Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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Don’t tell him. If you don’t tell him you made a mistake, he’ll never know. But please, please stop crying!

“An ambulance is on the way. I’ll get a blanket from the car. Don’t move, okay? You got that? Don’t move.”

I hear Byron. He’s coming. He peed in the bed again. Well, I’m staying asleep. Peter can deal with it.

I’m not needed.

Just go to sleep. In the morning, I’ll be different. I’ll go to Saks and get a new mother.

“MAMA!” LUKE said. He jumped in front of her, arms out, grappling for her love, “Mama!”

She took his long body — the feet banged against her hips — and hugged him. Luke still fit onto her body, a perfectly designed accessory. His head rested on her shoulder, his face into her neck.

“Eric?” she called. She had worried; she had felt wrong all day.

“I’m here,” he said from the living room. An admission, and not a happy one.

She carried Luke with her. Eric sat on the couch, staring at a tape of He-Man playing on the television.

“What happened?” she asked.

“It’s over,” he said. “They’re all against me. There’s nothing I can do.” He gestured at the television and laughed. “Market was down today, down fifty-three points. Tom would have made money. Fuck him.”

“Eric!” She glanced at Luke to warn Eric about his language.

“Sorry. I’ll shut up.”

“What happened?”

“Your father — Joe called your father while I was out. Your father fired me. Joe is generously offering to keep me on under the old terms.”

“He what?” Luke said. He smiled as if Daddy must be making a joke. “Grandpa did what?”

“It’s an expression,” Nina began.

“Nothing, Luke,” Eric said harshly. “It’s nothing.”

“Sounds like something,” Luke said. He kicked his legs. “Let me down.”

“Okay,” Nina said. Luke’s body slid down her, fireman on a pole to the rescue.

“How could Grandpa fire you?” Luke asked Eric. “What does that mean? You’re not on fire.”

“We shouldn’t be talking about this,” Eric said to Nina.

Not talking about it is how you get to be like Father, Nina thought. She was angry. She stood on a hill and saw the hurt and the rage from a distance, in the past and in the future — the dark, swirling cloud of her family rushing to blot out her patch of sunlight, to rain on her happy meadow. “To fire,” she said to Luke, “means to stop someone from doing a job you’ve asked them to do. Like, if you pay somebody to do something, and you don’t want them to go on doing it, and you tell them to stop — that’s firing them. It has nothing to do with putting them on fire.”

Eric laughed. Not happily: he groaned. “Grandpa didn’t think I was making good bets with his money.”

“Well …” Luke put his hand out, palm up. “Well … it’s his money, right?”

“Actually, it was given to him by his grandfather,” Nina said. “But it’s Grandfather Tom’s now.”

“I see!” Luke hopped on one foot. “It was given to him and now he’s supposed to give it to Daddy.”

“We really shouldn’t be talking about this,” Eric said, but he smiled at Luke.

“Why not?” Nina asked Eric. “Why not? You didn’t do anything wrong. So Joe called up and Tom just let him do—”

“Yep,” Eric said.

“Did you call Tom?”

“No. I left the office without saying anything. Joe gave me a choice of staying on the old terms or leaving immediately. I didn’t answer him. I just left. I was a fool! I should have told your father first. I should have left a year ago when I was hot!” Eric lifted the cushions of the couch in his big hands. They came up as if they were small pillows and he flopped them down like an excited infant unable to control his motions.

“I know!” Luke called out. He glanced from the tape of He-Man and to Nina, his attention divided. “If Grandpa Tom’s grandpa gave him the money, then Grandpa Tom should give me the money, right? I’m his grandson. Then Daddy can make the bets.”

Made sense to Nina. Luke smiled at them, pleased with himself, convinced he had found the answer.

“You left the office,” Nina said to Eric. “Where have you been all day?”

“Daddy picked me up from school!” Luke said in a shout of joy.

“We went to the park, we went to Forbidden Planet and got a toy. We had fun, right, Luke?”

“Yep,” Luke said. “I got a new space toy.” Luke hooked her hand and gently tugged. “I’ll show you.”

“Why don’t you bring it out here and we can keep talking to Daddy?”

“Okay,” Luke said in his high trill of good cheer. He skipped out of the room.

“I’m sorry,” she said.

“I don’t know what to do,” Eric said. He didn’t look at her. He was ashamed.

“I love you,” she said. But that wasn’t enough. That wasn’t enough for him.

“I guess I have to stay. Can’t pay the bills otherwise. I’ll go in tomorrow and eat whatever I have to eat from Joe.”

Maybe it’s for the best, Nina thought. She went over to Eric and kissed his hot and worried brow. Eric leaned his cheek on her hand and closed his eyes.

“I love you,” she whispered.

He has us; he doesn’t need anything else.

PETER’S FORTRESS of truth was under siege. They kept trying to break in, and tell him lies. But Peter was busy. He had to take Byron to Philadelphia for Lily’s funeral; he had to explain Lily’s death in advance.

“You’d better tell him,” Diane had said. God, she sounded awful. Enervated, frantic, desperate, hopelessly lost, intensely focused on errands — as if her emotional keyboard had no chords, just atonal keys played by a chimp.

Peter’s mother called. Peter hung up at her hello.

Peter’s stepfather called. Peter hung up at his hello.

Then Peter turned on the phone machine. He ignored Byron’s insistent interrogation: “Why didn’t you talk? We’re here. Why don’t you answer?”

Peter shut off the phone machine speaker so he and Byron wouldn’t hear the pleas for him to pick up.

He gave Byron a bath. Byron sat in the water on his knees. He poured, he danced toys on the surface, he splashed them under the faucet’s torrential waterfall. Byron sang to his pretend things: oh, no, look out! Duck! I’ve got you now, you evil one! The tips of Byron’s mop of sandy hair got wet. The water darkened their color; the curls were glued to his neck and ears.

Do I tell him now?

“We’re going to Philadelphia tomorrow to see Mommy,” Peter said.

“Yay!” Byron shot up with pleasure, his lean stomach, perfect penis, and strong legs silky from the water. “We’re gonna see Mommy!”

“Yes. Won’t that be great?”

“Yeah,” Byron said, and looked solemn. “She’s been away a long time.”

“Well, she’ll be coming home with us.”

“Yea! Yea!”

(How do I tell him, Kotkin?

(Explain it simply. Don’t hedge. Tell him what you know and what you believe, but keep it simple. If it makes him unhappy, comfort him, but let him be unhappy. Don’t make him pretend he isn’t.)

“Will Grandma be there?” Byron asked.

The phone rang again. The machine picked it up.

“Well, you know Grandma’s been very sick. And she got sicker. She’s—” Peter couldn’t say the word — such a naked, ugly word.

“She died!” Byron’s eyes became circles; his mouth and jaw squeezed. He looked furious.

“Yes.”

“Because she got too old,” Byron said, his face set, very angry.

“Well …and sick too. We’re going to miss her.” Peter felt his eyes water. He had hated Lily. Well, not hate, but she was a silly woman with stupid values, and her presence was sandpaper on Diane’s skin.

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