Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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“Yeah — I shouldn’t have left. I’ve gotta talk to Billy on the floor. I haven’t gone short yet. Just sold the longs. Nina!” he cried out. Music passed by him; a truck roared.

“What!”

“Nina,” he said again, this time in a sad, hopeless tone.

“Do you want to come here, Eric?”

“Can you come downtown?”

“No,” she managed to stammer out past her feeling that she was wrong to deny him her presence. But she had promised Tad the dresses would be fit today. “I just can’t. If you can come here, I can—”

“No, I–I gotta get back. Do you think I should call your father? Tell him what I’m doing?”

She felt disappointed by this. She had thought Eric wanted her, needed her — not her relationship to her father. “He’s put you in charge,” she answered. “Isn’t that right? Are you supposed to consult him on every move?”

“This is a reversal. What if Joe — he could be calling Tom right now.”

They were looking at her, the models, the tailor, Tad’s secretary. Waiting for her to take charge. Why did Eric have to stir the pot? Their life was so good, they were so lucky compared with everyone else, why couldn’t he let their happiness simmer quietly, why did he have to bring everything to a furious boil?

“Why don’t you come here, Eric? I’ll almost be done — we can go to lunch.”

“No. I gotta go. Call you later.”

And he was gone.

But, like Luke, his absence was incomplete. His voice inhabited the model’s clothes, shone on the tailor’s pins.

Months ago, after she had ignored Sal’s protestation of love, he had backed her against the wall on a stairway at FIT and pushed his mouth at her. Nina had forced him off and said, “I don’t want you.” It had leapt out of her, this impolite sentence.

“I want you,” he had answered.

“But I don’t want you,” she shouted back. She couldn’t say that to Eric. She couldn’t say that to Luke. Sal’s face reddened. “You’re a cunt,” he said finally, and walked away.

Rejection met with rejection. The way of the world. Say yes or I’ll hate you. She had always said yes to Eric, now she said maybe, or do it my way, and he hung up quickly, cut her off from his confidences, looked at other women while walking with her, and his eyes were pained, wounded, a child without his chocolates.

I don’t care if you make money, Eric. She wanted to shout at him: I don’t care about money. We have enough.

What would he say?

She knew what he would feel. He would hate her.

THE LINEN was thick. Peter held the corner of the tablecloth between his index finger and thumb. He felt its solid weight.

Gail was across from him, studying the Four Seasons menu. Peter watched her face consider choices; thick with age and thought, it was the face of a very smart woman. At a cocktail party, Gail showed only a vacant pleasantness in her eyes, and her smooth hair, pulled back, seemed to strip her of weaponry; but in this pose, considering her choices, her eyes were clever and concentrated, her hand strong as it caressed her naked forehead. He imagined kissing his mother’s neck, her long, thin neck, and feeling her head lean on his in surrender to the pleasure.

Peter squeezed his eyes shut to dissolve the image, as if it were really happening.

She must have been deliciously sexy, a tempting prize: thin body, arrogant mind, teasing wit. Kyle, his stepfather, had wanted her; he still puffed up proudly when he was introduced as her husband. Kyle had made his money years ago, when Peter was six; that unsophisticated westerner, his millions made by age forty, had come to New York and seen this jewel of the East, daughter of privilege, helpmate of the arts, and Kyle wanted his cock to conquer her, to be more important to her than even her own son.

I’d like to kill him.

(“Really?” Kotkin asked.“It’s your stepfather you want to kill?”

(Kotkin thinks I’m wrong, she thinks I’m really angry at my mother. “Maybe I hate my father.”

(“Why? If he didn’t have the affair?”

(“For not keeping her. For not making her happy?”

(“You mean, your father didn’t have a big enough cock to keep your mother happy?”

(No. Don’t say this. No. Let me be. I don’t want to know this. Maybe if I lie quietly and don’t speak, Kotkin will leave me alone.

(“Did you think you didn’t have a big enough cock to keep Larry happy?”

(“No, no,” he begged Kotkin.)

“What am I having?” Gail wondered aloud.

Me. You’re having me. I’m born again, without Jesus, without lies.

(“I didn’t know!” he shouted at Kotkin. “How could I project my fears of my father losing my mother when I thought my father had left her , had cheated on her? ‘Your father wasn’t satisfied with me,’ that’s what Gail told me.”

(“She said that?” Kotkin alert, happy, on the scent of some trail in her notebooks.

(“I don’t know what she said,” Peter despaired. “Give me a break. Gail never tells the truth. How can I know what she said?”

(“What do you think she said? Do you remember the night she told you?”

(Mom and Dad sat on the big chairs. Gail smoked.)

Gail smoked?

“Did you used to smoke?” Peter asked.

“Yes,” Gail said with a fond smile of remembrance. She raised her hand for the waiter’s attention. “I have exciting news, Peter. We’ll order and I’ll tell you.”

“What is it?” Peter blurted with a harsh, nervous laugh. “You’re pregnant?”

Gail looked at him as if he were vomit, her lips in a curl of disgust.

(“No,” he told Kotkin, thinking again. “That was when she told me she was going to have my half sister. They sat me on the couch and told me. She smoked throughout.”)

“We’d better order. You must be hungry,” Gail said, dismissing Peter’s joke. When they were done, Gail leaned forward, eager and happy. “I’m going to be appointed cultural commissioner.”

I could sell my story to the New York Post . Cultural czar son abused by neighbor. He laughed.

“You find that funny?” Gail blinked at him. “What’s wrong, Peter? You’re behaving horribly.”

(“Do you remember when they told you about the divorce?”

(“I guess not.”

(Silence. Disapproval. Kotkin thinks I’m lying, I’m blocking, I’m repressing, I’m ruining the session. Her notebooks are full. Empty them, Peter. Make her feel she’s a good therapist.)

“Do you remember Larry?”

“What?” Gail seemed distracted. She pushed her plate, scanned the table.

“Larry. Gary’s cousin. He was a child abuser. He felt us up.”

Gail sat, the screened sunlight trailing across half her face and body. The water glasses shimmered. Her lips parted. The perfect edges of her teeth glowed beneath the red. Her tongue appeared and touched them. “What do — he did that to you?”

“And Gary. Nothing horrible. Just safe sex.” Peter laughed again. People use wit to blunt their evil, he thought.

Gail covered her face, lean hands over her eyes and nose and mouth like a mask. She bowed her head.

(“What do you think your mother would say if you told her?”

(“I don’t know.”

(“Do you want to tell her?”

(“Yes. More than anything else. I want her to know what she did. I’d like someone to know, just for once, what stupid little shits they are. For once, I’d like someone to admit they did wrong and that nothing — nothing — explains it, or makes it right.”

(“Is this just your mother we’re talking about? Or everyone?”

(“Everyone.”

(“Including you?”

(“Not me.” Peter shifted his head and saw Kotkin’s shoes. “Not me,” he told Kotkin’s Reebok sneakers. “I’m perfect.”

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