Itard had fallen into a deep, exhausted sleep when one of the deaf-mutes who’d been sent out to scour the neighborhood came to him with a pair of scuffed leather shoes in hand. The boy — he was Victor’s age, lean, clear-eyed, his hair cut too close to the scalp by the Institute’s incompetent barber — was fluent in the manual language of the deaf-mutes and was able to tell Itard where he’d found the shoes and to lead him there and even demonstrate in which direction they’d been pointed. Itard felt stricken. He felt sick. The shoes — he turned them over in his hand — were worn unevenly along the inside seam where Victor’s lurching, pigeon-toed gait punished the leather. There was no doubt. These shoes, these artifacts, were as familiar to him as his own boots.
It was raining, the cobblestones glistening as if they’d been polished. Pigeons huddled on the windowsills and under the eaves. Itard bent to touch the spot the boy indicated and then looked off down the dripping alley to where the walls seemed to draw together in the distance. He was afraid suddenly. The experiment was over. Victor was gone for good.
Even as he got to his feet and hurried down the alley, the deaf-mute at his side, he pictured Victor passing swiftly through the city, guided by his nose and ears, throwing off his suit of clothes like a yoke, working his way up along the bank of the Seine till the fields opened around him and the trees went dense in the ravines. He didn’t stop to think what the boy would eat or that he was dependent now and grown heavy with surfeit and luxury, but thought only of Victor’s eyes and teeth and how he would stoop to snatch up a frog or snail and crush it between his jaws — yes, and how well had all the eternal hours of exercises, of matching shapes and letters and forming vowels deep in the larynx prepared him for that? It was nothing. Life was nothing. He — Itard — for all his grand conception of himself and his power and his immutable will, was a failure.
A moment later they emerged from the alley and were back out on a wet, twisting street crowded with people and the baggage they hauled and carried and pressed to their bodies as if each loaf or sausage or block of paraffin was as vital as life itself, no chance of finding him here, no chance, and he thought of Victor’s room, empty, and in the same moment that he was struck by the pang of his loss he felt a clean swift stroke of liberation slice through him. The experiment was over. Done. Finished. No more eternal hours, no more exercises, no more failure and frustration and battling the inevitable — he could begin to live the rest of his life again. But no. No. Victor’s face rose up before him, the trembling chin and retreating eyes, the narrowed shoulders and the look of pride he wore when he matched one shape to another, and he felt ashamed of himself. He could barely lift his feet as he made his way back to the Institute through the bleak, unsettled streets.
It was Madame Guérin who wouldn’t give up. She searched the streets, the paths of the Luxembourg Gardens where she took Victor for his walks, the cafés and wineshops and the alleys out back of the grocer’s and the baker’s. She quizzed everyone she met and displayed a crude charcoal sketch she’d made of him one night as he sat rocking by the fire, tending his potatoes, and she alerted her daughters and sent old Monsieur Guérin out to limp along the river and look for the inadmissible in the slow, lethal slip of the current. Finally, on the third day after he’d gone missing, one of the women who sold produce to the Institute’s kitchens came to her and said she’d seen him — or a boy like him — across the river, begging in the marketplace at Les Halles.
She set out immediately, the woman at her side, her feet chopping so swiftly she was out of breath by the time she reached the bridge, but she went on, her blood clamoring and the color come into her face. The day was warm and close, puddles in the streets, the river a flat, stony gray. She was sweating, her blouse and undergarments soaked through by the time they reached the marketplace, and then, of course, the boy was nowhere to be found. “There,” the woman shouted suddenly, “over there by the flower stall, there he is!” Madame Guérin felt her heart leap up. There, sitting on the pavement beneath a wagon and gnawing at something clenched in his two fists, was a boy with a dark thatch of hair and shoulders narrowed like a mannequin’s, and she hurried to him, his name on her lips. She was right there, right at his side, bent over him, when she saw her mistake — this was a wasted scrap of a boy, starved and fleshless and staring up hostilely out of eyes that were not Victor’s. Her legs felt unaccountably heavy all of a sudden and she had to sit on a stool and take a glass of water before she could think to offer the woman her thanks and start back for the Institute.
She was walking slowly, deliberately, her eyes on the pavement so as to avoid stepping into a puddle and ruining her shoes, and in her mind she was trying to get hold of her loss and fight down her sense of desolation — he would turn up, she knew he would, and if he didn’t, she had her daughters and her husband and her cat, and who was he anyway but a poor, hopeless, wild boy who couldn’t pronounce two words to save his life — when she glanced up to avoid a skittish man with a cane and locked eyes with Victor. He was on the far side of the street, carriages rattling by, the humped shoulders and floating heads of pedestrians intervening, all of Paris moving in concerted motion as if to frustrate her, as if to take him away again, and when she stepped into the road to go to him she didn’t bother to look right or left and she ignored the curses of the ham-fisted man in his wagon and the stutter of his horses’ hooves, because nothing mattered now, nothing but Victor.
For one uncertain moment, he didn’t react. He just stood there, pressed against the wall of the building that loomed behind him, his face small and frightened and his eyes losing their focus. She saw how he’d suffered, saw the mud layered in his hair, the torn clothes, the blood at the seat of his pants. “Victor!” she called, sharply, angrily. What was he thinking? What was he doing? “Victor!”
It was as if those two syllables had become palpable and hard, fastened to a stone that hurtled out of the sky and struck him down. He fell to his knees and sobbed aloud. He tried to speak, tried to say her name, but there was nothing there. “Uh-uh-uh-uh,” he said, his voice ragged with emotion, “uh-uh-uh-uh,” and he crawled the last few penitential steps to her and took hold of her skirts and wouldn’t let go.
—
While that scene in the streets was unfolding, Itard was back in his rooms, working with a mute boy who was functionally deaf but had retained some measure of hearing. This boy — his name was Gaspard and he was Victor’s age, fair-haired, well-made, with a quick smile and tractable disposition — had progressed rapidly since coming to the Institute from a remote village in Brittany the preceding year. He could communicate readily by means of signs and he quickly mastered the exercises designed to allow him to associate an object and its graphic representation and then the object and the written word assigned it. For the past month, Itard had been drilling him in the shaping of the sounds of these words with the palate, lips, tongue and teeth, and the boy was beginning to string together discrete bits of sound in a comprehensible way, something Victor had been unable to do, though two years had gone by since he’d first come to the Institute — and Victor had the advantage of normal hearing. It was a conundrum, since Itard refused to believe that Victor was mentally deficient — he’d spent too much time with him, looked too deeply into his eyes, to believe that. At any rate, he was putting Gaspard through his drills and thinking of Victor, of Victor lost and wandering somewhere out there in the city, at the mercy of common criminals and sexual inverts, when Monsieur Guérin knocked at the door with the news that he’d been found.
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