Vikram Chandra - Love and Longing in Bombay

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From the acclaimed author of 'Red Earth and Pouring Rain', this is a collection of interconnected stories set in contemporary India. The stories are linked by a single narrator, an elusive civil servant who recounts the stories in a smoky Bombay bar.

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Finally everyone grew quiet in an afternoon haze of contentment. There was no doubt it had been an enormously successful lunch, and Dolly had been allowed to dominate it completely. Now it was almost over, and there was a quietness in the air as everyone relaxed with the thought that it would actually finish without any horrendous tension, and as they walked towards the front door everyone was exhausted from the relief and strange disappointment of it all. Then Mani Mennon startled everyone by squeaking, “Hussain!” They were passing by the room with the bookshelves, and what Mani Mennon had noticed on the wall opposite the hallway was a large canvas, the chariot of the sun, gold and red. She went fluttering into the room with her arms held out, and stood swaying in front of the painting. It was quite overwhelming, with its rich swirl of colour and the horses as if they would burst from the canvas, and everyone clustered in front of it. Dolly hung back in the hallway, but then everyone crowded forward and she was alone, so she came forward reluctantly and stood behind them all. “It’s your second one, isn’t it, Sheila?” said Mani Mennon. “It’s wonderful. Look at those yellows.” And then, seeing Dolly behind the others, she said, smiling, “It’s a Hussain, Dolly.”

Dolly tilted her head back. “Is it?” she said. Her head tilted further. “Oh. Is that what it is?” She smiled. “Freddie has a few of those at his office.”

Sheila was standing next to her. Without a word, Sheila turned and walked back into the hallway. They followed her, and she walked to the door, opened it, and held it open. They walked past, saying thank yous, and she smiled, but her eyes were opaque and she never took her hand off the doorknob. Dolly walked past and murmured, “Thank you so much, darling.” Sheila shut the door and the click was very firm and crisp and everyone knew then that something had started.

*

Sheila sat in her office among the books and tried to think about what she had felt in that moment. It hadn’t been anger, more a kind of recognition. In that instant she had felt suddenly outside of her body, standing somewhere else and looking at both of them. What she had seen was that she was herself perfect — she was petite, she had an acute sense of colour and line and so her clothes fell on her exactly and well, her features were small and sharp, her hair was thick, and her vivacity came from her intelligence. Dolly was not perfect, she was long everywhere, she was sallow, she wore old jewelry sometimes missing a link here and there, today she wore a tatty green scarf over her shirt, and that was just it. Sheila was perfect, and she knew that however hard she tried she could never achieve the level of careless imperfection that Dolly flaunted. It had nothing to do with perseverance or intelligence and it took generations. It couldn’t be learnt, only grown with the bone. It was absolutely confident and sure of itself and easy. Dolly had it and she didn’t: looking at it honestly, Sheila knew this. She knew it and she was absolutely determined that if it took her the rest of her life she would defeat Dolly. That it had come to open conflict she knew, and she would not stand losing.

Memsahib .” Ganga was standing in the doorway, leaning against the side, a hand cocked on her hip. She was wearing a dark red sari with a gold-stamped border. Ganga was dark and very thin, she flung herself at her work with such velocity that it was necessary to put the glassware by the side of the washbasin — otherwise, as she sped through the plates, crystal would inevitably crunch somewhere in the pile. Ganga had been recommended by Sheila’s next-door neighbour. She worked, as nearly as Sheila could tell, in another dozen houses up and down the hill, and she sped from one to another without a pause the entire day, after which she stood in a local train for an hour and fifteen minutes to get out to Andheri, where she lived. It had taken Sheila six months to get her to eat lunch, which she did squatting in a corner of the kitchen and holding a plate directly in front of her face for greater efficiency.

“It was a good lunch?” Ganga said.

“Yes,” Sheila said. For the first year they had known each other, Ganga had been courteous but dry, her face always expressionless and impossible to read. Then one day, on her way out, seeing Sheila sitting at her desk in the study as usual, she paused in the hallway, her whole body still pointed at the front door, to ask, What do you do in here? Accounts, Sheila had said, for our business, pointing at the ledgers piled up and the sheets of paper that folded out to cover half the room. Ganga had nodded silently and gone on her way, back up to her normal speed with the first step, but since then, she would stop in the doorway, one foot in front of the other, leaning sideways, one elbow angled out, and they would talk for a few minutes.

“Well,” Sheila said. “It went well.”

Then they talked about their children. Ganga had a daughter named Asha. Then Ganga tightened her dupatta about her waist and it was time for her to leave. “Going,” she said, clipping the word now, and she went.

*

When Ganga got home it was seven-thirty. She put down a small packet of jira and set about making dinner. There was a single light bulb in the single room, and Asha was sitting under it studying, or at least flipping the pages of a book. Asha was dressed in a flowered shirt and a skirt that reached to her ankles. Her hair was pulled back and neatly oiled, and around her plait she wore a single string of white mogra flowers. She was sitting cross-legged with her spelling book in her lap, her chin in her hands, and now she darted a quick look from huge brown eyes at her mother.

“All right, all right,” Ganga said. “Come eat.”

They sat near the doorway and ate from steel plates, which were old but shiny. Outside, people were still passing, and occasionally somebody would say something to Ganga. The lane was narrow, and whoever walked by had to brush close to the door. Across the lane, there was a narrow gutter which flooded in the rains, and behind that more shacks made of wood, cloth, cardboard, and tin. Later, when it was dark, Ganga would sit in the doorway and talk to her neighbours. Most of them were from the same village in the Ghats near Poona, but to the left, where the lane curved, it became a mostly Malayalee locality. Today they mostly talked about a man in their own community who drank so much that he finally lost his watchman job. “He’s a fool,” Ganga said. “You always knew that.” It was true. They had all known him and they had always known that.

Ganga had arrived in Bombay eleven years before with her husband, who had come back to his village to marry, and since then she had lived in the same place. Ramesh, the husband, had been a millworker in the days before the labour disputes and the big lockouts. He was a Marxist, and he was killed, stabbed, in a quarrel with another union the year after Asha was born. Ganga remembered him mostly as a melancholy sort of man who seemed to cultivate his own sadness. It was only in the month after his funeral that she found out that he was said to have killed two men himself in the same union fight. But anyway, now the mills were closed and the years had passed. Now it seemed that Ganga was going to move, and this was the news she had to give to her neighbours. Two stops up on the Western line she had found an empty plot, and she planned to build her kholi there.

Pukka? ” said Meenu, her neighbour, her voice a little breathless, because brick would cost more, and everyone knew that Ganga worked so much that she must have money, but nobody knew how much.

“Yes,” Ganga said. “Ten thousand for the land, five for the construction.”

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