Scott McClanahan - Crapalachia - A Biography of Place

Здесь есть возможность читать онлайн «Scott McClanahan - Crapalachia - A Biography of Place» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2013, Издательство: Two Dollar Radio, Жанр: Современная проза, Биографии и Мемуары, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Crapalachia: A Biography of Place: краткое содержание, описание и аннотация

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"McClanahan's prose is miasmic, dizzying, repetitive. A rushing river of words that reflects the chaos and humanity of the place from which he hails. [McClanahan] aims to lasso the moon… He is not a writer of half-measures. The man has purpose. This is his symphony, every note designed to resonate, to linger."
—  "
is the genuine article: intelligent, atmospheric, raucously funny and utterly wrenching. McClanahan joins Daniel Woodrell and Tom Franklin as a master chronicler of backwoods rural America."
—  "The book that took Scott McClanahan from indie cult writer to critical darling is a series of tales that read like an Appalachian Proust all doped up on sugary soft drinks, and has made a fan of everybody who has opened it up."
—  "McClanahan’s deep loyalty to his place and his people gives his story wings: 'So now I put the dirt from my home in my pockets and I travel. I am making the world my mountain.' And so he is."
—  "[
is] a wild and inventive book, unquestionably fresh of spirit, and totally unafraid to break formalisms to tell it like it was."
—  "Part memoir, part hillbilly history, part dream, McClanahan embraces humanity with all its grit, writing tenderly of criminals and outcasts, family and the blood ties that bind us."
—  "A brilliant, unnerving, beautiful curse of a book that will both haunt and charmingly engage readers for years and years and years."
—  "McClanahan's style is as seductive as a circuit preacher's.
is both an homage and a eulogy for a place where, through the sorcery of McClanahan's storytelling, we can all pull up a chair and find ourselves at home."
—  "Epic. McClanahan’s prose is straightforward, casual, and enjoyable to read, reminiscent at times of Kurt Vonnegut.
is one of the rare books that, after you reach the end, you don’t get up to check your e-mail or Facebook or watch TV. You just sit quietly and think about the people of the book and how they remind you of people you used to know. You feel lucky to have known them, and you feel grateful to McClanahan for the reminder."
—  When Scott McClanahan was fourteen he went to live with his Grandma Ruby and his Uncle Nathan, who suffered from cerebral palsy.
is a portrait of these formative years, coming-of-age in rural West Virginia.
Peopled by colorful characters and their quirky stories,
interweaves oral folklore and area history, providing an ambitious and powerful snapshot of overlooked Americana.
Scott McClanahan
Stories II
Stories V!
BOMB, Vice
New York Tyrant
Hill William

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I had even looked in the back of Ruby’s mother’s Bible with all of it written in the back. There was a date and then — baby died. There was a date and then — baby died. There was a date and then — girl baby died.

So I said, “You want me to put the flowers down here? Are these the graves you wanted to see?”

But Grandma just shook her head.

She pointed to a couple of graves at the edge of the mountain and said, “That’s where I want to put them.”

I thought, THANK GOD .

Ruby moved her walker and started moving closer to the graves, past the grave of her own little baby who died, and then past her husband, my grandfather Elgie who died of his fifth heart attack when I was three.

I heard my Uncle Stanley from far over at the edge of the field say: “Daddy would have shit himself if he knew you put him up here with all these goddamn Goddards.”

Ruby got mean and said: “Well I figured I wanted him where I wanted him. And I put him where I put him.”

She hobbled along some more and I walked behind her.

She said: “This is the grave I wanted to see. This is the grave.”

I asked: “Whose grave is it?”

I walked in front of the stone and I saw it was her grave. It was the grave of Ruby Irene McClanahan, born 1917 died…

Then there was a blank space — the space where they would put the date of her death.

She touched the shiny stone and explained how Wallace and Wallace gave her a really good deal on the tombstone. She told me I should start saving. It was a good investment.

So Grandma pointed to the grave and finally told me to put the flowers down. And that’s just what I did. I put the flowers down on my grandmother’s grave. Then she reached into her purse and pulled out a camera.

She said: “Well come on now, Todd. You want to have your pictures taken by Grandma’s grave?” I told her for the thousandth time. “My name’s not Todd, Grandma. My name’s Scott.”

My Uncle Stanley shouted at her: “Ah hell, Mother. Just leave him alone. He doesn’t want to touch your grave.”

Then she started in on my Uncle Nathan who was still sitting in the back of the truck. “Hey Nathan. You want to come and sit in front of Mother’s grave? It’s a pretty thing.”

