T. Boyle - When the Killing's Done

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When the Killing's Done: краткое содержание, описание и аннотация

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From the bestselling author of
comes an action- packed adventure about endangered animals and those who protect them. Principally set on the wild and sparsely inhabited Channel Islands off the coast of Santa Barbara, T.C. Boyle's powerful new novel combines pulse-pounding adventure with a socially conscious, richly humane tale regarding the dominion we attempt to exert, for better or worse, over the natural world. Alma Boyd Takesue is a National Park Service biologist who is spearheading the efforts to save the island's endangered native creatures from invasive species like rats and feral pigs, which, in her view, must be eliminated. Her antagonist, Dave LaJoy, is a dreadlocked local businessman who, along with his lover, the folksinger Anise Reed, is fiercely opposed to the killing of any species whatsoever and will go to any lengths to subvert the plans of Alma and her colleagues.
Their confrontation plays out in a series of escalating scenes in which these characters violently confront one another, and tempt the awesome destructive power of nature itself. Boyle deepens his story by going back in time to relate the harrowing tale of Alma's grandmother Beverly, who was the sole survivor of a 1946 shipwreck in the channel, as well as the tragic story of Anise's mother, Rita, who in the late 1970s lived and worked on a sheep ranch on Santa Cruz Island. In dramatizing this collision between protectors of the environment and animal rights' activists, Boyle is, in his characteristic fashion, examining one of the essential questions of our time: Who has the right of possession of the land, the waters, the very lives of all the creatures who share this planet with us?
will offer no transparent answers, but like
, Boyle's classic take on illegal immigration, it will touch you deeply and put you in a position to decide.

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He was outside, on the landing, and then he eased down the front step and into the wet, the rubber-tipped struts of the crutches sucking at the mud and already blackened. In the absence of the Jeep, their only vehicle was the geriatric Ford pickup one of their unnamed predecessors had left behind. He and Francisco had resurrected it, but it was balky in the extreme, and they spent as much time fooling with it as racecar mechanics. Shoulders hunched to the level of the crutches, his head dipping and rising with each labored step and the cast swinging wildly, he made straight for it. She was right behind him, outraged, as furious over this exclusionary secret he’d been harboring as she was over the slaughter of the lambs. He fumbled with the passenger door of the pickup, unequal to the task, then slammed the flat of his hand against the rusted sheet metal and jerked his head round, savage suddenly. “Open the goddamn door, will you. And then get in behind the wheel.”

She pulled back the door and he clattered and groped his way in, cursing under his breath, the leg in its cast like a timber he was trying to fit in place, the rifle careening across the floorboards and the crutches tangled and banging, wood to metal. When she tried to help, he shrugged her off, jerking at the crutches as if he were trying to break them in two, and so she gave it up, ducked round the hood and slid into the driver’s seat. She watched him strain and heave and jerk at the unyielding wooden struts, wanting to say something but fighting down the urge because he was going to do what he was going to do and no amount of advice or sympathy or sense was going to change that, then shifted into neutral, put one foot on the clutch and the other on the accelerator, turned the key and listened to the engine crank and then catch with a mufflerless farting blast of exhaust. He was in now, the crutches flung into the truckbed, the door slammed shut. She goosed the accelerator, dropped the stick into low and the truck lurched forward, shimmying over the ruts. “Where to?” she said, her tone low and nasty, and she was ready to lay into him, she was, but he forestalled her.

“Smugglers’,” he said.

She pictured the ranch house there, run-down, uninhabitable, a kind of spook house she sometimes sat in to get out of the rain or just to listen to the phantom tread of the sheepmen who’d tromped the floorboards in a day gone by. That was where they’d be, she’d known that much herself — even Anise had known it. But what she hadn’t known — what he hadn’t told her — was that they had the owners’ blessings. That the owners were branching out because the sheep operation was bringing in practically nothing and they wanted a return on their investment like anybody else. They lived on the coast, in nice warm houses, they ate out in restaurants and went to the movies and the yacht club or the symphony or whatever it was, and they had no idea of the kind of work and dedication she and Bax had put into the place. No idea. Not an inkling.

