Hanya Yanagihara - A Little Life

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A Little Life: краткое содержание, описание и аннотация

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Brace yourself for the most astonishing, challenging, upsetting, and profoundly moving book in many a season. An epic about love and friendship in the twenty-first century that goes into some of the darkest places fiction has ever traveled and yet somehow improbably breaks through into the light. Truly an amazement — and a great gift for its publisher. When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome — but that will define his life forever.
In rich and resplendent prose, Yanagihara has fashioned a tragic and transcendent hymn to brotherly love, a masterful depiction of heartbreak, and a dark examination of the tyranny of memory and the limits of human endurance.

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Once he was in his room, and both Father Gabriel and Brother Peter were there, and he was trying not to shout, because he had learned that the quieter he was, the sooner it would end, and he thought he saw, passing outside the doorframe quick as a moth, Brother Luke, and had felt humiliated, although he didn’t know the word for humiliation then. And so the next day he had gone in his free time to Brother Luke’s garden and had snapped off every one of the daffodils’ heads, piling them at the door of Luke’s gardener’s shed, their fluted crowns pointing toward the sky like open beaks.

Later, alone again and moving through his chores, he had been regretful, and sorrow had made his arms heavy, and he had dropped the bucket of water he was lugging from one end of the room to the other, which made him toss himself to the ground and scream with frustration and remorse.

At dinner, he was unable to eat. He looked for Luke, wondering when and how he would be punished, and when he would have to apologize to the brother. But he wasn’t there. In his anxiety, he dropped the metal pitcher of milk, the cold white liquid splattering across the floor, and Brother Pavel, who was next to him, yanked him from the bench and pushed him onto the ground. “Clean it up,” Brother Pavel barked at him, throwing a dishrag at him. “But that’ll be all you’ll eat until Friday.” It was Wednesday. “Now go to your room.” He ran, before the brother changed his mind.

The door to his room — a converted closet, windowless and wide enough for only a cot, at one end of the second story above the dining hall — was always left open, unless one of the brothers or the father were with him, in which case it was usually closed. But even as he rounded the corner from the staircase, he could see the door was shut, and for a while he lingered in the quiet, empty hallway, unsure what might be waiting for him: one of the brothers, probably. Or a monster, perhaps. After the stream incident, he occasionally daydreamed that the shadows thickening the corners were giant leeches, swaying upright, their glossy segmented skins dark and greasy, waiting to smother him with their wet, soundless weight. Finally he was brave enough and ran straight at the door, opening it with a slam, only to find his bed, with its mud-brown wool blanket, and the box of tissues, and his schoolbooks on their shelf. And then he saw it in the corner, near the head of the bed: a glass jar with a bouquet of daffodils, their bright funnels frilled at their tops.

He sat on the floor near the jar and rubbed one of the flowers’ velvet heads between his fingers, and in that moment his sadness was so great, so overpowering, that he wanted to tear at himself, to rip the scar from the back of his hand, to shred himself into bits as he had done to Luke’s flowers.

But why had he done such a thing to Brother Luke? It wasn’t as if Luke was the only one who was kind to him — when he wasn’t being made to punish him, Brother David always praised him and told him how quick he was, and even Brother Peter regularly brought him books from the library in town to read and discussed them with him afterward, listening to his opinions as if he were a real person — but not only had Luke never beaten him, he had made efforts to reassure him, to express his allegiance with him. The previous Sunday, he was to recite aloud the pre-supper prayer, and as he stood at the foot of Father Gabriel’s table, he was suddenly seized by an impulse to misbehave, to grab a handful of the cubed potatoes from the dish before him and fling them around the room. He could already feel the scrape in his throat from the screaming he would do, the singe of the belt as it slapped across his back, the darkness he would sink into, the giddy bright of day he would wake to. He watched his arm lift itself from his side, watched his fingers open, petal-like, and float toward the bowl. And just then he had raised his head and had seen Brother Luke, who gave him a wink, so solemn and brief, like a camera’s shutter-click, that he was at first unaware he had seen anything at all. And then Luke winked at him again, and for some reason this calmed him, and he came back to himself, and said his lines and sat down, and dinner passed without incident.

And now there were these flowers. But before he could think about what they might mean, the door opened, and there was Brother Peter, and he stood, waiting in that terrible moment that he could never prepare for, in which anything might happen, and anything might come.

The next day, he had left directly after his classes for the greenhouse, determined that he should say something to Luke. But as he drew closer, his resolve deserted him, and he dawdled, kicking at small stones and kneeling to pick up and then discard twigs, throwing them toward the forest that bordered the property. What, really, did he mean to say? He was about to turn back, to retreat toward a particular tree on the north edge of the grounds in whose cleft of roots he had dug a hole and begun a new collection of things — though these things were only objects he had discovered in the woods and were safely nobody’s: little rocks; a branch that was shaped a bit like a lean dog in mid-leap — and where he spent most of his free time, unearthing his possessions and holding them in his hands, when he heard someone say his name and turned and saw it was Luke, holding his hand up in greeting and walking toward him.

“I thought it was you,” Brother Luke said as he neared him (disingenuously, it would occur to him much later, for who else would it have been? He was the only child at the monastery), and although he tried, he was unable to find the words to apologize to Luke, unable in truth to find the words for anything, and instead he found himself crying. He was never embarrassed when he cried, but in this moment he was, and he turned away from Brother Luke and held the back of his scarred hand before his eyes. He was suddenly aware of how hungry he was, and how it was only Thursday afternoon, and he wouldn’t have anything to eat until the next day.

“Well,” said Luke, and he could feel the brother kneeling, very close to him. “Don’t cry; don’t cry.” But his voice was so gentle, and he cried harder.

Then Brother Luke stood, and when he spoke next, his voice was jollier. “Jude, listen,” he said. “I have something to show you. Come with me,” and he started walking toward the greenhouse, turning around to make sure he was following. “Jude,” he called again, “come with me,” and he, curious despite himself, began to follow him, walking toward the greenhouse he knew so well with the beginnings of an unfamiliar eagerness, as if he had never seen it before.

As an adult, he became obsessed in spells with trying to identify the exact moment in which things had started going so wrong, as if he could freeze it, preserve it in agar, hold it up and teach it before a class: This is when it happened. This is where it started . He’d think: Was it when I stole the crackers? Was it when I ruined Luke’s daffodils? Was it when I had my first tantrum? And, more impossibly, was it when I did whatever I did that made her leave me behind that drugstore? And what had that been?

But really, he would know: it was when he walked into the greenhouse that afternoon. It was when he allowed himself to be escorted in, when he gave up everything to follow Brother Luke. That had been the moment. And after that, it had never been right again.

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There are five more steps and then he is at their front door, where he can’t fit the key into the lock because his hands are shaking, and he curses, nearly dropping it. And then he is in the apartment, and there are only fifteen steps from the front door to his bed, but he still has to stop halfway and bring himself down slowly to the ground, and pull himself the final feet to his room on his elbows. For a while he lies there, everything shifting around him, until he is strong enough to pull the blanket down over him. He will lie there until the sun leaves the sky and the apartment grows dark, and then, finally, he will hoist himself onto his bed with his arms, where he will fall asleep without eating or washing his face or changing, his teeth clacking against themselves from the pain. He will be alone, because Willem will go out with his girlfriend after the show, and by the time he gets home, it will be very late.

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