, Luke never showed his good side to others. Adults expecting the usual performance by a baby — gurgling laughs at funny faces, easy clowning at his own infant clumsiness, automatic pleasure at their friendliness — were shocked by Luke’s obvious suspicion of them, his unforgiving self-critical attitude at his own failures, his anger at being teased, his obvious desire to be their equal.

“Do you remember me? Give me a kiss. I brought you a present. Would you like me to play with you?” All those offers (always made, Nina noticed, with every expectation by the adults that their generosity was special, impossible to refuse), offers made by grandparents, uncles, aunts, neighbors, friends, were answered by Luke ducking his head and mumbling: “No.” He would give them nothing, no matter how high the bribe. It almost frightened her; his lofty lack of self-interest sometimes seemed inhuman.

To have found Pearl, someone whom he did like, someone who gave to children without vanity, without expectation of reward— that was Pearl all right, a woman of apparently limitless self-sacrifice and patience — to have found her and for Luke to already know and like her … it was a miracle. Surely Eric would understand that.

So — nervous — Nina told Eric about her conversation with Pearl. Eric had begun to watch a videotape of a cable show about the stock market and he asked her to wait until it was over. She sat patiently while Eric shouted answers to the people on the program, applauding or booing as if the opinions were base hits or errors. Finally he listened to Nina. Eric nodded, said great, and that he would arrange to be home early any day that Pearl could come by. But Eric’s legs jiggled up and down, his eyes became solemn (like Luke’s thoughtful, worried look before nap time), and it was obvious to Nina that Eric was scared by the prospect of leaving his son in the care of a stranger.

She finally understood, after two years, that Luke was a possession of Eric’s. Not one of many, but the possession. Eric loved only through ownership, so for him the emotion wasn’t false, it was real love. Nevertheless, it required performance, that Luke, like some stock, gain in value and popularity. Eric ended every night with a prayerful litany: “Luke remembered such and such Luke can say such and such, he listens when I read, he’s so handsome—” and so on. All of that was true, but this wasn’t pleasure, it was pride.

She almost hated Eric for the way he loved Luke. She felt jealous of the admiration, fearful of its hubris, and worried by the implication of pressure in the future. Eric had already begun to fuss about Luke’s education, clipping articles about the IQ test used for admittance to private nursery schools. He assessed the motor and language skills of other children in the park, noting that Luke was taller than others his age, and had a much larger vocabulary. He bragged about Luke’s remarkable memory to their friends, and worst of all, Eric’s conversations with Nina were always about Luke. Eric laughed about Luke; he hugged Luke as if he were clutching a life preserver; he taped the financial TV shows to have more time to play with Luke and watched them during the few hours she and Eric were alone. All of Eric’s energies were directed at the stock market and at Luke; there was nothing for her.

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