Caryl Phillips - A Distant Shore

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Dorothy is a retired schoolteacher who has recently moved to a housing estate in a small village. Solomon is a night-watchman, an immigrant from an unnamed country in Africa. Each is desperate for love. And yet each harbors secrets that may make attaining it impossible.
With breathtaking assurance and compassion, Caryl Phillips retraces the paths that lead Dorothy and Solomon to their meeting point: her failed marriage and ruinous obsession with a younger man, the horrors he witnessed as a soldier in his disintegrating native land, and the cruelty he encounters as a stranger in his new one. Intimate and panoramic, measured and shattering,
charts the oceanic expanses that separate people from their homes, their hearts, and their selves.

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“Gabriel? It’s really you?” Felix holds his hands out in a gesture of disbelief. “Gabriel?”

Gabriel smiles now and takes Felix’s small hands in his own.

“But Gabriel, I heard they were looking for your family.” Then Felix remembers himself. “Come inside, come inside. You really should not be out on the streets.”

Gabriel hesitates. “Please, I do not wish to cause any trouble.”

Felix hooks his arm through Gabriel’s and pulls the younger man through the door.

“First, we have to find a place to hide you.”

“But your wife and daughter, they still live upstairs?”

Felix looks puzzled. “Of course.”

Gabriel is crestfallen. “Felix, I must go. I cannot put your family in danger. It is only a matter of time before they come here and search your place.”

“Gabriel, they have already been.” Felix laughs and shows Gabriel the bruises on his arms and the scars on his legs.

“Felix?” Gabriel speaks slowly now, but the one word hangs foolishly in the air.

Felix raises both eyebrows, urging his young friend to continue.

“Felix, I need some money. I am sorry that I have to ask you.”

Felix says nothing, and so a nervous Gabriel continues.

“I must leave the country. If I pay him, my uncle will arrange it.”

Felix puts a finger to his lips and he glances upwards. Gabriel understands that he must lower his voice.

“I am sorry.”

They stare at each other, but neither man says a word. And then, after what seems to Gabriel an age, his former employer nods, having reached a conclusion to whatever private debate he was conducting.

“Please wait here.”

Gabriel feels Felix’s hand on his shoulder, and then his friend disappears downstairs and into the basement. Gabriel knows that Felix keeps his money in a metal box that he hides beneath three loose floorboards, and he knows also that Felix scatters dirt on top of the boards to make it look as though the filthy basement contains nothing of any value. Moments later, Felix returns with his right fist tightly clenched. The nervous man slowly opens his heavily veined hand, and he reveals a small bundle of United States dollars.

“I am not a wealthy man, Gabriel. I have a wife and child, and I know that soon I will lose what is left of this shop, but please take this money.”

Gabriel takes the few notes from Felix’s proffered hand, and he pushes them into his pocket.

“Perhaps your uncle will sympathise with your situation.”

Gabriel nods, and he watches as Felix turns and nervously scans the street. Gabriel knows that he will have to act quickly, and so in one swift movement he picks up the rusting metal clock that hangs behind the door and he brings down its full weight onto the head of Felix. His friend lets out a stunned cry, but it is the noise of Felix’s body as it hits the wall and then buckles to the floor that alarms Gabriel. He tries not to look at his former employer as he quickly steps over him and then through the door which leads to the stairs.

Downstairs it is dark, but Gabriel knows exactly where to go and he rushes to the far corner of the empty basement. In the old days, when he worked for Felix, the place was crammed so full of supplies that it was often difficult to move down here. But now there is nothing at all. Gabriel kicks away the dirt with the outside of his foot and then he quickly pulls up the three boards so that the box is exposed. Gabriel grabs the box, but he sees that it is secured with a heavy padlock. It had not occurred to him that Felix would keep the box locked, but he has little time to ponder on this. He runs back upstairs and fishes in Felix’s trouser pockets for his keys and then, having found them, he rushes back downstairs. When Gabriel opens the box he sees a thick pile of dollar bills and his hands begin to shake. He grabs the bills, and the two gold rings that are inside, and he pushes them into his pocket. Then Gabriel throws down the keys, and the box, and he leaves everything in disarray. There is no reason to cover his tracks. He runs to the stairs and then up and into the shop, where he notices that the pool of blood around Felix’s head is blossoming.

