Mavis Gallant - The Selected Stories of Mavis Gallant

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Since 1950, the year that
accepted one of her short stories and changed her life, Mavis Gallant has written some of the finest short stories in the English language. In tribute to her extraordinary career this elegant 900-page volume brings together the work of her lifetime. Devoted admirers will find stories they do not know, or stories that they will rediscover, and for newer admirers this is a treasure trove of 52 stories by a remarkable modern Canadian master.

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“Hilde, everything has gone wrong for him,” said Uncle Theo, gripping the counter as if that might keep me from sending him away. “Do you remember how he couldn’t stand cigarette smoke? How none of you could smoke when he was around?” Do I remember? It was one of the reasons my younger brother cleared out, leaving me to support half the household. “Well, she smokes all the time,” said Uncle Theo. “She blows smoke in his face and so do her friends. She even eggs them on.”

“Her friends,” I repeated, writing it down. My expression was open but reserved. To anyone watching, Uncle Theo is supposed to be a client like any other.

“Low friends,” said Uncle Theo. “Low Berliners in shady Berlin rackets. The kind of people who live in abandoned stores. No curtains, just whitewashed windows.” At the word “shady” I did look as if I had seen my uncle somewhere before, but he is one more respectable survivor now, a hero of yesterday. “Ah, your poor father’s kitchen,” he went on lamenting. “Grease on the ceiling that deep,” showing thumb and finger. “They’re so down they’ve had to rent the parlor and the bedroom. They sleep on a mattress behind the front door.”

“He’s got what he wanted.”

“Well, it had been going on between them for a long time, eh?” Embarrassment made him rise on his toes; it was almost a dance step. “After fifteen years she and your mother joined up and told him to choose. Your mother didn’t understand what she was doing. She thought it was like some story on television.”

My father left us five winters ago, at the age of sixty-three. I still have in mind the sight of my mother in a faint on the sofa and my Aunt Charlotte with an apron over her face, rocking and crying. I remember my Uncle Theo whispering into the telephone and my Aunt Charlotte taking the damp corner of her apron to wipe the leaves of the rubber plant. I came home from work on a dark evening to find this going on. I thought my Uncle Theo had been up to something. I went straight to my mother and gave her a shake. I was not frightened — she faints at will. I said, “Now you see what Uncle Theo is really like.” She opened her eyes, sniffling. Her nylon chignon, which looks like a pound of butter sometimes, was askew on the pillow. She answered, “Be nice to poor Theo, he never had a wife to look after him.” “Whose fault is that?” I said. I did not know yet that my father had gone, or even that such a thing might ever happen. Now it seems that my mother had been expecting it for fifteen years. A lifetime won’t be enough to come to the end of their lies and their mysteries. I am the inspector, the governess, the one they tell stories to. And yet they depend on me! Without me they would be beggars, outcasts! Aunt Charlotte and my mother would wash windows in schoolhouses; they would haul buckets of dirty water up the stairs of office buildings; they would stand on vacant lots selling plastic combs and miniature Christmas trees!

My Uncle Theo began describing her — that other one. His face was as bright as if he were reciting a list of virtues: “I never did understand my brother. She has no taste, no charm, no looks, no culture, no education. She has a birthmark here,” touching the side of his nose.

“I’m busy, Uncle Theo.”

“We must send him money,” he said, getting round to it.

“Well?” I said to the person next in line, over Uncle Theo’s head.

“Hilde, we must send the poor old man money,” he said, hanging on the counter. “A little every month, just the two of us.” Uncle Theo thinks everyone else is old and poor. “Hilde — he’s a night porter in a hospital. He doesn’t like anything about the job. He can’t eat the food.”

Sometimes Uncle Theo will come here to intercede for our neighbors, having heard I have started legal action again. We have East German refugees in the next apartment — loud, boorish Saxons, six to a room. They send everything through the wall, from their coarse songs to their bedbugs. Long ago they were given a temporary housing priority, and then the city forgot them. The truth is these people live on priorities. They have wormed their way into everything. Ask anyone who it is that owns the laundries, the best farmlands, the electronics industry; you will always get the same answer: “East German refugees.” At one time a popular riddle based on this subject went the rounds. Question: “Who were the three greatest magicians of all time?” Answer: “Jesus, because he turned water into wine. Hitler, because he turned Jews into soap. Adenauer, because he turned East German refugees into millionaires.” Very few people can still repeat this without a mistake. Only 2 percent of the readers of our morning paper still consider Hitler “a great figure.” My own sister-in-law cannot say who Adenauer was, or what made him famous. As for Jesus, even I have forgotten what that particular miracle was about. A story that once made people laugh now brings nothing but “Who?” or “What?” or even “Be careful.” It is probably best not to try to remember.

At a quarter to two this Christmas Eve, my Uncle Theo turned up here again. The watchman was already dressed in his overcoat, standing by the glass doors with a bunch of keys in his hand. The banks, the grocers, the bookshops, the hairdressers were shut tight. The street outside looked dead, for those who weren’t down with Asian flu were just getting over it. Uncle Theo slipped in past the porter. He wore his best winter pelisse with the seal collar and his seal hat. He looked smaller than ever, because of the greatcoat and because of a huge brown paper parcel he was carrying. He made as if to come straight over, but I frowned and looked down. The cashier was on sick leave, too, and I was doing double duty. I knew the parcel was our Christmas goose. Uncle Theo buys one every year. Now, that he chooses well; it is not an imported Polish bird but a local goose, a fine one. I stood there counting money, twenty-five, thirty, fifty, and I heard Uncle Theo saying, “She is my niece.” In my position I cannot murmur, “Oh, shut up,” but I imagined him bound and trussed, like the goose, and with adhesive tape across his mouth. He was speaking to a man standing before him in the queue, a tall fellow wearing one of those square fur caps with earflaps. The cap had certainly come from Russia. I guessed at once that the man was a show-off. Uncle Theo was telling him his history, of course, and probably mine as well — that I spoke four, or even seven, languages and that the tourist office could not manage without me. What a waste of time, and how foolish of Uncle Theo! Even from behind the counter I could see the show-off’s wedding ring. None of the staff was happy. We were almost the only people still working in the whole city. It was one of the days when you can smell the central heating, like an aluminum saucepan burning. I looked sharply at Hausen, my assistant. He has devised a way of reading a newspaper in a desk drawer, folded in quarters. He can even turn the pages, with movements so economical only I can see them. You would never guess that he was reading — he seems to be looking for pencils. “Take some of these people over, will you?” I called out. Hausen didn’t respond, and the line didn’t move. Uncle Theo’s voice was now clear: “I also happened to be in Calcutta when the end of the world was expected. That was February fifth, 1962. The Calcutta stock exchange closed down. People left their homes and slept in tents. Imagine — the stock exchange affected. Everyone waiting. Eminent persons, learned professors.” Uncle Theo shook his head.

“You were there on business, I suppose,” said the man in the square cap. He had to stand in profile so they could go on talking. It made an untidy sort of queue. Uncle Theo looked ridiculous. The pelisse swamps him.

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