Suddenly she felt scared. Just three hours ago she was secure, serene, her every thought focused on the lambing, on life and giving and increase , and now she was trapped in a burning house and all the windows were nailed shut. She jerked the wheel, hammered the brake, pounded the accelerator. There was a moment of weightlessness succeeded by a grinding thump and a cascade of piss-colored water as they plunged into the Scorpion River and ricocheted up the far bank. The gear shift throbbed in her hand, the engine wheezed and ratcheted. Dropping down to first, she hit the ridge road at speed and they began to climb. Up they went, past the spot where Bax had flipped the Jeep, the road winding back on itself, higher and higher, till Scorpion Bay opened up beneath them and the ranch caught hold of the web of dirt roads that radiated out from it as if it were the center of all the world and the trees wove their fringe around it and the ewes, in the distance, were specks of non-color, licking their lambs. The rifle lay on the floorboards at their feet, sliding first to her, then to him, as she took the turns and beat in and out of the potholes. “So what are you going to do?” she asked him through her gritted teeth, her shoulders jerking, the seat bucking under her and Bax holding on to the door handle for his life.

He gave her a strained look. The ribs were killing him, she could see that, but at the moment she had no sympathy for him, not the smallest, fractured particle of it. “I don’t know,” he said, and the rifle slid all the way across the cab, barrel first, till she had to nudge it away from the accelerator with her foot. “I’m just going to go have a little talk with them, is all.”

By the time they got to the top of the ridge the sky had begun to clear, the black clouds rolling off to obscure the coast to the north and a continuous thread of silver running along in their wake. The going was easier here, the terrain ironed flat across the mesa that separated the two ranches, but the road was soupy and there were displaced rocks and mudslides of one degree or another round every turning. Half a dozen times she had to climb down and roll stones out of the way or ply the shovel they kept in back for just such a happy occasion and all the while Bax sat there fuming. Even in the best of times the road wasn’t much — every spring, after the rains, Bax and Francisco would take turns coaxing the old John Deere bulldozer to life and scrape it smooth of ruts, rocks and brush — but it seemed especially bad now that the Jeep, with its four-wheel traction, was out of commission and she had to negotiate it in the pickup. All the while, fishtailing across the mesa, she dreaded the prospect of winding her way down through the stacked-up switchbacks on the other side. That would be a trial, the sodden earth giving way, the wheels skewing toward the shoulder that wasn’t a shoulder anymore but an edge, a precipice, a drop.

When they got to the top and the road began to dip down again, she and Bax had a view of Smugglers’ Ranch and the grove of olive trees, gone wild now, that somebody had put in the ground when the place was a going operation and they planted hayfields for the cattle, picked grapes and pressed olives for their oil. Nothing looked amiss, at least not from a bird’s-eye view, and she didn’t dare take her eyes off the road for more than a hurried glance as she humped in and out of the gullies and kept so close to the inside she scraped whatever paint might have been left off the long run of the fenders and the battered door that was all there was between Bax and the gouged-out hillside. “Jesus,” he said — twice — but that was all he said.

The wheel jumped like a fistful of snakes, the tires slipped and grabbed and slipped again. She snatched a quick glance out the window, and as far as she could see, there were no boats in the bay or drawn up on the beach, but when finally the road stopped pitching and she could lift her eyes from the hood for a better look, she saw the tracks the three-wheelers had left in the yard out front of the abandoned house. They ran in tight graceful arcs, looping in on themselves, weaving and interweaving, their message all too plain.

She pulled up in the yard, killed the ignition and set the brake with a jerk of her arm. The house was a two-story adobe, like the ranch house at Scorpion, but here the glass of the windows was gone, long since shattered by day-trippers practicing their marksmanship with stones and bullets alike, and the three parallel doors — one on each end and one set in the middle as if the place had been designed by kindergartners on a stiff sheet of construction paper — stood perpetually open on their ruptured hinges. It looked the way it always had: unoccupied, deserted, bereft. Heart leaping, she slammed out of the truck and went straight for the middle door, the one that gave onto the main room. If she saw Bax tugging at the dead weight of the cast and fumbling for his crutches, it didn’t register because this wasn’t about being polite or compassionate or even loving, and it was cold fury that propelled her. He shouted something at her back, but she was already inside.

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