William Boyd - Waiting for Sunrise

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Waiting for Sunrise: краткое содержание, описание и аннотация

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Vienna. 1913. It is a fine day in August when Lysander Rief, a young English actor, walks through the city to his first appointment with the eminent psychiatrist, Dr. Bensimon. Sitting in the waiting room he is anxiously pondering the nature of his problem when an extraordinary woman enters. She is clearly in distress, but Lysander is immediately drawn to her strange, hazel eyes and her unusual, intense beauty.
Later the same day they meet again, and a more composed Hettie Bull introduces herself as an artist and sculptor, and invites Lysander to a party hosted by her lover, the famous painter Udo Hoff. Compelled to attend and unable to resist her electric charm, they begin a passionate love affair. Life in Vienna becomes tinged with the frisson of excitement for Lysander. He meets Sigmund Freud in a café, begins to write a journal, enjoys secret trysts with Hettie and appears to have been cured.
London, 1914. War is stirring, and events in Vienna have caught up with Lysander. Unable to live an ordinary life, he is plunged into the dangerous theatre of wartime intelligence — a world of sex, scandal and spies, where lines of truth and deception blur with every waking day. Lysander must now discover the key to a secret code which is threatening Britain’s safety, and use all his skills to keep the murky world of suspicion and betrayal from invading every corner of his life.
Moving from Vienna to London’s west end, the battlefields of France and hotel rooms in Geneva, Waiting for Sunrise is a feverish and mesmerising journey into the human psyche, a beautifully observed portrait of wartime Europe, a plot-twisting thriller and a literary tour de force from the bestselling author of Any Human Heart, Restless and Ordinary Thunderstorms.

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“I wonder why he missed it,” Munro went on. “Maybe it’ll help us locate him.” He took a sip of his beer. “Have a week’s leave when you get out of hospital. Then I want you to meet someone in London. We need to plan our course of action.”

“So I’m still to remain a lieutenant.”

“Absolutely.” Then he said, trying to make it sound throwaway. “You never told me what the cipher-text was.”

“I told Massinger and Madame Duchesne.”

“Oh yes, a German bible. But that obviously wasn’t the truth.”

It’s always dangerous to forget how clever Munro is, I now realize as I write this account up. He seems at times so boringly proper — the career soldier, the career diplomat, a neat and tidy man secure in his status and ever so slightly smug and superior, though he tries not to let it show. But not at all — that’s what he wants you to think. I don’t really know why — maybe because he had tried to test me with news about the ‘accessory’ — but I decided to test him, in turn.

“I decided not to tell them,” I said. “In fact it was the libretto of an obscure German opera.”

“Oh yes? Called?”

I watched his face very carefully.

Andromeda und Perseus .”

He frowned. “Don’t think I know it,” he said with a vague smile.

“No reason why you should, I suppose. By Gottfried Toller. Premiered in Dresden in 1912.”

“Ah, modern. That explains it. I was thinking of Lully’s Persée .”

I felt a chill creep through me and I decided there and then not to trust Munro any more, however much I was naturally inclined to like him. Anyone living in Vienna in 1913 would have known about Toller’s Andromeda . Anyone — certainly someone who was familiar with Lully’s Persée . Why was he lying? Why were we both smilingly lying to each other? We were on the same side.

“Did Glockner give you his libretto?”

“Yes. In return for the money.”

“What happened to it?”

“I lost it. In all the fuss over the shooting. It was left behind somewhere in the nursing home in Evian, I assume. I haven’t seen it since.”

Munro put down his knife and fork and pushed his plate aside.

“Shame. Could you lay your hands on another copy — through your contacts in the theatrical world, perhaps?”

“I could try.”

“Let’s have another pint, shall we? Celebrate your speedy recovery.”

