Anne Enright - The Green Road

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Spanning thirty years and three continents,
tells the story of Rosaleen, matriarch of the Madigan family, and her four children.
Ardeevin, County Clare, Ireland. 1980. When her oldest brother Dan announces he will enter the priesthood, young Hanna watches her mother howl in agony and retreat to her room. In the years that follow, the Madigan children leave one by one: Dan for the frenzy of New York under the shadow of AIDS; Constance for a hospital in Limerick, where petty antics follow simple tragedy; Emmet for the backlands of Mali, where he learns the fragility of love and order; and Hanna for modern-day Dublin and the trials of her own motherhood. When Christmas Day reunites the children under one roof, each confronts the terrible weight of family ties and the journey that brought them home.
is a major work of fiction about the battles we wage for family, faith, and love.
"Enright's razor-sharp writing turns every ordinary detail into a weapon, to create a story that cuts right to the bone". New York Review of Books

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She had lost her son to the hunger of others.

She had lost her son to death itself. Because that is where your sons go — they follow their fathers into the valley of the dead, like they are going off to war.

Rosaleen sealed the envelope with a careful, triple lick, lapping the edge of the envelope so as not to get a paper cut on her tongue. She had to pause then to remember who it was for — Emmet always managed to upset her, somehow. She wrote his first name in strong letters on the envelope, and maybe that was enough for now, Constance could finish the rest.

‘To Hanna,’ the third card was started, before she even had time to consider it. ‘Happy Christmas. We will be seeing you, I hope, this year.’ She turned the last full stop into a question mark, ‘We will be seeing you, I hope, this year?’ but that looked too querulous, she thought, and she scribbled the question mark out. Then — of course — the thing was not fit to send.

And it was not ten o’clock, because that clock had been stopped for years, maybe five years. It stopped some time after Dan went. And by Dan she meant Pat, of course, her husband. The clock stopped some time after her own true love Pat Madigan died. It was nice to think he would have fixed it for her, if he had not died but, to be honest, death made very little difference to all that. His mother’s house was always tended and tarred, there were boxes of nails and guns full of mastic out at Boolavaun. But nothing of that nature ever got done in Ardeevin unless she begged him. Rosaleen had to nag like a housewife, she had to get down on her knees and wring her hands and even then, it might not happen — a new washer in the toilet cistern, a couple of slates on the roof — she might weep for them to no avail. The trick, of course, was not to want it. If she managed this for a year or more, if she actually, herself, forgot the tile or the slates or the stalled clock then it might get done. Or it might not. By this man she loved more than sunlight or rain. Pat Madigan. A man whose face she watched as he himself watched the weather.

And when the weather was right, off he went, to the land in Boolavaun. The few scrubby fields he had there, the little stony pastures, Rosaleen had planted them with pine trees, since, for the few thousand they brought in a year. Dessie McGrath organised it for her, the man who married Constance. Ugly dark trees in their serried ranks and rows.

Dessie wanted to build out in Boolavaun. He had an idea for a half-acre at the end of the long meadow, on the rise that looked out to sea. The sea view was everything these days, he said. The home place didn’t have one, of course, it was in a dip with its back to the cold Atlantic. Surrounded, these days, by the dark timber, it looked like a shed in comparison with the other places out that way. Popcorn houses, Rosaleen called them, because they went — pop, pop, pop — to twice the size they had been the week before. Pop! a second storey and Pop! some dormer windows and Piff! the outhouse turned into a conservatory: rooms painted Dulux peach, and, under the glass roof, a couple of dead pot plants from the supermarket, together with some cheap wicker chairs. Rosaleen knew well what Dessie McGrath had in mind with a half an acre of the long meadow, and he could whistle for it. Or he could wait for it. He could have it when she was gone. Because that is what they were waiting for. They were all waiting for Rosaleen to be dead.

‘Oh oh oh,’ she cried, and she hit her weak old fist on to the tabletop.

It was not ten o’clock. Rosaleen had no idea what the proper time was and the card on the table was spoilt. They were all gone from her, there was no one to help. ‘We will be seeing you, I hope, this year? ‘Typical of Hanna to make her mar the thing, she was always an accident-on-purpose sort of child. Hanna lived in mess, her life was festooned in it; her side of the bedroom was like a dirty protest, Constance said once, and she was right. The girl was a constant turbulence, she was always weeping and storming off. Constance said maybe it was pre-menstrual but Rosaleen said that child was pre-menstrual her entire life, she was pre-menstrual from the day she was born. Hanna Madigan, who seemed to require a surname at all times, because she would not do a single thing she was told.

Get in here, at once, Hanna Madigan.

No she would not start a new card for her, she had not the energy. What time was it anyway? Rosaleen looked to the clock and then to the darkness outside. She was not even hungry. Her whole life on a diet and now there was no need.

Rosaleen caught the sound of mischief upstairs and looked to the ceiling. But there were no children up there any more, she had chased them all away.

‘To Dessie and Constance, Donal, Rory and.’

Rory was her pet. The clearness of him. She would remember the little girl’s name in a minute. A little strap of a thing, with blotched red cheeks and orange, tinker’s hair. Rosaleen had no problem remembering the child’s name, but her heart failed her suddenly. Something was wrong. She felt a shadow fall through her — her blood pressure, perhaps — some shift in her internal weather.

‘Oh,’ she said again, and slapped her hand on to the tabletop, then she checked the tremor, silenced by the blow. As soon as she moved, it started again. There were days she would shake the milk out of the jug. She knew a man called Delahanty, who was fine except for a little trouble with the buttons on his shirt. Less and less he was able to do them, and one day not at all. And that was how the Parkinson’s came to him, he said. The buttons were the sign.

Rosaleen left her hand palm down on the tabletop, where it buzzed a little and came to rest. Something was wrong. The turf subsided behind the metal door of the range in a sigh of ash and Rosaleen would get up to put more turf on, if she only knew what time it was. She could go to bed, but the hall was cold and the electric blanket was on a timer. Her grandson, Rory, had set it up for her. If she went upstairs, it might be toasty. Or it might not be turned on, not for hours yet.

The hall was painted autumn yellow, and under the yellow was wallpaper, with little posies of flowers, their leaves in gilt. If she opened the door she would see it now.

But she could not open the door. Because who knew what was on the other side?

Rosaleen felt the same swooping feeling and her feet were numb, somehow, under the table. She pulled a comic, small face at her reflection in the window — if her feet were dead, then surely the rest of her could not be far behind — but it was a mistake to make a joke of it and Rosaleen lost all control as she lunged for the phone. She dropped it on the tabletop, then she picked it up again and stabbed the fast-dial with her thumb, and held it to her ear, listening to the clatter of her heart. The phone at the other end started to ring, but no one answered. Rosaleen could hear it ringing, not just in her ear, but also nearby, somehow. It was real. The thing she had imagined was really happening. It was out in the hall.

Constance was coming in the front door. The ringing stopped.

‘Hello!’ Rosaleen said — into her handset or into the hall, she didn’t know which.

Was that it? Was that the thing that was bothering her? The wrong thing?

‘Hello!’

She had expected Constance, maybe, and Constance had not come. Constance was late.

‘Mammy?’

Where she got the ‘Mammy’ from, Rosaleen did not know. When her children grew out of ‘Mama’, they had failed to grow into anything else.

‘Call me Rosaleen,’ she used to say. Until she realised that no one ever did, or would.

‘In the kitchen!’ she called.

Her grandchildren called her ‘Gran’, a word which made her skin crawl. And they called Constance ‘Mum’, which was worse, for being British as well as whiny: ‘Mu-um.’

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