Nathan just sat in the back of the truck and shook his head like: Fuck no .

I finally gave in and Grandma took my picture next to her grave.

Then she waddled over to the side of the shiny marble tombstone and I took her picture.

I looked through the camera and all I could see was my Grandma Ruby standing beside her stone.

Ruby Irene McClanahan

Born 1917. And then the blank space.

Here was the date of her birth, and the date of her death, which we didn’t know yet, but which we passed each year without knowing.

So I got ready to take the picture and I saw her smile.

I saw the graves filling up all around her and I saw how Grandma would be here beneath it one day and then Nathan and then one day Stanley, and then one day… me. So I saw her whisper, “Oh lordie,” and claim she was dying like she always did.

I wished we were already back at home so I could eat some more peanut butter fudge. Nothing lasts.

I snapped the picture and it was like she was already gone.

It was like I saw that she was dying right then — real slow — and she knew the secret sound. It’s a sound that all of us hear. It’s a sound that sounds like this. Tick. Tick. Tick.

AND NOW A MOMENT TO ONCE AGAIN

REMEMBER THE THEME OF THIS BOOK.

The theme of this book is a sound. It goes like this: Tick, tick, tick, tick, tick, tick, tick . It’s the sound you’re hearing now, and it’s one of the saddest sounds in the world.

TICK, TICK, TICK, TICK, TICK

That’s all I could hear from the big RC COLA clock a few weeks later. Tick, tick, tick, tick, tick . We sat in her kitchen and Ruby flipped to this picture of a guy who looked like he was sleeping. Then she grinned without her teeth in and showed me another picture of a guy who looked like he was sleeping too. She showed me another and then another. I thought, Why are all these people sleeping?

She ran her fingers over the picture and I realized… That guy is not sleeping.

THAT GUY’S DEAD.

So I looked closer at the man in the picture and I saw that his face was all sunken and his hands were folded across his chest. Beneath his hands there was a little pocket Bible. He was dead all right. Dead as hell. So Ruby started telling me the story about him.

She started telling me about how he was my grandpa Elgie’s brother and how he was running around with some guy’s wife in Beckley.

Then she told me about how one day he was with the wife when the husband came home.

I guess the husband knew something was going on, but before Elgie’s brother could get his pants up — the husband picked up a block of firewood and beat Elgie’s brother to death with it. Ruby said you should never take your pants completely off if you’re engaging in infidelity just in case you need to make a quick getaway. I agreed. So Ruby took a picture of him at his funeral and then she turned to the back of the photo which had his death date on it—7/8/52.

Then she turned to another picture and it was yet another picture of a dead person. It was an old woman (her Aunt Mag) with one of those made-up funeral home faces. And what was funny about this one was that there was a man posing for the picture by the dead body. He was smiling.

“Who’s that?” I asked.

“Oh I don’t know,” she said. “Just some guy I asked to pose by the pretty flowers.”

So I sat in the kitchen not really knowing what to think.

Grandma looked through all of her pictures of the dead and then she said: “Of course some people don’t think it’s right. They don’t think it’s right taking pictures of the dead.”

Then she flipped back through all of the other pictures and looked at the one of Elgie’s dead brother.

She closed her picture book and smiled her smile.

That evening we went to the Wallace and Wallace funeral home to pay our respects for a woman she knew. It was another woman who was coming home one day and the mountain collapsed on her. I especially didn’t want to be at the funeral when Ruby took out her camera later. I’d been going to wakes with her for years now, and I’d even been to wakes at people’s houses, something called sitting up with the dead. I thought about how I watched people picking the body up and holding it and petting the dead hair and crying. I thought about how they carried it around and cried. I knew something was up that night, sitting around in front of the casket, and I knew what it was when my grandma leaned over and said: “Why don’t you take a picture for Grandma?”

“WHAT?”

She pointed to the body and tried handing me a camera.

“Why don’t you take a picture for Grandma?”

Oh GOD no.

I sat nervous and shook my head. But she wouldn’t stop it.

She kept trying to hand me the camera and saying: “You go on.”

I took ahold of it and stood there even though I didn’t want to. I didn’t want to take a picture of this dead body in front of everyone.

There were a couple of pretty girls in the corner and they had a look on their face like, “What’s he doing? Is he getting ready to take a picture of a dead body?”

There were a couple of people standing around the body. They were hugging and holding and hugging and holding each other and crying. So I stood looking at it all and couldn’t take the damn thing.

Grandma cussed “shit” beneath her breath and tried getting my cousin Tina to do it for her instead.

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