Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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I’m thirty-six years old, she thought; in four years I’ll be forty. I am closer to death than I have come from birth. My life has hardened in the mold. I am riding an express to the glassy-eyed, hearing-impaired, bladder-weary terminus. I am thirty-six years old and my growing is over.

“Diane?” Peter said, looking at his arm.

Diane followed his glance: she had a desperate grip on his sleeve. All Diane could see, for the moment, was the tweed fabric bunched up in her fingers.

“Are you all right?” Peter asked.

“I feel a little faint,” she managed to answer. “I’d better—” She stumbled out of the noisy room, back to the foyer. Paula was still there with her children, surrounded by a half dozen new arrivals. Peter and Betty followed Diane, Peter taking her arm, Betty appearing in front, peering at her.

“You look green,” Betty said.

“Hey!” said Patty Lane, the celebrity author, tapping Betty on the shoulder. “No hello?”

Betty glanced back at Patty. “Oh. Hi. My friend — have you met? — she’s not feeling well—”

Diane looked at Patty’s beautiful body, displayed by tight black stretch pants and a loose pink blouse unbuttoned to reveal the tops of her black bra, and she thought: all these women are more famous and more beautiful than I am.

Patty’s pleasant party smile evaporated, her big green eyes widening. “We’re fainting,” Patty announced, and pushed Peter away, taking Diane’s other arm. “There’s a bedroom this way,” Patty said.

The two women half carried Diane to a huge sedate bedroom, all the fabric beige and the furniture made of light, glistening wood. Patty shut the door in Peter’s startled face, as if he were a molester.

“That’s her husband,” Betty explained.

“Who cares?” Patty answered.

“Diane, this is Patty Lane—”

“I know,” Diane said. Diane had read and enjoyed Lane’s two novels of distressed young womanhood in New York, pitying and envying the main characters’ woes.

“This is your friend Diane!” Patty said with recognition. “Didn’t you just have a baby? Should you be out in a mob scene like this?”

Betty laughed. “She had the baby six months ago.”

“Oh,” said Patty. “So? I’d still be in bed.” There was a knock on the door. “If it’s your husband, do you want him?” Patty asked.

Diane nodded, although she felt much better alone with the two women. Younger, at ease, free from the world’s intense demands.

Patty opened the door. But it wasn’t Peter. Paula Kramer bustled in, asking questions, suggesting remedies, mentioning Stoppard’s concern that Diane rejoin the party to talk with the Gedhorn people. At the mention of the clients, Diane stiffened. Her anxiety at the chaos of the universe focused into tension at the demands of the present. Diane declined Patty’s and Betty’s suggestion that she rest for a while and instead returned to the party, ignoring Tony, Peter, and the group that she had embarrassed herself in front of, joining, instead, Stoppard and the Gedhorn people.

Diane felt sure of herself the moment she was back in her element, making fun of the way opposing counsel had deposed the vice-presidents, bolstering Stoppard’s ego as he became expansive and predicted victory.

Once they all went to the buffet, she was split from the Gedhorn people and found herself beside Delilah. The star winked at her and said, “You feeling better?”

“Yeah,” Diane answered. “I’m not getting enough sleep.”

“Does your husband help with the baby?” Delilah asked, but in a tone that implied she already knew the answer.

“Of course not,” Diane answered, relieved the secret was out. Yes, I am a failure as a feminist.

Betty, Patty, and Paula waved her over to a corner of the dining room and Diane ate ravenously while they talked. Paula continued to praise Hunter, perversely egged on by Betty, and in the cab ride home, the words of the mothers about getting their children into a good school stayed in Diane’s mind. Betty had said to Diane, “You don’t have to worry — Peter’s mom can get you into any of the good private schools.”

The baby-sitter reported that Byron had been an angel, playing happily on the rug until nine, and falling asleep without any fuss the moment he was rocked. While Peter paid her, Diane went into Byron’s quiet room and stood over his crib.

Paula’s prideful remarks—“They get into Hunter on merit”— Tony’s envious ones—“They all have IQs over one fifty”—Paula’s advice—“If you just read to your boy a lot, he’ll score high on the test”—and Peter’s infuriating “He’s not a genius” were replayed over and over in her mind.

Diane was smart. She had gotten into Yale from a mediocre public school and from there gone to Harvard Law. Her brain was ferocious, alive, calculating. Her mind could concentrate absolutely on a subject, relentless to the finish, immaculate at arranging the details. More than anyone she knew, certainly more than Peter, she was here, in New York’s fast lane, on merit.

Diane put her hand down on Byron’s back and stroked gently. Then she let her fingers stray on his warm skull.

“He’s not a genius,” his father had said.

Byron could make do with Peter’s connections and become one of those mediocre children of the successful, lazy intellectually and spoiled by physical comfort.

Diane felt her mind pulse with energy. She imagined her tough, active brain could flow down through her arm, into her fingertips, and into Byron, into the soft, impressionable dough of Byron’s mind.

Peter made a living because his mother knew the right people. He got into Harvard because two generations had gone before him.

I made it because of my brain.

Diane closed her eyes and released the force of her intellect into Byron’s baby brain. She felt her body glow with the transfer.

Get there on merit like me, she ordered.

WHEN ERIC exited off the Maine turnpike and got on the two-lane country highway, Nina rolled her window down all the way and tilted her head out, her face to the wind. The cool country air splashed her cheeks and filled her nostrils with the perfume of nature’s maturity. Her eyes rested, gazing at the soft greens, the still white houses, the glimpses of shimmering bays and lakes, the winding stretches of placid road. With every mile, there were fewer and fewer things and people — less and less of lifeless cement, more and more of the breathing earth.

Nina glanced back at Luke. He had been peaceful in the car, soothed by the steady hum of the motor and the regular bumps of the highway’s seams. He slumped bonelessly in the hollow of the car seat, his veined eyelids were closed, and his long eyelashes rested, like discarded fans, on the white fabric of his face. His black hair was crazy from repeated perspirations and dryings, some locks curling up against gravity, others collapsed on his brow, stuck to his skin.

Eric’s thick thighs, naked in his blue shorts, glowed in the late-afternoon sun. Nina put her hand on the muscled mass of Eric’s leg, ironing the curled hairs between her fingers, and tried to imagine Luke-the-tadpole growing up to become like his bear of a father. Eric’s arms were so long that even with his seat retracted to the maximum, they looked cramped by the short distance from his shoulders to the steering wheel. Eric had to angle his knee to one side when lifting off the accelerator or else he’d bang it. His head almost touched the roof. Some of his kinky hair actually did. Maybe Luke cried at the prospect of all that stretching in store for his body.

They reached her parents’ summer cottage by eight. While Eric unloaded the car, Nina stood at the top of the bleached wooden stairs that declined from the lawn to the rocky shore. Luke was awake in her arms, his eyes wincing at the chilly sea breeze. The orange and pink light of the sunset glowed over the curved sky from the west, colors parachuting from the air to die in the water, tinting the cold blue of the bay red and gold. The dark approached them from the horizon, erasing the bright world. At the edges of the night, stars appeared.

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