Sherman Alexie - Ten Little Indians

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A finalist for the Los Angeles Times Book Prize, this bestselling collection from master storyteller Sherman Alexie tackles love, loss, basketball — and everything in between.
The characters that populate the lyrical and affectionate tales in Ten Little Indians battle stereotypes and navigate the crossroads of culture in life off the reservation. Richard, the narrator of “Lawyer’s League,” grows up in Seattle the son of “an African American giant who played defensive end for the University of Washington Huskies” and “a petite Spokane Indian ballerina.” Estelle Walks Above (née Estelle Miller), the mother of the narrator in “The Life and Times of Estelle Walks Above,” studies her way off the Spokane Indian Reservation and into the University of Washington, and goes on to both enjoy and resent the company of the white women of Seattle — who see her as a shamanic genius, and look to her for guidance on everything from sex and fashion to spirituality and politics.
These and the other stories in Ten Little Indians run the gamut from earthy humor to sobering emotional truth, mapping the outer reaches of the human heart.

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Love Song

I have loved you during the powwow

And I have loved you during the rodeo.

I have loved you from jail

And I have loved you from Browning, Montana.

I have loved you like a drum and drummer

And I have loved you like a holy man.

I have loved you with my tongue

And I have loved you with my hands.

But I haven’t loved you like a scream.

And I haven’t loved you like a moan.

And I haven’t loved you like a laugh.

And I haven’t loved you like a sigh.

And I haven’t loved you like a cough.

And I haven’t loved you well enough.

After two more Diet Cokes and a baked apple pie, Corliss walked across the street and knocked on the door. A short, fat Indian man answered.

“Who are you?” he asked. He wore thick glasses, and his black hair needed washing. Though he was a dark-skinned Indian, one of the darker Spokanes she’d ever seen, he also managed to look pasty. Dark and pasty, like a chocolate doughnut. Corliss was angry with him for being homely. She’d hoped he would be an indigenous version of Harrison Ford. She’d wanted Indiana Jones and found Seattle Atwater.

“Are you just going to stand there?” he asked. “If you don’t close your mouth, you’re going to catch flies.”

He was fifty or sixty years old, maybe older. Old! Of course he was that age. He’d published his book thirty years ago, but Corliss hadn’t thought much about the passage of time. In her mind, he was young and poetic and beautiful. Now here he was, the Indian sonneteer, the reservation bard, dressed in a Seattle Super Sonics T-shirt and sweatpants.

“Yo, kid,” he said. “I don’t have all day. What do you want?”

“You’re Harlan Atwater,” she said, hoping he wasn’t.

He laughed. “Dang,” he said. “You’re that college kid. You don’t give up, do you?”

“I’m on a vision quest.”

“A vision quest?” he asked and laughed harder. “You flatter me. I’m just a smelly old man.”

“You’re a poet.”

“I used to be a poet.”

“You wrote this book,” she said and held it up for him.

He took it from her and flipped through it. “Man,” he said. “I haven’t seen a copy of this in a long time.”

He remembered. Nostalgia is a dangerous thing.

“You don’t have one?” she asked.

“No,” he said and silently read one of the sonnets. “Dang, I was young when I wrote these. Too young.”

“You should keep that one.”

“It’s a library book.”

“I’ll pay the fine.”

“This book means more to you than it means to me. Otherwise, you wouldn’t have found me. You should keep it and pay the fine.”

He handed the book back to her. He laughed some more.

“I’m sorry, kid,” he said. “I’m not trying to belittle you. But I can’t believe that little book brought you here.”

“I’ve never read a book of Indian poems like that.”

She started to cry and furiously wiped her tears away. She cried too easily, she thought, and hated how feminine and weak it appeared to be. No, it wasn’t feminine and weak to cry, not objectively speaking, but she still hated it.

“Nobody’s cried over me in a long time,” he said.

“You know,” she said, “I came here because I thought you were something special. I read your poems, and some of them are really bad, but some of them are really good, and maybe I can’t always tell the difference between the good and the bad. But I know somebody with a good heart wrote them. Somebody lovely wrote them. And now I look at you, and you look terrible, and you sound terrible, and you smell terrible, and I’m sad. No, I’m not sad. I’m pissed off. You’re not supposed to be like this. You’re supposed to be somebody better. I needed you to be somebody better.”

He shook his head, sighed, and looked as if he might cry with her.

“I’m sorry, kid,” he said. “But I am who I am. And I haven’t written a poem in thirty years, you know? I don’t even remember what it feels like to write a poem.”

“Why did you quit writing poems?” she asked. She knew she sounded desperate, but she was truly desperate, and she couldn’t hide it. “Nobody should ever quit writing poems.”

“Jesus, you’re putting me in a spot here. All right, all right, we’ll have a talk, okay? You’ve come this far, you deserve to hear the truth. But not in my house. Nobody comes in my house. Give me fifteen minutes, and I’ll meet you over to the McDonald’s.”

“I’ve already been in that McDonald’s.”

“So?”

“So, I don’t like to go to the same place twice in the same day. Especially since I was just there.”

“That’s a little bit crazy.”

“I’m a little bit crazy.”

He liked that.

“All right,” he said. “I’ll meet you down to the used-book store. You can see it there at the corner.”

“You read books?”

“Just because I quit writing doesn’t mean I quit reading. For a smart kid, you’re kind of dumb, you know?”

That pleased her more than she’d expected. He was still a smart-ass, so maybe he was still rowdy enough to write poems. Maybe there was hope for him. She felt evangelical. Maybe she could save him. Maybe she’d pray for him and he’d fall to his knees in the bookstore and beg for salvation and resurrection.

“All right?” he asked. “About fifteen minutes, okay?”

“Okay,” she said.

He closed the door. For a moment, she wondered if he was tricking her, if he needed a way to close the door on her. Well, he’d have to call the cops to get rid of her. She’d camp on his doorstep until he came out. She’d wait in the bookstore for exactly seventeen minutes, and if he was one second later, she’d break down his front door and interrogate him. He was an out-of-shape loser and she could take him. She’d teach him nineteen different ways to spell matriarchy.

She hurried to the bookstore and walked inside. An elderly woman was crocheting behind the front desk.

“Can I help you?” the yarn woman asked.

“I’m just waiting for somebody,” Corliss said.

“A young man, perhaps?”

Why were young women always supposed to be waiting for young men? Corliss didn’t like young men all that much. Or old men, either. She was no virgin. She’d slept with three boys and heavily petted a dozen more, but she’d also gone to bed with one woman and French-kissed the holy-moly out of another, and hey, maybe that was the way to go. Maybe I’m not exactly a lesbian, Corliss thought, but I might be an inexact lesbian.

“Is there a man waiting at home for you?” Corliss asked and immediately felt like a jerk.

“Oh, no,” the yarn woman said and smiled. “My husband died twenty years ago. If he’s waiting for me, he’s all the way upstairs, you know?”

“I’m sorry,” Corliss said and meant it.

“It’s okay, dear, I shouldn’t have invaded your privacy. You go on ahead and look for what you came for.”

On every mission, there is a time to be strong and a time to be humble.

“Listen, my name is Corliss Joseph, and I’m sorry for being such a bitch. There’s no excuse for it. I’m really angry with the guy I’m supposed to be meeting here soon. He’s not my boyfriend, or even my friend, or anything like that. He’s a stranger, but I thought I knew him. And he disappointed me. I don’t even think I have a right to be angry with him. So I’m really confused about — Well, I’m confused about my whole life right now. So I’m sorry, I really am, and I’m usually a much kinder person than this, you know?”

The yarn woman was eighty years old. She knew.

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