T. Boyle - T.C. Boyle Stories II - Volume II

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A second volume of short fiction — featuring fourteen uncollected stories — from the bestselling author and master of the form. Few authors write with such sheer love of story and language as T.C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. In 1998,
brought together the author’s first four collections to critical acclaim. Now,
gathers the work from his three most recent collections along with fourteen new tales previously unpublished in book form as well as a preface in which Boyle looks back on his career as a writer of stories and the art of making them.
By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle’s stories have mapped a wide range of human emotions. The fifty-eight stories in this new volume, written over the last eighteen years, reflect his maturing themes. Along with the satires and tall tales that established his reputation, readers will find stories speaking to contemporary social issues, from air rage to abortion doctors, and character-driven tales of quiet power and passion. Others capture timeless themes, from first love and its consequences to confrontations with mortality, or explore the conflict between civilization and wildness. The new stories find Boyle engagingly testing his characters’ emotional and physical endurance, whether it’s a group of giants being bred as weapons of war in a fictional Latin American country, a Russian woman who ignores dire warnings in returning to her radiation-contaminated home, a hermetic writer who gets more than a break in his routine when he travels to receive a minor award, or a man in a California mountain town who goes a little too far in his concern for a widow.
Mordant wit, emotional power, exquisite prose: it is all here in abundance.
is a grand career statement from a writer whose imagination knows no bounds.

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Carriage? Baldasare was puzzled. He didn’t have any carriage — he didn’t even have a horse. “I no got,” he said, and he strained to give her his best smile. “We walk.”

“Walk?” she echoed. “In this heat? You must be crazy.”

“No,” he said, “we walk,” and he leaned forward and exerted the most delicate but insistent pressure on the monument of her arrested arm.

Her cheeks were splotched under the crisp arc of shadow the hat brim threw over her face and her olive eyes seemed to snatch at his. “You mean,” and her voice was scolding and intemperate, “you ain’t even got a wagon? You, with your big house you’re always telling me about?”

The following Sunday, though it wounded him to throw his money away like some Park Avenue millionaire, he pulled up to Siagris’ Drugstore in a hired cabriolet. It was a clear day, the sun high and merciless, and the same scenario played itself out in the walkup at the top of the stairs, except that this time Baldasare seemed to have things in hand. He was as short with Siagris as Siagris was with him, he made a witticism regarding the heat for the benefit of the children, and he led Ariadne (who had refused the previous week to go farther than a bench in the park at the end of the street) out the door, down the steps, and into the carriage like a cavaliere of old.

Baldasare didn’t like horses. They were big and crude and expensive and they always seemed to need grooming, shoeing, doctoring, and oats — and the horse attached to the cabriolet was no exception. It was a stupid, flatulent, broad-flanked, mouse-colored thing, and it did its utmost to resist every touch of the reins and thwart every desire of the man wielding them. Baldasare was in a sweat by the time they reached his property, every square inch of his clothing soaked through like a blotter, and his nerves were frayed raw. Nor had he made any attempt at conversation during the drive, so riveted was he on the task at hand, and when they finally pulled up in the shade of his favorite oak, he turned to Ariadne and saw that she hadn’t exactly enjoyed the ride either.

Her hat was askew, her mouth set in a thin unyielding line. She was glistening with sweat, her hands like doughballs fried in lard, and a thin integument of moistened dust clung to her features. She gave him a concentrated frown. “Well, where is it?” she demanded. “Why are we stopping here?”

His tongue ran ahead of him, even as he sprang down from the carriage and scurried to her side to assist her in alighting. “This is what I have want for to show you, and so long, because — well, because I am making it for you.”

He studied the expression of her face as she looked from the disreputable shack to the hummock of the well and out over the heat-blasted scrub to where the crown of his avocado tree rose out of the ground like an illusion. And then she saw the ramp leading down to the cellar. She was stunned, he could see it in her face and there was no denying it, but he watched her struggle to try on a smile and focus her eyes on his. “This is a prank, ain’t it? You’re just fooling with me and your house is really over there behind that hill”—pointing now from her perch atop the carriage—“ain’t it?”

