T. Boyle - Greasy Lake and Other Stories

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Greasy Lake and Other Stories: краткое содержание, описание и аннотация

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Mythic and realistic, farcical and tragic,
says these masterful stories mark
's development from "a prodigy's audacity to something that packs even more of a wallop: mature artistry." They cover everything, from a terrifying encounter between a bunch of suburban adolescents and a murderous, drug-dealing biker, to a touching though doomed love affair between Eisenhower and Nina Khruschev.

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As Martinez slumps toward the dugout, Dupuy, a laconic, embittered man who keeps his suffering inside and drinks Gelusil like water, takes hold of Hector’s arm. His eyes are red-rimmed and paunchy, doleful as a basset hound’s. Bring the runner in, champ, he rasps. First pitch fake a bunt, then hit away. Watch Booger at third. Uh-huh, Hector mumbles, snapping his gum. Then he slides his bat from the rack — white ash, tape-wrapped grip, personally blessed by the archbishop of Guadalajara and his twenty-seven acolytes — and starts for the dugout steps, knowing the course of the next three minutes as surely as his blood knows the course of his veins. The familiar cry will go up — Cheese, Cheese, Cheesus — and he’ll amble up to the batter’s box, knocking imaginary dirt from his spikes, adjusting the straps of his golf gloves, tugging at his underwear, and fiddling with his batting helmet. His face will be impenetrable. Corcoran will work the ball in his glove, maybe tip back his cap for a little hair grease, and then give him a look of psychopathic hatred. Hector has seen it before. Me against you. My record, my career, my house, my family, my life, my mutual funds and beer distributorship against yours. He’s been hit in the elbow, the knee, the groin, the head. Nothing fazes him. Nothing. Murmuring a prayer to Santa Griselda, patroness of the sun-blasted Sonoran village where he was born like a heat blister on his mother’s womb, Hector Hernán Jesus y María Quesadilla will step into the batter’s box, ready for anything.

But it’s a game of infinite surprises.

Before Hector can set foot on the playing field, Corcoran suddenly doubles up in pain, Phelan goes slack at second, and the catcher and shortstop are hustling out to the mound, tailed an instant later by trainer and pitching coach. First thing Hector thinks is groin pull, then appendicitis, and finally, as Corcoran goes down on one knee, poison. He’d once seen a man shot in the gut at Obregón City, but the report had been loud as a thunderclap, and he hears nothing now but the enveloping hum of the crowd. Corcoran is rising shakily, the trainer and pitching coach supporting him while the catcher kicks meditatively in the dirt, and now Mueller, the Atlanta cabeza, is striding big-bellied out of the dugout, head down as if to be sure his feet are following orders. Halfway to the mound, Mueller flicks his right hand across his ear quick as a horse flicking its tail, and it’s all she wrote for Corcoran.

Poised on the dugout steps like a bird dog, Hector waits, his eyes riveted on the bullpen. Please, he whispers, praying for the intercession of the Niño and pledging a hundred votary candles — at least, at least. Can it be? — yes, milk of my mother, yes — Kerensky himself strutting out onto the field like a fighting cock. Kerensky!

Come to the birthday boy, Kerensky, he murmurs, so certain he’s going to put it in the stands he could point like the immeasurable Bambino. His tired old legs shuffle with impatience as Kerensky stalks across the field, and then he’s turning to pick Asunción out of the crowd. She’s on her feet now, Reina too, the kids come alive beside her. And Hector Jr., the book forgotten, his face transfigured with the look of rapture he used to get when he was a boy sitting on the steps of the dugout. Hector can’t help himself: he grins and gives them the thumbs-up sign.

