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Toni Morrison: God Help the Child

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Toni Morrison God Help the Child

God Help the Child: краткое содержание, описание и аннотация

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The new novel from Nobel laureate Toni Morrison. Spare and unsparing, is a searing tale about the way childhood trauma shapes and misshapes the life of the adult. At the center: a woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life; but which caused her light-skinned mother to deny her even the simplest forms of love until she told a lie that ruined the life of an innocent woman, a lie whose reverberations refuse to diminish. . Booker, the man Bride loves and loses, whose core of anger was born in the wake of the childhood murder of his beloved brother. . Rain, the mysterious white child, who finds in Bride the only person she can talk to about the abuse she's suffered at the hands of her prostitute mother. . and Sweetness, Bride's mother, who takes a lifetime to understand that "what you do to children matters. And they might never forget."

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“You should always wear white, Bride. Only white and all white all the time.” Jeri, calling himself a “total person” designer, insisted. Looking for a makeover for my second interview at Sylvia, Inc., I consulted him.

“Not only because of your name,” he told me, “but because of what it does to your licorice skin,” he said. “And black is the new black. Know what I mean? Wait. You’re more Hershey’s syrup than licorice. Makes people think of whipped cream and chocolate soufflé every time they see you.”

That made me laugh. “Or Oreos?”

“Never. Something classy. Bonbons. Hand-dipped.”

At first it was boring shopping for white-only clothes until I learned how many shades of white there were: ivory, oyster, alabaster, paper white, snow, cream, ecru, Champagne, ghost, bone. Shopping got even more interesting when I began choosing colors for accessories.

Jeri, advising me, said, “Listen, Bride baby. If you must have a drop of color limit it to shoes and purses, but I’d keep both black when white simply won’t do. And don’t forget: no makeup. Not even lipstick or eyeliner. None.”

I asked him about jewelry. Gold? Some diamonds? An emerald brooch?

“No. No.” He threw his hands up. “No jewelry at all. Pearl dot earrings, maybe. No. Not even that. Just you, girl. All sable and ice. A panther in snow. And with your body? And those wolverine eyes? Please!”

I took his advice and it worked. Everywhere I went I got double takes but not like the faintly disgusted ones I used to get as a kid. These were adoring looks, stunned but hungry. Plus, unbeknownst to him, Jeri had given me the name for a product line. YOU, GIRL.

My face looks almost new in the mirror. My lips are back to normal; so are my nose and my eye. Only my rib area is still tender and, to my surprise, the scraped skin on my face has healed the quickest. I look almost beautiful again, so why am I still sad? On impulse I open the medicine cabinet and take out his shaving brush. I finger it. The silky hair is both tickly and soothing. I bring the brush to my chin, stroke it the way he used to. I move it to the underside of my jaw, then up to my earlobes. For some reason I feel faint. Soap. I need lather. I tear open a fancy box containing a tube of body foam “for the skin he loves.” Then I squeeze it into the soap dish and wet his brush. Slathering the foam on my face I am breathless. I lather my cheeks, under my nose. This is crazy I’m sure but I stare at my face. My eyes look wider and starry. My nose is not only healed, it’s perfect, and my lips between the white foam look so downright kissable I touch them with the tip of my little finger. I don’t want to stop, but I have to. I clasp his razor. How did he hold it? Some finger arrangement I don’t remember. I’ll have to practice. Meantime I use the dull edge and carve dark chocolate lanes through swirls of white lather. I splash water and rinse my face. The satisfaction that follows is so so sweet.

This working from home isn’t as bad as I thought it would be. I have authority still, although Brooklyn second-guesses me, even overrides a few of my decisions. I don’t mind. I’m lucky she has my back. Besides, when I feel depressed the cure is tucked away in a little kit where his shaving equipment is. Lathering warm soapy water, I can hardly wait for the brushing and then the razor, the combination that both excites and soothes me. Lets me imagine without grief times when I was made fun of and hurt.

“She’s sort of pretty under all that black.” Neighbors and their daughters agreed. Sweetness never attended parent-teacher meetings or volleyball games. I was encouraged to take business courses not the college track, community college instead of four-year state universities. I didn’t do any of that. After I don’t know how many refusals, I finally got a job working stock — never sales where customers would see me. I wanted the cosmetics counter but didn’t dare ask for it. I got to be a buyer only after rock-dumb white girls got promotions or screwed up so bad they settled for somebody who actually knew about stock. Even the interview at Sylvia, Inc., got off to a bad start. They questioned my style, my clothes and told me to come back later. That’s when I consulted Jeri. Then walking down the hall toward the interviewer’s office, I could see the effect I was having: wide admiring eyes, grins and whispers: “Whoa!” “Oh, baby.” In no time I rocketed to regional manager. “See?” said Jeri. “Black sells. It’s the hottest commodity in the civilized world. White girls, even brown girls have to strip naked to get that kind of attention.”

True or not, it made me, remade me. I began to move differently — not a strut, not that pelvis-out rush of the runway — but a stride, slow and focused. Men leaped and I let myself be caught. For a while, anyway, until my sex life became sort of like Diet Coke — deceptively sweet minus nutrition. More like a PlayStation game imitating the safe glee of virtual violence and just as brief. All my boyfriends were typecast: would-be actors, rappers, professional athletes, players waiting for my crotch or my paycheck like an allowance; others, already having made it, treating me like a medal, a shiny quiet testimony to their prowess. Not one of them giving, helpful — none interested in what I thought, just what I looked like. Joking or baby-talking me through what I believed was serious conversation before they found more ego props elsewhere. I remember one date in particular, a medical student who persuaded me to join him on a visit to his parents’ house up north. As soon as he introduced me it was clear I was there to terrorize his family, a means of threat to this nice old white couple.

“Isn’t she beautiful?” he kept repeating. “Look at her, Mother? Dad?” His eyes were gleaming with malice.

But they outclassed him with their warmth — however faked — and charm. His disappointment was obvious, his anger thinly repressed. His parents even drove me to the train stop, probably so I wouldn’t have to put up with his failed racist joke on them. I was relieved, even knowing what the mother did with my used teacup.

Such was the landscape of men.

Then him. Booker. Booker Starbern.

I don’t want to think about him now. Or how empty, how trivial and lifeless everything seems now. I don’t want to remember how handsome he is, perfect except for that ugly burn scar on his shoulder. I stroked every inch of his golden skin, sucked his earlobes. I know the quality of the hair in his armpit; I fingered the dimple in his upper lip; I poured red wine in his navel and drank its spill. There is no place on my body his lips did not turn into bolts of lightning. Oh, God. I have to stop reliving our lovemaking. I have to forget how new it felt every single time, both fresh and somehow eternal. I’m tone-deaf but fucking him made me sing and then, and then out of nowhere, “You not the woman…” before vanishing like a ghost.

Dismissed.

Erased.

Even Sofia Huxley, of all people, erased me. A convict. A convict! She could have said, “No thanks,” or even “Get out!” No. She went postal. Maybe fistfighting is prison talk. Instead of words, broken bones and drawing blood is inmate conversation. I’m not sure which is worse, being dumped like trash or whipped like a slave.

We had lunch in my office the day before he split — lobster salad, Smartwater, peach slices in brandy. Oh, stop. I can’t keep thinking about him. And I’m stir-crazy slouching around these rooms. Too much light, too much space, too lonely. I have to put on some clothes and get out of here. Do what Brooklyn keeps nagging me about: forget sunglasses and floppy hats, show myself, live life like it really is life. She should know; she’s making Sylvia, Inc., her own.

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