Sean Michaels - Us Conductors

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Us Conductors: краткое содержание, описание и аннотация

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Winner of the 2014 Scotiabank Giller Prize. A BEAUTIFUL, HAUNTING NOVEL INSPIRED BY THE TRUE LIFE AND LOVES OF THE FAMED RUSSIAN SCIENTIST, INVENTOR AND SPY LEV TERMEN — CREATOR OF THE THEREMIN.
Us Conductors takes us from the glamour of Jazz Age New York to the gulags and science prisons of the Soviet Union. On a ship steaming its way from Manhattan back to Leningrad, Lev Termen writes a letter to his “one true love”, Clara Rockmore, telling her the story of his life. Imprisoned in his cabin, he recalls his early years as a scientist, inventing the theremin and other electric marvels, and the Kremlin’s dream that these inventions could be used to infiltrate capitalism itself. Instead, New York infiltrated Termen — he fell in love with the city’s dance clubs and speakeasies, with the students learning his strange instrument, and with Clara, a beautiful young violinist. Amid ghostly sonatas, kung-fu tussles, brushes with Chaplin and Rockefeller, a mission to Alcatraz, the novel builds to a crescendo: Termen’s spy games fall apart and he is forced to return home, where he’s soon consigned to a Siberian gulag. Only his wits can save him, but they will also plunge him even deeper toward the dark heart of Stalin’s Russia.
Us Conductors is a book of longing and electricity. Like Termen’s own life, it is steeped in beauty, wonder and looping heartbreak. How strong is unrequited love? What does it mean when it is the only thing keeping you alive? This sublime debut inhabits the idea of invention on every level, no more so than in its depiction of Termen’s endless feelings for Clara — against every realistic odd. For what else is love, but the greatest invention of all?
“Michaels’ book is based on the life of Lev Termen, the Russian-born inventor of the Theremin, the most ethereal of musical instruments. As the narrative shifts countries and climates, from the glittery brightness of New York in the 1920s to the leaden cold of the Soviet Union under Stalin, the grace of Michaels’s style makes these times and places seem entirely new. He succeeds at one of the hardest things a writer can do: he makes music seem to sing from the pages of a novel.”
— Giller Prize Jury Citation

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My sister had now moved to Nizhny Novgorod, was married to a mathematician. “Come visit,” I wrote, in a letter.

I told Eva about my years in America. I described Manhattan, Brooklyn, the bakeries in Chinatown. I recalled the parties, the brushes with celebrity. “Rachmaninoff,” I said, “shucks his own oysters.”

She answered every anecdote with wide eyes, wonder. “Did you meet cowboys?” she said.

“I saw one cowboy, from Texas, at the opening of a play. He even wore the hat. But there are not many in New York. Most of them live in the southwest of America.”

“In the desert?”

“It is not all desert. I went to California, on the West Coast. They grow oranges.”

“I would like to swim in the Pacific Ocean,” she said.

“I flew in an aeroplane,” I said, “clear over ten united states.”

Then Eva tilted her head to one side, with those wide swimming eyes. I thought she was going to ask me about the aeroplane, its shadow streaking the fields.

“I heard about Katia,” she said.

I found that my face was frozen.

Gradually I said, “Our divorce?”

“Yes.”

Our voices were very plain. I blinked at the table.

“Yes,” I said at last. “I believe she remarried.” My smile was small, neat, sad. It was not a performance. Eva watched me with a sympathetic expression, as if she were giving me cards, flowers, a consoling present.

“Did you meet other women?”

The question was uncharacteristically forward. But when I returned her gaze I understood that Eva was not inquiring as my host, as my father’s younger sister. She was asking as someone who would soon be elderly, who had never married, who lived alone. A spinster wishing her nephew a certain happiness.

And then I thought of you, standing at that theremin in the afternoon, surprising me.

I thought of you at my door, with snow on your cheek.

I also thought of Lavinia, tall and solemn, in the narrow chapel.

Or later, at the foot of our stairs, as I disappeared into the morning.

Shame skirted my edges, like thin smoke. I could imagine you so clearly, staring hard at a small article in the paper.

My wife, tearing through my shelves, ringing embassies.

Searching for answers in folders of blueprints.

A hundred carbons with my mute signature.

They had said they would bring her to Russia but they would not, and I had known they would not, and I had disappeared into the morning.

I took so much from this woman and then I took away her husband.

