Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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“Hello, Byron,” Peter said to the baby, using the name he had urged over her plaintive objections. Too pretentious, too odd (the potential nickname — By? — sounded like a description of sexual confusion), and besides, Diane had never read Byron. (Wasn’t he a sexist pig?) But Peter had, especially in adolescence, and he made no attempt to pretend it was simply a love for the name itself. “It’ll guarantee one thing,” Peter said. “He’ll be sure to read Byron at least once — so we won’t have a complete illiterate for a son.”

Diane looked at her creation. That was no Byron. The brilliant whitish yellow umbilical cord, as thick as a trunk phone line into a busy office, extended from his red and swollen belly. The biggest thing about him were his testicles (maybe he was like Byron), but that was caused by birth or something — they had explained at the classes. The legs were retracted up almost to the stomach, a frog turned upside down, feet feeling desperately for a comforting surface.

“All right, let’s give him over to Dr. Kelso,” Stein said, and a young baby-faced pediatrician picked up Byron with a confidence that both impressed and irritated Diane.

“Welcome to the world,” Dr. Kelso said, and carried him off.

NINA HATED the furniture. The dark, dreary wood of the living-room shelves, the fat, rumpled couch, the dull red rug, the thick, oafish horizontal blinds (smudged by futile attempts to clean off New York’s air) — they all seemed responsible for the pain and mistake of this birth. Her back ached with bruising hurt, like nothing she had ever felt before. The base of her torso felt sore and dented, as though someone had been striking her with a mallet over and over and over — trying to halve her. Whenever Eric removed his fist, the pain intensified, stabbing so insistently her breakage seemed only moments away.

“Oh! Oh! Press! Press!” she cried. She reached back to the wound, almost fearful, however, that her hand would find nothing where once there had been her body — her strong, young, always reliable flesh.

“Okay, okay,” he said, and his strong fist shored her up, lifting her above the surging pain, just high enough for her to breathe and survive.

“Oh, God! Oh!”

“Breathe! Do your breathing!”

Nina huffed and puffed irregularly, skimming insecurely on the pain, buffeted out of her attempts to get a steady rhythm by the erratic stabs of hurt.

“Forty-five seconds,” Eric said. His voice was squeezed by the effort of maintaining pressure on her back. “Contraction is subsiding.”

“No, it’s not!” she protested. Eric laughed, but she wasn’t joking, she wanted to be accurate.

And then it was gone.

Vanished — not a tide ebbing — but whisked away by a magician’s wand. Stay off my spine! she yelled internally at the thing inside her. She pictured the midwife from the childbirth classes, holding the break-apart model of a pregnant woman high enough for everyone to see, while she manipulated the fetus doll to show various positions. The midwife illustrated back labor by pressing the plastic fetus’s head down on the model’s spine. “The pressure here gets worse as baby’s head is pushed lower by the contraction. Gravity is best for relieving the pressure. Get on all fours like a dog. Have your husband keep a ball or his fist or an ice pack pressing on the small of your back. Back labor is very difficult, but it can be handled.” Oh, yeah?

“It’s five minutes,” Eric said. “That was five minutes. We should go.”

He’s terrified, she thought, disgusted. She knew it was still too early — that if they went to the hospital now, they would be stuck in the labor room for hours. And because of her back labor, being there might mean the instigation of medical procedures such as putting on the fetal monitor, forcing her to lie down on her back— the worst possible position. But Eric’s smoldering hysteria at being away from medical supervision was dangerously close to ignition. “We’re supposed to wait until it’s consistently five minutes,” she argued, risking the conflagration.

Eric looked at his notebook, reciting: “Six, five and a half, six, five and a half, five. It’s getting there.”

Nina struggled to get to her feet. Eric took her hand and pulled. He groaned at the effort. “Jesus,” he commented.

“Now you know how I feel.” Nina walked to the phone and dialed Dr. Marge Ephron’s service.

“Who are you calling?”

“The doctor.”

“I thought you weren’t—”

The service answered. The operator immediately agreed to call Dr. Ephron. Nina hung up. “You’re right,” she said to Eric. “We should go to the hospital. I may need help with this pain.” Once she might have expected a protest from her husband. He had been keen on doing the natural childbirth. But the pale, nervous man, already nodding his agreement, was an unlikely objector.

The phone rang. Nina picked it up. “That was fast.” She put a foot forward and placed her right hand behind her on the small of her back. She arched her watermelon stomach forward. Put a babushka on her and she could be a peasant woman in the field pausing in between harvesting the potatoes to deliver her child. For Eric, the sight filled him with respect and guilt. “They’re almost five minutes apart. I’m having a lot of back pain, though. I may need help.” Nina pressed her thin lips together, breathing through her nose, while she listened to her doctor’s response. Eric knew that meant Dr. Ephron was being either critical or contradictory. “We are ,” Nina said. “I’ve; been on all fours for hours and Eric’s arm has practically fallen off from keeping his fist in my back.”

You’d think a woman doctor would be sympathetic, Eric thought. After all, Ephron has had two kids herself, the last quite recently.

“Right,” Nina now said, her mouth relaxing into a conciliatory pout. “Un-huh. Okay. We’ll wait. Thanks.” Nina hung up. “She says it’ll be harder on us at the hospital. We’re supposed to call when it’s consistently four minutes apart.”

“Great. American medicine’s great, isn’t it? Don’t go to the hospital when you’re in pain ’cause it’ll only be harder on you!”

“Okay, Eric. No speeches.”

Everything I do is wrong. He closed his eyes. I’m not gonna make it. He had had that conviction all along, despite the obvious fact that millions of other men had managed to survive this experience.

“Oh!” Nina began to pace. “It’s starting,” she hissed with a sharp, fearful intake of breath.

“What! It’s only been four minutes!”

Nina was walking, stiff-legged, across the living room. “My back, my back,” she shouted in between huffs and puffs. Eric followed her, comically hunched over, attempting to place his hand on her constantly retreating back.

“Stand still!” he pleaded.

“I can’t, I can’t!” she said, moving away just as he finally got his fist pressed against her.

“Get on the floor!”

“Goddammit! Goddammit! Goddammit!” she said, scurrying back and forth as though she could dodge the agony. She stopped abruptly, grabbed the thick mass of her brown hair behind her head, pulling it taut at the scalp, and screamed: “Fuck this!”

Eric seized her, one arm going about her shoulders so she couldn’t escape, and jammed his free fist into her back. “Breathe!” he screamed right into her ear.

She jerked her head away and defensively put a hand up to her ear. “Ow!”

“Sorry,” Eric said, twisting his hand into her mercilessly, amazed that such force could relieve pain rather than cause it.

Nina tried to keep to the exercise, but she would break off to exclaim at the pain and lose the rhythm. She kept thinking (whenever the mist of hurt lifted enough for her to regain the vista of consciousness): I hate being a woman.

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