Arna Hemenway - Elegy on Kinderklavier

Здесь есть возможность читать онлайн «Arna Hemenway - Elegy on Kinderklavier» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2014, Издательство: Sarabande Books, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Elegy on Kinderklavier: краткое содержание, описание и аннотация

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"The stories in
travel around the world and to the moon, and along the way they tell you everything they know. Arna Hemenway writes a fiction whose satisfactions are not merely narrative but musical, and it is a pleasure to listen to his stories as they rise into song."
— Kevin Brockmeier
Barnes & Noble Summer 2014 Discover Great New Writers Selection The stories in
explore the profound loss and intricate effects of war on lives that have been suddenly misaligned. A diplomat navigates a hostile political climate and an arranged marriage in an Israeli settlement on a newly discovered planet; a small town in Kansas shuns the army recruiter who signed up its boys as troops are deployed to Iraq, falling in helicopters and on grenades; a family dissolves around mental illness and a child's body overtaken by cancer. The moment a soldier steps on an explosive device is painfully reproduced, nanosecond by nanosecond. Arna Bontemps Hemenway's stories feel pulled out of time and place, and the suffering of his characters seem at once otherworldly and stunningly familiar.
is a disquieting exploration of what it is to lose and be lost.
Arna Bontemps Hemenway
The Missouri Review, A Public Space
Seattle Review
Ecotone

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Reeter wakes Hedis up by shaking him, whispers that it’s time to go. Together, they make their way slowly through the streets back toward the building the unit was holed up in, hoping they are still there. The village has become a zone of intense battle, by the look of it. They pass three buildings in a row on fire, not a person in sight. The air is searing hot as they pass, but they cannot get away from it, only hurry through.

Then they are back at the building, and the men are still inside, and the man on guard, Pat Lincoln, stands up from his crouch and stares at them. What? Reeter says. What? Hedis says. Lincoln approaches and begins to pick at their skin. Reeter feels something breaking off and Lincoln holds it up for him to see. The flour had mixed with their sweat as they lay. When they walked by the fire, the heat baked it: thin lines of bread, right there on their skin.

But Samuel isn’t even really listening anymore. The boys in the bleachers after practice look about half-impressed, half in wonder, except for Samuel. Big Hilton Hedis looks so happy he might cry. Reeter won’t look anyone in the face.

On the mound I remember Samuel’s great unthinking. There’s lots of space on a baseball diamond, and even with his cleats sinking into the potting-soil mound I could see there was a sort of rapture in the lonely field. Around about four innings in it would suddenly feel like he was a great distance away from the other players, Brother Reeter leaning back into the shadows of the dugout, the handful of curious Bible counselors or little kids in the stands fading into an unfocused blend of color and light, and he would — there was no other way of saying it — more or less forget what he was doing out there. He still threw, sending the ball hissing through the air where he knew no batter from St. Pius X or Veritas Academy could hit it, and he still felt the ball appear back in the smooth leather of his glove after Hilton’s mindless throws, but he thought a lot about the desert, what it must look like to the insurgents, perched high in his imagination on rock outcroppings, as they watched a speeding convoy pass, kicking up a dust cloud below, as they whispered into a handheld radio.

He cycled his pitches, gripping the seams, letting the ball slide off his fingers as necessary; the other team would eventually figure out what was coming, but it didn’t matter. He always finished on his curve, what Hilton called his cliff ball for the way it dropped, seeing as the ball left his hand what the terrorists must be seeing: the convoy stopped below, his father getting out of the lead vehicle, the unseen man crouched above, raising his rifle just as the pitch, which had first appeared to the frightened batter to be coming right at his face, dropped into Hilton’s glove in the center of the strike zone, the innocent kid looking up into the ump’s growling face as if hurt by the idea of a world where a projectile could change so quickly. Then the inning would be over and Samuel would be blinking as Hilton flipped the ump the ball and jogged toward the dugout, laughing his big loon laugh, saying, “WOE BE TO HIM WHO CALLS A STRIKE A BALL AND A BALL A STRIKE.”

