Mia Couto - The Tuner of Silences

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"Quite unlike anything else I have read from Africa." — Doris Lessing "By meshing the richness of African beliefs. . into the Western framework of the novel, he creates a mysterious and surreal epic." — Henning Mankell Mwanito Vitalício was eleven when he saw a woman for the first time, and the sight so surprised him he burst into tears. Mwanito's been living in a big-game park for eight years. The only people he knows are his father, his brother, an uncle, and a servant. He's been told that the rest of the world is dead, that all roads are sad, that they wait for an apology from God. In the place his father calls Jezoosalem, Mwanito has been told that crying and praying are the same thing. Both, it seems, are forbidden. The eighth novel by The New York Times-acclaimed Mia Couto, The Tuner of Silences is the story of Mwanito's struggle to reconstruct a family history that his father is unable to discuss. With the young woman's arrival in Jezoosalem, however, the silence of the past quickly breaks down, and both his father's story and the world are heard once more. The Tuner of Silences was heralded as one of the most important books to be published in France in 2011 and remains a shocking portrait of the intergenerational legacies of war. Now available for the first time in English. Mia Couto is the author of twenty-five books. Translated into twenty languages, his novels have been bestsellers in Africa, Europe, and Latin America.

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The truth is that, as an absolutist ruler over his own solitude, my father was losing his wits, a refugee from the world and from the rest of humanity, but unable to escape from himself. Perhaps it was this despair that made him surrender to a personal religion, a very special interpretation of the sacred. Generally speaking, the role of God is to forgive us our sins. For Silvestre, God’s existence allowed us to hold Him responsible for the sins of humanity. In this reverse version of faith, there were no prayers or rituals: a simple cross at the entrance to the camp guided God on his arrival at our reserve. And there was a welcome sign above the cross, which read: “Welcome, illustrious visitor!”

That’s so that God knows we’ve forgiven him.

This hope of a divine apparition provoked a scornful smile from my brother:

God? We’re so far from anywhere, that God would get lost on the way here.

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On our way to the river the following morning, we were not accosted by celestial creatures, but by my father, spitting anger. He was with Zachary Kalash, who kept himself out of it while Silvestre was getting ready to be taken over by violence.

I know what you’re up to down by the river. The two of you, all naked. .

We’re not doing anything, Father —I hastened to answer, puzzled by his insinuation.

Keep out of this, Mwanito. Go back home with Zaca.

Over and above my own sobbing, I could hear the blows Silvestre was directing against his own son. Kalash even made a move to go back. But he ended up pushing me into the darkness of my room. That night, Ntunzi slept lashed to the fence. Next morning, he was ill, shivering with fever. It was Zachary who walked through the mist and carried him back to the room, while our dear Ntunzi was being brushed by death. It was barely light when I heard Silvestre, Zachary and Uncle Aproximado their footsteps whirling around the room. As morning progressed, I could no longer pretend I was asleep. Ntunzi, my only brother, only companion of my childhood, was slipping away towards the beyond. I left my room and armed with a stick, I began to write in the sand all around the house. I wrote and wrote, feverishly, as if I were set on occupying the entire landscape with my scribbling. The ground round about gradually became a page upon which I sowed my hope for a miracle. It was a supplication to God to hasten his arrival in Jezoosalem and save my poor brother. Exhausted, I fell asleep, prostrate over my own writing.

It was already day when Zachary Kalash shook me from my sleep, and tugged at my elbow:

Your brother is burning. Help me take him down to the river.

I’m sorry, Zachary, but wouldn’t it be better for Father to do that?

Keep quiet, Mwanito, I know what I’m doing.

The river was the last hope of a cure. The soldier and I transported Ntunzi in a little handcart. His swaying legs looked as if they were already dead. Zachary immersed my poor brother’s lifeless body in the waters, plunging him in and out of the current seven times. But Ntunzi didn’t show any improvement, nor did the fever cease burning his scrawny body.

Faced with the likely outcome, Uncle Aproximado wanted to take the boy to a hospital in the city.

I beg you, Silvestre. Go back to the city.

What city? There is no city.

Put an end to this. This madness can’t go on any longer.

There’s nothing to put an end to.

You know the pain of losing your wife. Well, you’d never get over the death of a son.

Leave me alone.

If he dies you’ll never be left alone. You’ll be haunted by your second tormented spirit. .

Silvestre only just managed to restrain himself. His brother-in-law had gone too far. My father gripped the arms of his chair so hard that it was as if the opposite were the case and the wood were securing him to the seat. Gradually his chest relaxed, and he gave a deep, long sigh:

Well now, let me ask you this, my dear Orlando, or rather, my dear Brother-in-law: did you wash yourself when you reached the entrance to Jezoosalem?

I won’t even bother to answer.

So it was you who brought Ntunzi’s illness with you.

He picked Uncle up by the scruff of his neck and shook him around in his clothes like a rattle. Did he know how and why the family had escaped wild animals, snakes, illnesses and accidents up until then? It was simple: in Jezoosalem, there were no dead, no one risked encountering graves, the weeping of the bereaved, or the wailing of orphans. Here, there was no yearning for anything. In Jezoosalem, life didn’t owe anyone an apology. And at that moment, he felt no obligation to provide any more explanations.

So you can go back to your stinking city. Get out of here.

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Aproximado still slept with us that night. Before he fell asleep, I went over to his bed, determined to confess something to him:

Uncle, I think it’s my fault.

What’s your fault?

I was the one who made dear Ntunzi fall ill.

This was why: I’d gone along with his wish that we should kill our old man. Aproximado rested his big round hand on my head, and smiled kindly:

I’m going to tell you a story.

And he spoke of some father or other who didn’t know how to give his son enough love. One night, the hovel in which they lived caught fire. The man picked the child up in his arms and left the scene of the tragedy, trudging through the night. He must have crossed the borders of this world, for when he eventually put the child down on the ground, he noticed that there was no more earth. All that remained was emptiness upon emptiness, shredded clouds among faded skies. The man concluded to himself:

Well now, my son will only ever find ground on my lap.

That little boy never realized that the vast territory where he later lived, grew up and made children, was no more than his old father’s lap. Many years later, when he opened up his father’s grave, he called his son and said to him:

Do you see the soil, son? It looks like sand, stones and clumps of earth. But it’s arms as well, and its arms will embrace you.

I patted Uncle’s hand, and returned to my bed, where I lay wide awake for the rest of the night. I was listening to Ntunzi’s heavy breathing. And it was then that I noticed he was coming back to life. Suddenly, his hands stretched out feeling the darkness, as if he were looking for something. Then he moaned, almost on cue:

Water!

I rushed over, holding back my emotions. Aproximado woke up and switched on a torch. The focus of its light veered away from us and meandered down the hall. The next moment, the three adults came into the room and hurried over to Ntunzi’s bed. Silvestre’s trembling hand sought out his son’s face and he saw that he was no longer feverish.

The river saved him —Zachary exclaimed.

The soldier sank to his knees next to the bed and took Ntunzi’s hand. The other two adults, Aproximado and Silvestre, stood there facing each other, silent. Suddenly, they hugged each other. The torch fell to the ground and only their legs were visible, tottering nervously backwards and forwards. They were like two blind men in a clumsy dance. For the first time, Silvestre treated his brother-in-law with fraternal affection:

I’m sorry, brother.

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