Then, as Kerensky fires his warm-up smoke, the loudspeaker crackles and Hector emerges from the shadow of the dugout into the tapering golden shafts of the late-afternoon sun. That pitch, I want that one, he mutters, carrying his bat like a javelin and shooting a glare at Kerensky, but something’s wrong here, the announcer’s got it screwed up: BATTING FOR RARITAN, NUMBER 39, DAVE TOOL. What the—? And now somebody’s tugging at his sleeve and he’s turning to gape with incomprehension at the freckle-faced batboy, Dave Tool striding out of the dugout with his big forty-two-ounce stick, Dupuy’s face locked up like a vault, and the crowd, on its feet, chanting Tool, Tool, Tool! For a moment he just stands there, frozen with disbelief. Then Tool is brushing by him and the idiot of a batboy is leading him toward the dugout as if he were an old blind fisherman poised on the edge of the dock.

He feels as if his legs have been cut out from under him. Tool! Dupuy is yanking him for Tool? For what? So he can play the lefty-righty percentages like some chess head or something? Tool, of all people. Tool, with his thirty-five home runs a season and lifetime BA of.234; Tool, who’s worn so many uniforms they had to expand the league to make room for him — what’s he going to do? Raging, Hector flings down his bat and comes at Dupuy like a cat tossed in a bag. You crazy, you jerk, he sputters. I woulda hit him, I woulda won the game. I dreamed it. And then, his voice breaking: It’s my brithday, for Christ’s sake!

But Dupuy can’t answer him, because on the first pitch Tool slams a real worm burner to short and the game is going into extra innings.

By seven o’clock, half the fans have given up and gone home. In the top of the fourteenth, when the visitors came up with a pair of runs on a two-out pinch-hit home run, there was a real exodus, but then the Dodgers struck back for two to knot it up again. Then it was three up and three down, regular as clockwork. Now, at the end of the nineteenth, with the score deadlocked at 7 all and the players dragging themselves around the field like gut-shot horses, Hector is beginning to think he may get a second chance after all. Especially the way Dupuy’s been using up players like some crazy general on the Western Front, yanking pitchers, juggling his defense, throwing in pinch runners and pinch hitters until he’s just about gone through the entire roster. Asunción is still there among the faithful, the foolish, and the self-deluded, fumbling with her rosary and mouthing prayers for Jesus Christ Our Lord, the Madonna, Hector, the home team, and her departed mother, in that order. Reina too, looking like the survivor of some disaster, Franklin and Alfredo asleep in their seats, the niñitas gone off somewhere — for Coke and dogs, maybe. And Hector Jr. looks like he’s going to stick it out too, though he should be back in his closet writing about the mystical so-and-so and the way he illustrates his poems with gods and men and serpents. Watching him, Hector can feel his heart turn over.

In the bottom of the twentieth, with one down and Gilley on first — he’s a starting pitcher but Dupuy sent him in to run for Manfredonia after Manfredonia jammed his ankle like a turkey and had to be helped off the field — Hector pushes himself up from the bench and ambles down to where Dupuy sits in the corner, contemplatively spitting a gout of tobacco juice and saliva into the drain at his feet. Let me hit, Bernard, come on, Hector says, easing down beside him.

Can’t, comes the reply, and Dupuy never even raises his head. Can’t risk it, champ. Look around you — and here the manager’s voice quavers with uncertainty, with fear and despair and the dull edge of hopelessness — I got nobody left. I hit you, I got to play you.

No, no, you don’t understand — I’m going to win it, I swear.

And then the two of them, like old bankrupts on a bench in Miami Beach, look up to watch Phelan hit into a double play.

A buzz runs through the crowd when the Dodgers take the field for the top of the twenty-second. Though Phelan is limping, Thorkelsson’s asleep on his feet, and Dorfman, fresh on the mound, is the only pitcher left on the roster, the moment is electric. One more inning and they tie the record set by the Mets and Giants back in ’64, and then they’re making history. Drunk, sober, and then drunk again, saturated with fats and nitrates and sugar, the crowd begins to come to life. Go, Dodgers! Eat shit! Yo Mama! Phelan’s a bum!

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