T. Boyle - T.C. Boyle Stories II - Volume II

Actually, I’m lucky to be here to tell you about it — it was sheer serendipity, really. You see, I wasn’t among my fellow human beings when it hit — no festering airline cabins or snaking supermarket lines for me, no concerts, sporting events or crowded restaurants — and the closest I came to intimate contact was a telephone call to my on-and-off girlfriend, Danielle, from a gas station in the Sierra foothills. I think I may have made a kissing noise over the wire, my lips very possibly coming into contact with the molded plastic mouthpiece into which hordes of strangers had breathed before me, but this was a good two weeks before the first victim carried the great dripping bag of infection that was himself back from a camcorder safari to the Ngorongoro Crater or a conference on economic development in Malawi. Danielle, whose voice was a drug I was trying to kick, at least temporarily, promised to come join me for a weekend in the cabin after my six weeks of self-imposed isolation were over, but sadly, she never made it. Neither did anyone else.

—

I was isolated up there in the mountains — that was the whole point — and the first I heard of anything amiss was over the radio. It was a warm, full-bodied day in early fall, the sun caught like a child’s ball in the crown of the Jeffrey pine outside the window, and I was washing up after lunch when a smooth melodious voice interrupted Afternoon Classics to say that people were bleeding from the eyeballs and vomiting up bile in the New York subways and collapsing en masse in the streets of the capital. The authorities were fully prepared to deal with what they were calling a minor outbreak of swine flu, the voice said, and people were cautioned not to panic, but all at once the announcer seemed to chuckle deep in his throat, and then, right in the middle of the next phrase, he sneezed — a controlled explosion hurtling out over the airwaves to detonate ominously in ten million trembling speakers — and the radio fell silent. Somebody put on a CD of Richard Strauss’ Death and Transfiguration, and it played over and over through the rest of the afternoon.

I didn’t have access to a telephone — not unless I hiked two and a half miles out to the road where I’d parked my car and then drove another six to Fish Fry Flats, pop. 28, and used the public phone at the bar/restaurant/gift shop/one-stop grocery/gas station there — so I ran the dial up and down the radio to see if I could get some news. Reception is pretty spotty up in the mountains — you never knew whether you’d get Bakersfield, Fresno, San Luis Obispo or even Tijuana — and I couldn’t pull in anything but white noise on that particular afternoon, except for the aforementioned tone poem, that is. I was powerless. What would happen would happen, and I’d find out all the sordid details a week later, just as I found out about all the other crises, scandals, scoops, coups, typhoons, wars and cease-fires that held the world spellbound while I communed with the ground squirrels and woodpeckers. It was funny. The big events didn’t seem to mean much up here in the mountains, where life was so much more elemental and immediate and the telling concerns of the day revolved around priming the water pump and lighting the balky old gas stove without blowing the place up. I picked up a worn copy of John Cheever’s stories somebody had left in the cabin during one of its previous incarnations and forgot all about the news out of New York and Washington.

Later, when it finally came to me that I couldn’t live through another measure of Strauss without risk of permanent impairment, I flicked off the radio, put on a light jacket and went out to glory in the way the season had touched the aspens along the path out to the road. The sun was leaning way over to the west now, the shrubs and ground litter gathering up the night, the tall trees trailing deep blue shadows. There was the faintest breath of a chill in the air, a premonition of winter, and I thought of the simple pleasures of building a fire, preparing a homely meal and sitting through the evening with a book in one hand and a scotch and Drambuie in the other. It wasn’t until nine or ten at night that I remembered the bleeding eyeballs and the fateful sneeze, and though I was half-convinced it was a hoax or maybe one of those fugitive terrorist attacks with a colorless, odorless gas — sarin or the like — I turned on the radio, eager for news.

There was nothing, no Strauss, no crisp and efficient NPR correspondent delivering news of riots in Cincinnati and the imminent collapse of the infrastructure, no right-wing talk, no hip-hop, no jazz, no rock. I switched to AM, and after a painstaking search I hit on a weak signal that sounded as if it were coming from the bottom of Santa Monica Bay. This is only a test, a mechanical voice pronounced in what was now just the faintest whispering squeak, in the event of an actual emergency please stay tuned to … and then it faded out. While I was fumbling to bring it back in, I happened upon a voice shouting something in Spanish. It was just a single voice, very agitated, rolling on tirelessly, and I listened in wonder and dread until the signal went dead just after midnight.

I didn’t sleep that night. I’d begun to divine the magnitude of what was going on in the world below me — this was no hoax, no casual atrocity or ordinary attrition; this was the beginning of the end, the Apocalypse, the utter failure and ultimate demise of all things human. I felt sick at heart. Lying there in the fastness of the cabin in the absolute and abiding dark of the wilderness, I was consumed with fear. I lay on my stomach and listened to the steady thunder of my heart pounding through the mattress, attuned to the slightest variation, waiting like a condemned man for the first harrowing sneeze.

Over the course of the next several days, the radio would sporadically come to life (I left it switched on at all times, day and night, as if I were going down in a sinking ship and could shout “Mayday!” into the receiver at the first stirring of a human voice). I’d be pacing the floor or spooning sugar into my tea or staring at a freshly inserted and eternally blank page in my ancient manual typewriter when the static would momentarily clear and a harried newscaster spoke out of the void to provide me with the odd and horrific detail: an oceanliner had run aground off Cape Hatteras and nothing left aboard except three sleek and frisky cats and various puddles of flesh swathed in plaid shorts, polo shirts and sunglasses; no sound or signal had come out of South Florida in over thirty-six hours; a group of survivalists had seized Bill Gates’ private jet in an attempt to escape to Antarctica, where it was thought the infection hadn’t yet reached, but everyone aboard vomited black bile and died before the plane could leave the ground. Another announcer broke down in the middle of an unconfirmed report that every man, woman and child in Minneapolis was dead, and yet another came over the air early one morning shouting, “It kills! It kills! It kills in three days!” At that point, I jerked the plug out of the wall.

My first impulse, of course, was to help. To save Danielle, the frail and the weak, the young and the old, the chairman of the social studies department at the school where I teach (or taught), a student teacher with cropped red hair about whom I’d had several minutely detailed sexual fantasies. I even went so far as to hike out to the road and take the car into Fish Fry Flats, but the bar/restaurant/gift shop/one-stop grocery/gas station was closed and locked and the parking lot deserted. I drove round the lot three times, debating whether I should continue on down the road or not, but then a lean furtive figure darted out of a shed at the corner of the lot and threw itself — himself — into the shadows beneath the deck of the main building. I recognized the figure immediately as the splay-footed and pony-tailed proprietor of the place, a man who would pump your gas with an inviting smile and then lure you into the gift shop to pay in the hope that the hand-carved Tule Indian figurines and penlight batteries would prove irresistible. I saw his feet protruding from beneath the deck, and they seemed to be jittering or trembling as if he were doing some sort of energetic new contra-dance that began in the prone position. For a long moment I sat there and watched those dancing feet, then I hit the lock button, rolled up the windows and drove back to the cabin.