2:A Turner Two-Seater with a Collapsible Hood

Lysander was discharged from Somerville College a week later and decided to take his leave in Sussex as Hamo’s guest in the cottage at Winchelsea. Hamo had acquired a motor car — a Turner two-seater with a collapsible hood — and together they went for drives over the Downs and into Kent to Dungeness and Bexhill, to Sandgate and Beachy Head and one epic journey to Canterbury where they stayed the night before motoring home. Lysander punctuated the motor tours with walks of increasing length as he began to feel stronger and his injured left leg showed signs of bearing up. The scar on his thigh was still unsightly, buckled and lurid — a lot of muscle had been cut away in search of the evasive coins — and after his walks, steadily progressing through half a mile, a mile, two miles, he felt the leg stiff and sore. Still, it was the best thing for it, he reckoned, as he felt his love of walking renewing and, as soon as his confidence had grown sufficiently, he threw his stick away with relief.

On his final Saturday before his return to London they motored into Rye for lunch and then went for a walk on Camber Sands. They made their way down a path through the barbed wire and the crude anti-invasion defences on to the beach. The tide was out and the huge expanse of sand seemed like the vestige of an ancient, perfect desert washed up here on the south coast of England, unbelievably flat and smooth. A mile away someone was flying a kite but otherwise they had the great beach to themselves. Lysander stopped — he thought he could hear the rumble of distant explosions.

“That’s not from France, is it?” he said, knowing the offensive was due any day now.

“No,” Hamo said. “There’s a range up the coast — training gunners. How’s the leg?”

“Getting better. No pain, but I’m still aware of it, if you know what I mean.”

They strode on in silence. There was a coolness lurking in the afternoon air.

“Do you know who I mean by Bonham Johnson?” Hamo asked.

“The novelist?”

“Yes. He lives not far away. Over by Romney. Turns out he’s a great admirer of my African book. He’s asked me to his sixtieth birthday party.”

“You can drive over.”

“He wants me to bring a guest. In fact he rather specified you — the actor-nephew — I think he’s seen you on stage. You up for it? Week tomorrow.”

Lysander thought — it was the last thing he wanted to do but he rather felt Hamo’s invitation was more entreating than its casual delivery inferred.

“Assuming I have weekends off — yes. Might be interesting.”

Hamo was clearly very pleased. “Literary types — ghastly. Feel I need moral support.”

“You’re the one who’s written a book, Hamo.”

“Ah — but you’re the famous actor. They won’t notice me.”

Lysander went up to London on Sunday evening. The Chandos Place flat was still sublet so he booked himself into a small lodging house in Pimlico — with the grandiose name of The White Palace Hotel — not far from the river. He could walk to Parliament Square in thirty minutes or less. Munro had asked him to meet at a place called Whitehall Court on the Monday morning but had been vague as to who else would be there and what would be discussed.

As it turned out, on the Monday morning, Lysander realized that Whitehall Court was one of those London buildings he’d seen from a distance countless times but had never bothered to identify properly. It looked like a vast nineteenth-century château — thousands of rooms with turrets and mansard roofs, containing a gentleman’s club, a hotel and many floors of serviced apartments and offices. It was set back from the river behind its own gardens between Waterloo Bridge and the railway bridge that serviced Charing Cross station.

A uniformed porter checked his name on a clipboard and told him to go up to the top floor, turn left at the top of the stairs, through the door, down a passageway and someone would be waiting. Lysander saw him pick up the telephone on his desk as he made for the foot of the stairway.

That someone turned out to be Munro — in civilian clothes — who showed him into a simple and severely furnished office with a view of the Thames through the windows. Massinger was there waiting, uniformed, and greeted Lysander stiffly, as if he were still guilty for his near-fatal error with his imperfect French. There was a large, leather-topped, walnut desk set back against a wall facing the windows with the chair behind it empty. Someone of greater eminence had yet to arrive.

The three men sat on the available chairs. Munro offered refreshments — tea — and was politely declined. Massinger asked Lysander how he was feeling and Lysander said he felt pretty much back to normal, thank you. A train clattered over the railway bridge from Charing Cross and, as its whistle sounded, as if on cue, the door opened and a grey-haired elderly man in a naval captain’s uniform limped in. The clumping sound as he set his right leg down made Lysander think the limb was artificial. He had a mild, smiley manner — everything about him, apart from the wooden leg, seemed unexceptional. He was not introduced.

“This is Lieutenant Rief, sir,” Munro said. “Who did the splendid job in Geneva.”

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