Manu Joseph - Serious Men

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Serious Men: краткое содержание, описание и аннотация

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A poignant, bitingly funny Indian satire and love story set in a scientific institute and in Mumbai’s humid tenements. Ayyan Mani, one of the thousands of
(untouchable caste) men trapped in Mumbai’s slums, works in the Institute of Theory and Research as the lowly assistant to the director, a brilliant self-assured astronomer. Ever wily and ambitious, Ayyan weaves two plots, one involving his knowledge of an illicit romance between his married boss and the institute’s first female researcher, and another concerning his young son and his soap-opera-addicted wife. Ayyan quickly finds his deceptions growing intertwined, even as the Brahmin scientists wage war over the question of aliens in outer space. In his debut novel, Manu Joseph expertly picks apart the dynamics of this complex world, offering humorous takes on proselytizing nuns and chronicling the vanquished director serving as guru to his former colleagues. This is at once a moving portrait of love and its strange workings and a hilarious portrayal of men’s runaway egos and ambitions.

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But he found excuses to be with her. He asked Ayyan to send her to his room on flimsy pretexts. And she came every time he summoned her. Some days, when he thought that he had summoned her too many times, and feared that she might leave the Institute, unable to bear the sight of him, he called group meetings with scientists and research assistants. His eyes would sweep across the assembly, and rest casually on her. She never looked him in the eye, but every time his carefully constructed perfunctory gaze fell on her he was certain that she knew he was looking. Her mask of detachment would slip a little: she would stare harder at the floor, or she would inhale unknowingly. So he devised a new way of looking at her.

He realized that if he adjusted the position of the cylindrical glass jar in which Lavanya’s ethereal agents still filled orchids every morning, he could see Oparna’s reflection. The vase was bought by Lavanya years ago as part of her failed attempt to make his office look beautiful. Now it was an accomplice in his furtive love. It had a reasonable refractive index, it seemed, and so her face was not too distorted. And this was how he would look at her during the long group meetings. Sometimes, he noticed in the jar, she would look at his face in a fond way and turn away when she perceived the threat of being found out. This device consoled him until one afternoon when he saw Oparna’s reflection staring at him and then at the vase. She had somehow figured out the technique. He got up in the middle of the meeting, even as someone was talking to him about the optimum dimensions of the balloon, and carried the vase to the far end of the room. He put it on the centrepiece that lay in the middle of the interfacing white sofas. He rejoined the perplexed group with an innocent face and threw a casual glance at Oparna for appreciation, but she was looking at the floor.

Acharya was miserable the whole week. All day, he would try to work, try to survive the unrelenting influence of Oparna, and go home to hunger and wakefulness. He realized that his home was entirely the colony of his wife. He was running short of shirts and trousers. Underwear that was usually laid out on the morning bed for him like a buffet, now became rare. He could not find anything. So Lavanya, in the middle of sombre funeral prayers, or while serving food to the mourners, would get calls on her mobile and she would whisper, ‘the nail-clipper is in the leopard-skin box … the box is inside a bag with polka dots in the second drawer of the nightstand on my side of the bed … I cannot explain what a polka dot is right now … yes, lots of dots on the bag … I don’t know why they are called polka dots and not dots … don’t forget to put the nail-clipper back in the box … dry yourself after your bath … And why haven’t you been opening the door for the maids?’

Despite his condition, Acharya was aware that the Balloon Mission was entering a crucial phase. The problems in equipment procurement were slowly being solved. His friends in Nasa were helping to release equipment that the American government had blacklisted after the Pokhran nuclear tests. Despite the torments of love and its weird distractions that expanded time, he worked hard on the many finer aspects of the Mission. He was talking to government servants, scientists and weathermen, redrawing the design of gadgetry, scrutinizing the physics at the altitude of forty-one kilometres and commanding everything in him to ensure that the lab in the Institute was worthy of testing the samplers at the end of the Mission. But he had lost his peace. And the privileges of high thought, and his isolation that had once guarded him from the trivialities of life. The beast of genius inside him was now fatally infected by what he diagnosed as common infatuation, but through a minute crack in the fog of misery his mind could still see the beauty in the conviction that alien microbes were always falling from the heavens and they had once seeded life on Earth.

The thoughts of the origin of life sometimes diminished his longing for of Oparna. Microbe to microbe — that was all there was to life and death. Love was insignificant — a devious evolutionary device. Nothing more. These thoughts comforted him, but only briefly. Ultimately, he realized, Oparna was the unavoidable inspiration behind his renewed attempts to keep the Balloon Mission on target. She was deeply involved in the project, the very heart of the core team. It was the most important time in her professional life. That was why, despite the discomfort of unrequited love, she was not leaving the Institute. Any serious snag in the project would disappoint her, and as a consequence, embarrass him. So he ordained in his mind, come what may, the balloon would go up and come down, and the air sampler would be analysed. This resolve made him work like a madman. He slogged in the glory of an old incurable faith in the extraterrestrial origin of life, in the fear of losing Oparna forever, in the torturous certainty that he had no choice but to lose her eventually, in the confusion of what exactly a wife means to a man, in the bitter aftertaste of the terrible food Ayyan Mani brought him and in the deathly fatigue of insomnia. Finally, eight days after Lavanya had left to mourn her sister, something in him snapped.

He pushed everything that was on his table to the floor and rose from his chair. He did not know what time it was and he did not care. He knew Oparna was in the basement. She had to be there.

He walked out through the anteroom that Ayyan had long deserted. Its ghostly phones rang and fax machines belched. There was not a soul in the corridor. It lay in front like a supernatural bridge to autumnal love. He heard the lift heave and echo as it descended to the basement. He walked beside the stark white walls, feeling the anxiety of violating a young body that was right there at the end of this narrow corridor. He felt a mad rage against her for pushing him from the fortress of stature that others had built for him over the decades into a miserable hell where other old men like him crawled on their stomachs and begged young women for a mere look of affection. But what truly infuriated him was the painful suspicion that it was now, in this late age, that true love had come to him.

Until a few weeks ago, he was in the peace of consigning love as that brief juvenile excitement he once felt for Lavanya in the freshness of marriage. It was an easy painless thing. There was no pursuit, no battle. She was there in the morning, she was there in the evening, and on some nights of her choosing she became naked. Love, he had always thought, was arranged. He was certain that alcoholic poets had overrated its misery. But now, he felt its agony and the insane fear of rejection.

He flung open the door of the lab. It was almost dark. Oparna was sitting on the floor at the foot of the main working desk that filled half the room. She had turned off all the lights except a single inadequate bulb directly above the desk. It cast giant shadows of microscopes and other optical devices, and they appeared to lie in wait, like curious voyeurs. She was in her long top of forced modesty and blue jeans. Her hair was tied back. He walked to her side, and stood with his knee brushing against her shoulder.

‘Why are you doing this to me?’ he asked.

She did not reply. He lifted her by her arms and kissed her, or bit her (he would not remember). They fell on the floor in a heap, and they kissed and licked and wrestled. He tore her top and dismantled her jeans. She fought, not sure yet if she was resisting or assisting. When he took away all her clothes, she stopped fighting. She turned away from him in a sting of shame, her face on the floor, an elbow shielding it from this wild man, proud breasts reaching for a place to rest, her bronze back rising and falling like the roll of a sand-dune in the twilight, her long firm legs lying languid.

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