Gabriel cracks the door open, but he waits for a moment before stepping out and into the street. There is a strange man on the corner who is looking in his direction, and he decides to wait until this man moves off. However, this man continues to stare at Gabriel and he shows no sign of moving on his way. In fact, the man begins now to walk towards the shop, and when he reaches Gabriel he pushes open the door and stares at the wounded figure of Felix.

“What has happened here?”

Gabriel looks at Felix as though this is the first time that he has noticed his bleeding friend, but the man is now angry.

“I know who you are. What have you done to him?”

Gabriel realises that there is little that he can say, so he steps into the street and begins to walk off, all the while looking over his shoulder. When the strange man begins to shout, Gabriel increases his pace and then he breaks into a panic-stricken run.

Eventually Gabriel turns into Joshua’s street, where he once more slows to a walk, and he tries to compose himself. He climbs the stairs without any consideration of the noise that he is making, and when he reaches the storeroom he bangs quietly, but firmly, on the door and it opens before him. Joshua looks at Gabriel as though he is gazing upon a crazy man. Once they are safely inside the candlelit room, the older man turns to face his nephew.

“You are covered in sweat, and what is this? Blood?”

“I have your money.” Gabriel pushes his hand deep into his trouser pocket and he produces the crumpled notes. Joshua takes the money, but he neither counts it, nor does he take his eyes from his nephew’s face.

“Gabriel, you must tell me what you have done.”

Gabriel can see that the eyes of the other men in the room are once again upon him.

“Please, Joshua. I have the money.”

Joshua looks to the money and begins to count the notes.

“Gabriel, this is not two thousand dollars.”

Gabriel puts his hand into his pocket and pulls out the two gold rings.

“I have nothing else.” Gabriel presses the rings upon Joshua and resigns himself to his fate, but his uncle simply points to a corner of the dark room.

“Try to get some sleep. We will leave tonight.”

Gabriel nods.

A hand pushes Gabriel’s shoulder. He opens his eyes and sees Joshua bent over him. Beyond Joshua, Gabriel can see that the other men in the room are standing by the door clutching their bundles of belongings. The heat in the room suggests night. Gabriel rubs his eyes and climbs slowly to his feet.

“We have to go now. Are you all right?”

Gabriel shakes his head quickly as though trying to clear his mind. “Yes,” he says. “I am ready.”

Joshua turns from his nephew and addresses the group in a barely audible whisper. He instructs them to wait while he goes outside to check that everything is all right. He closes the door behind him and leaves the men alone in the candlelit room. The exhausted men look quizzically at each other, but nobody dares to speak. And then Joshua bursts back into the room and orders everybody to follow him. One after another the men tumble down the stairs, and as they run into the night they can hear the bursts of gunfire in the distance. Joshua points to a truck, and orders the men to quickly throw in their belongings and then climb up and into the vehicle.

“Lie down flat and be quiet.”

Gabriel is the last man to climb in, and no sooner has he found a small space in which to lie than he feels the oppressive weight of a heavy tarpaulin being tossed over him and tightly secured to the sides of the truck. As the engine roars to life, Gabriel realises that, trussed as they are like cargo, this first part of their journey is not going to be pleasant. He can feel the dampness of other men’s perspiring bodies, and it is not possible to distinguish whose arm or leg is pressing up against him. As the truck sets off through the narrow streets of the town, it sways first one way and then the other before the engine strikes a regular tone, which informs Gabriel that they must now be on the highway. Tiredness begins to conquer his body, but his fatigued mind is suddenly shipwrecked against images of his mother and poor Felix. Gabriel knows that if he is going to live again then he will have to learn to banish all thoughts of his past existence. There can be no sentiment. Hurtling blindly down this highway, he knows that if he is lucky the past will soon be truly past, and that with every gasp of the acrid air beneath the heavy tarpaulin, life is taking him beyond this nightmare and to a new place and a new beginning.

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