Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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“That’s the most sleep he’s ever gotten.” Eric’s voice boomed in the trafficless, unpeopled auditorium of the country, his sound abrasive amid the soothing noise of lapping tide, rustling leaves, and complaining gulls. “He’ll probably be up all night.”

“I’ll stay up with him,” Nina said calmly.

Eric cocked his head.

“Really,” she said, self-assured. Nina held Luke up to the side of her face. “See the stars, baby,” she whispered to the little circle of Luke’s countenance. “I think that’s Venus,” she added.

Eric stepped to her side. “Where?” Nina pointed to what she remembered her father had always told her was Venus. She showed Eric reluctantly, afraid that, with his literal mind, he might know otherwise and correct her.

“Wow,” he said instead. Eric looked at Luke and put out his enormous hand, reaching for Luke’s miniature version. “Maybe when you’re grown,” Eric said to Luke, closing on the little fist, “you can fly there.”

Luke frowned at his father’s big face, as though disgusted by the notion.

“I doubt it,” Nina said, thinking that this worried, clutching child would hardly dare the unknown.

“Yeah,” Eric said. “They don’t have money for the space program. Instead they’ll put up lasers to zap him.”

“God, Eric,” Nina said, disgusted.

“Just kidding,” he said.

“I know,” she reassured him. Eric was bound to reality, she reminded herself, and no matter how far the leash stretched, he would always be yanked back. Nevertheless, the spell had been broken and she carried Luke toward the house.

The four-bedroom cottage, set in a cleared circle at the edge of Blue Hill Bay, shielded from the road and neighbors by white birches and tall firs, was two hundred years old and had been in Nina’s family for a hundred and fifty years. Just inside the front door, on a hand-hewn beam, four generations of Nina’s family had marked the growth of their children. “Could you get a knife, Eric?” she asked.

“A knife?”

“I’m going to mark Luke’s height.”

Eric paused for a moment, studying the beam, and then peering at Luke. Nina knew he was about to make some pragmatic objection, something like the fact that Luke couldn’t stand up, but Eric must have decided against it, because he went to the kitchen for the knife.

The tradition was to make the first indentation for height at age five on Thanksgiving when all, or most of the family, was usually in attendance. Nina had always found the ritual boring. From age fourteen on, she had refused to participate, believing that it only intensified the endless competition among the siblings — her brother John had chortled over outgrowing dead relatives — and that, as a connection to previous generations, measurements of height were hardly a profound legacy. There were old American families who kept journals, or whose correspondence, when found in attics, spoke down the long hallway of time. And there were old American families who had at least left relics of their taste and interests and benevolence, who had begun institutions, endowed universities, founded museums, and had civic works named in their honor. But Nina’s family, the Winninghams, had merely left behind several turn-of-the-century Ivy League championship squash cups; a stuffy painting of Great-Grandpa, the banker; and a grant for Princeton, by a bachelor uncle, to give a graduating senior money to travel in Italy for a year. To what end no one knew.

The family had endured and lived hearty lives — that was all Nina could deduce from the stories of them. They were good amateur athletes; they made money steadily, although never excessively; they were helpful, but not extraordinary, citizens; they gave decent amounts to charity, but never boldly. The blank markings on the wall were a perfect symbol of their mute past: they had grown; they had procreated. Nina had decided instantly on seeing the beam that no matter how dull this conversation with her ancestors might be, she wanted Luke to speak early. None of the Winninghams had ever stepped out of line, made a rude noise, or changed anything they encountered. Luke, at least, would begin his life with an alteration of their tradition even while obeying it.

She had Eric hold Luke while she used the knife. Luke’s curved legs dangled like feelers. The gouge she made in the wood was, at best, a crude approximation, but she took great pleasure in writing the date and Luke’s name big, so big that no other infant’s data would ever have room to fit, unless its size was radically different. The braggadocio of her large writing was also against the diffident family tradition. “Leave room for the next one,” her mother would always say. Nina hadn’t been polite; there would be only one newborn Winningham on the beam.

The caretaker and his wife had done a good job preparing the cottage. Wood was split and stacked in the two fireplaces, there were fresh-cut wild flowers in every room, and a crib had been set up in the smallest of the bedrooms. Nina took Luke on a tour. For the first seven weeks of his life, Nina hadn’t gone in for much talking to Luke. He was unhappy, tired; always awake and fussing. All her efforts had been to keep him calm and quiet. But now, walking through the rooms of her happy childhood summers, she held Luke up, showing him the things and explaining, “This is your room. When Mommy was a baby, she slept here. That’s Blue Hill Bay, which goes right into the Atlantic Ocean. See that? That’s the mast of Grandpa and Grandma’s sailboat. We’ll take you out tomorrow if it’s nice.”

Luke moaned and whined at first. His legs made spasmodic movements in the air, objecting to the lack of support, but Nina kept talking, turning him, her voice soft, like her own mother’s, explaining everything.

“That’s a spider web. Is the spider home? No … Did you hear that? An owl.”

She saw that Eric followed them about with a puzzled expression on his face. “Something wrong?” she asked faintly.

“Don’t you think you’re worrying him?” Eric said.

Luke wasn’t crying; he had even stopped peeping with complaints. “He’s fine,” she answered. “He’s listening to me.”

“Okay,” Eric said, agreeably. “He is quiet. But his eyes look worried.”

Nina turned Luke, put him face-to-face with her. The blue marbles glowed at her, radiating their wonder. “We’re having a conversation,” Nina said. Luke seemed to be studying Nina, filling his eyes; they widened more and more, as if he could expand his vision limitlessly. Luke seemed to want to absorb more than merely the sight of her; he wanted to take in the idea, the function of her. He squawked at Nina.

“I’m Mommy,” she said to him. She knew that was his question. “That’s your daddy. I’m Mommy. This is Grandma and Grandpa’s summer cottage. We’re going to stay here.”

Luke winced. His legs pulled up and then thrust down. He cried.

“Oh, God,” Eric mumbled.

But Nina didn’t feel the sinking despair this time. She sat down on the bentwood rocker, its arms worn to silver nudity by four generations of use. She told Eric to turn out the light. She bared her breast and fed Luke.

From time to time Luke pulled off to scream at the spasms in his stomach. He shouted up at her; he pushed with his legs, trying to swim away from the hurt. Nina shushed him, held his hot melon head, and kissed the almost liquid softness of his brow.

The moon lit up the bay and the water reflected a shiny blue light on the beams, the crib, Luke’s body, Nina’s arms. The rhythms dulled her thoughts; amidst the steady lonely sound of the runners treading wood and Luke’s smacks of pleasure, Nina abandoned her self — her selfish core that had fought this duty.

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