I’m imagining this, of course, how it was for him. He certainly never talked about it, then or later, and so there is now a kind of truth to what I think it must’ve been like, as I seem to be the only person who still thinks about that season at all. It really was something to behold, him up there on the mound, which had begun to look like a dark wound on the dirt. Is there anything more full of the bumbling divine grace, anything further from what life will make of a person, than a fifteen-year-old boy in summer?

That is how the days more or less passed, anyway, Samuel pitching in his trance until he couldn’t anymore, then us losing as I watched from the bleachers, the late afternoon quiet ringing in my ears. But then, on the seventh Saturday of the summer, Hilton Hedis’s father stepped on an improvised explosive device wired to three pounds of plastic explosive, and we took the tail end of a doubleheader against the Good Harvest Baptists for our very first win of the season.

Hilton’s tape is particularly hard to watch, because he keeps looking up at the boys after each punch like he’s sorry, like he doesn’t understand, and he cries and cries.

At some point I sat with Samuel in the airless little town library on a Saturday afternoon so he could use the free Internet. He was showing me videos of IEDs going off in Baghdad, pictures of Kalashnikovs. He pulled up a long list of names, and pointed to one.

“This is the one they’re fighting in Fallujah,” he said, pointing to a line that read: The Badr Brigade.

“What does that mean?” I said. “The badr brigade? What’s a badr?”

Samuel leaned back.

“In Arabic it means ‘full moon,’ apparently,” Samuel said. He laughed. “We’re like knockoffs,” he said. “We’re like the half-moon brigade. We’re the half-moon martyrs’ brigade,” he said again, distantly.

Later that day, or maybe the next Saturday, Marly put down her fork at dinner and leaned forward, steepling her hands, her elbows on the table.

“Where have you ever even been?” she said to me. “Have you ever thought about that?”

At some point, by some miracle, we won enough games to get the last spot in the regional playoffs.

The game was on a Sunday, and church that morning was packed with double the usual crowd; the families and fans of the Athens’ First Baptist Blasters looking slightly uncomfortable in our Church of the Holy Sepulcher (of the One True Congregation of the Savior and Nazarene). Brother Reeter was supposed to give the special blessing at the end of services that day, in honor of the game, but he was missing the whole morning. Instead, Elder Peters had to get up and extemporize with some well-meaning verses. He seemed cheered by it, his voice rising as he went on about being the “shepherds of all that flies in the field” and avoiding “the errors that let our objects pass by our hands in distraction.”

Brother Reeter didn’t show at warm-ups either, though we didn’t talk about it. None of us were talking much by then.

There are times in Kansas at the end of the summer when the land offers itself like an upturned palm, when the green and the air seem somehow elevated, overwhelming, and the late afternoon of that playoff game was like that. Both makeshift stands were full, and people had brought out lots of lawn chairs and large glass jugs of lemonade that they shared as they fanned themselves. They must have cheered at times during those first four innings, but mostly I just remember the quiet, heavy and flat, that seemed to have come over everything.

Samuel was pitching solidly, the ball cracking into Hilton’s glove, sometimes the Athens’ Bible batters visibly flinching at the sound. Seven innings in and he was throwing a perfect game: no hits, no walks, almost all strikes too.

Samuel didn’t want to drift into the place he was used to going. He tried to focus on the particular details of each batter before he threw, tried to keep his mind there — he was tired of the desert, of ghosting behind the insurgents as they moved according, even in his head, to some mysterious design.

By the bottom of the seventh inning it was still tied, and all the uninitiated in the stands had by this time had it explained to them what a no-hitter was, what a perfect game meant in its spectacular rarity.

There were two outs and Samuel had run up a full count on the batter he was facing when he saw him. He threw a fastball and the kid in the batter’s box meekly presented his bat and by sheer luck the ball nicked the barrel and glanced off high, popping up straight down the third-base line.

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