“No, no,” he said, “no. It’s this, you see?” And he indicated the ramp, the crown of the avocado, the bump where the inverted cone of a new atrium broke the surface. “Twelve room, I tell you, twelve room.” He’d become insistent, and he had his hand on her arm, trying to lead her down from the carriage — if only she would come, if only she would see — and he wanted to tell her how cool and fresh-smelling it was down there beneath the earth, and how cheap it was to build and expand, to construct a nursery, a sewing room, anything she wanted. All it took was a strong back and a shovel, and not one cent wasted on nails and lumber and shingles that fell apart after five years in the sun. He wanted to tell her, but the words wouldn’t come, and he tried to articulate it all through the pressure of his hand on her arm, tugging, as if the whole world depended on her getting down from that carriage — and it did, it did!

“Let go!” she cried, snatching her arm away, and then she was sobbing, gasping for breath as if the superheated air were some other medium altogether and she was choking on it. “You said… you said… twelve rooms!

He tried to reach for her again—“Please,” he begged, “please”—but she jerked back from him so violently the carriage nearly buckled on its springs. Her face was furious, streaked with tears and dirt. “You bully!” she cried. “You Guinea, Dago, Wop! You, you’re no better than a murderer!”

Three days later, in a single paragraph set off by a black border, the local paper announced her engagement to Hiram Broadbent, of Broadbent’s Poultry & Eggs.

An engagement wasn’t a marriage, that’s what Baldasare was thinking when Lucca Albanese gave him the news. An engagement could be broken, like a promise or a declaration or even a contract. There was hope yet, there had to be. “Who is this Hiram Broadbent?” he demanded. “Do you know him?”

They were sharing a meal of beans and vermicelli in Baldasare’s subterranean kitchen, speaking in a low tragic Italian. Lucca had just read the announcement to him, the sharp-edged English words shearing at him like scissors, and the pasta had turned to cotton wadding in his throat. He was going to choke. He was going to vomit.

“Yeah, sure,” Lucca said. “I know him. Big, fat man. Wears a straw hat winter and summer. He’s a drunk, mean as the devil, but his father owns a chicken farm that supplies all the eggs for the local markets in Fresno, so he’s always got money in his pocket. Hell, if you ever came out of your hole, you’d know who I’m talking about.”

“You don’t think — I mean, Ariadne wouldn’t really… would she?”

Lucca ducked his head and worked his spoon in the plate. “You know what my father used to say? When I was a boy in Catania?”

“No, what?”

“There’s plenty of fish in the sea.”

But that didn’t matter to Baldasare — he wanted only one fish. Ariadne. Why else had he been digging, if not for her? He’d created an underground palace, with the smoothest of corners and the most elegant turnings and capacious courtyards, just to give her space, to give her all the room she could want after having to live at her uncle’s mercy in that cramped walkup over the drugstore. Didn’t she complain about it all the time? If only she knew, if only she’d give him a chance and descend just once into the cool of the earth, he was sure she’d change her mind, she had to.

There was a problem, though. An insurmountable problem. She wouldn’t see him. He came into the drugstore, hoping to make it all up to her, to convince her that he was the one, the only one, and she backed away from the counter, exchanged a word with her uncle, and melted away through the sun-struck mouth of the back door. Siagris whirled round like some animal startled in a cave, his shoulders hunched and his head held low. “We don’t want you in here anymore, understand?” he said. There was the sizzle of frying, the smell of onions, tuna fish, a row of startled white faces staring up from pie and coffee. Siagris leaned into the counter and made his face as ugly as he could. “ Capiche?

Baldasare Forestiere was not a man to be easily discouraged. He thought of sending her a letter, but he’d never learned to write, and the idea of having someone write it for him filled him with shame. For the next few days he brooded over the problem, working all the while as a hired laborer, shoveling, lifting, pulling, bending, and as his body went through the familiar motions his mind was set free to achieve a sweated lucidity. By the end of the third day, he’d decided what he had to do.

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