картинка 87

I TRIED TO FIND old friends. In a strange way, it was difficult to recall them. I went to dinners with former colleagues from the Physico-Technical Institute, regaled them with tales of radio waves, factory errors, million-dollar patents. My stories were gilded, full of wealth and opportunity. “And now after all that I have come back. I have come back to work.” They responded with an odd reticence, as if I had something in my teeth.

I was penniless. Despite my lofty anecdotes, I did not have a job, a workshop, dispensation from the authorities. I lived in my aunt’s apartment. I dreamed of what I did not have. I fastened my cufflinks and raised toasts to Iosif Vissarionovich Stalin, but I was not the prodigal son returned. I was a pauper in a land where I thought poverty had been abolished.

On a Friday afternoon I went to my old workplace. I brought F. Lèle’s Principles of the New Radio , for Ioffe, carried from America. It was as if I was still twenty-two, clambering aboard the tram, feeling the old bump and shuttle of rails. The carriage was emptier than it used to be. Outside the windows, buildings had been wrecked and rebuilt. Everyone wore heavier coats.

At Finland Station I disembarked. I shed the crowds and walked up the road. Snow was falling. Empty trees stood like turrets. I watched a cyclist press through the snow and grass. A wall topped with barbed wire had been built around a field and I tried to remember if there had ever been anything in that field, if it had even been mowed. Here, the city sounded the same as it used to. Wind, wheels rolling over sleet. Muffled animal sounds, as if dogs had been buried in the snow.

I kept pace with the man on the bicycle. We came to the rise and I looked away into the arboretum, beaten bare by winter. There were still squirrels in the trees. Who feeds them? I wondered. Footprints had made paths. One crow. Above my head, white cloud went on uninterrupted.

There was a moment when my boot skidded on ice and I looked up, breathing suddenly hard, and the cyclist had disappeared.

It was almost two hours before I passed across the school’s frozen garden, rimmed by new fence. The buildings came into view and I found this was a respite, a gift. They were grand and quiet and I knew them. I went into the western entrance of the institute. My steps echoed in the dim marble hall. I left water footprints. I crossed the floor to Ioffe’s office, in the corner, with windows that looked upon the hills and the road, where you could watch the blue sun go down. The office was empty. Not even any furniture: just scratched marks in the floor.

Sasha’s room was empty too.

I went to reception. It was a room of strangers. I could not remember the names of the women who had once worked there, with whom I had once joked, but it didn’t matter. I spoke to a Tatar secretary. His voice was so quiet that I had to lean across the desk. He gave me the number for Ioffe’s new office. I went through the empty hallways, up the stairs, to this door. I knocked. Through the door, he said, “ Da ?” and I went in.

Abram Fedorovich Ioffe, my former supervisor, sat behind a low desk. His hair had turned white. His shoulders were hunched, as if he had been carrying a load. I remembered the way we used to share a samovar of hot water, both of us looking in on it, shepherding it, pouring out two teapots. The big pot of honey that used to sit on his desk. I could not see it here.

I stood in his door, damp and dripping.

There was no recognition in his gaze.

“It is Lev Sergeyvich Termen,” I said.

“I know.”

The way he spoke, I was afraid he was unhappy to see me.

“How have you been?” I asked.

“Extremely well,” he said. His voice was level. His spectacles made him look even older than he was.

I extended the book. “I brought you a gift.”

Ioffe straightened. He looked at the spine of the book. He looked at me. I sensed then that it was not ambivalence I was feeling, or hostility. It was caution. Perhaps it was fear. Ioffe smoothed his coarse moustache. He looked at me again. I saw him make a decision. This was a fragile moment. He pushed a hand down his brow and over his face, and stood up, and he crossed the room to embrace me. A bear hug in the office of the director of physics and technology, among ticking clocks and electric eyes.

Zdravstvuyte , Lev,” he said, into my shoulder.

Zdravstvuyte , Ioffe.”

As we released each other I asked again, “How have you been?”

“Extremely well,” he said, and swallowed, and turned away from me.

We spoke for a long time. His office was grey, illuminated by the window’s cold reflection. His desk was crowded with papers, thick reports, everything stamped with a seal. The institute had grown and it had shrunk; there were many new responsibilities, he said. Deadlines. Many scientists had left or been sent away.

“I am looking for work,” I said.

He looked at his hands. “Are you registered with the planning committee?”

“Of course. But there is some kind of holdup. I thought that if the institute contacted them …”

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