Graham Swift - Wish You Were Here

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From the Booker Prize-winning author of Last Orders comes an incredibly moving and accomplished new novel. A Vintage Canada trade paperback original.
On an autumn day in 2006, on the Isle of Wight, Jack Luxton, former Devon farmer and now the proprietor of a seaside caravan park, receives the news that his soldier brother Tom, not seen for years, has been killed in Iraq. For Jack and his wife Ellie this will have a potentially catastrophic impact. For Jack in particular it means a crucial journey-to receive his brother's remains, but also into his own most secret, troubling memories and into the land of his and Ellie's past. Wish You Were Here is both a gripping account of things that touch and test our human core and a resonant novel about a changing England. Rich with a sense of the intimate and the local, it is also, inescapably, about a wider, afflicted world. Moving towards an almost unbearably tense climax, it allows us to feel the stuff of headlines-the return of a dead soldier from a foreign war-as heart-wrenching personal truth.

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And it was a pity, maybe, that Mrs Warburton wasn’t just Sally Warburton, or just Sally somebody, and not Mrs Warburton, wife of Ken Warburton who ran the filling station at Leke Hill Cross. Because then she might have become the next Mrs Luxton and they might all have got a permanent second-best mum. But she stopped coming after a while, presumably because she thought they were tided over. And then where was Michael to turn? He was fifty-two. Jack never knew what his mum might have said to his dad, even as she was dying, on this score. If she’d said anything at all. But after a certain passage of time Michael made the desperate move of advertising in the Courier for a ‘housekeeper’, and everyone knows, when a recently widowered farmer does that, what it really means.

No takers. (And how could he have paid a housekeeper?)

That’s when Jack had felt his father starting to turn old. To shrink. And to turn sour-tempered, something which, for all his slowness to raise a smile, he’d never been. You’d see him kick at something, a feed trough, the corrugated iron round the muckheap, for no reason at all. Swing back his leg and kick. That’s when Jack had felt that, though Tom was no longer such a little brother, he had to be a shield for him against his father’s weather. He had to stand in between and take it. Why had he never minded?

First Mum, then Tom. In between, most of their livestock carried off for incineration. Then just him and Dad. And Dad looking at him with a look that said: And don’t you try it, don’t you even think about it. When he wasn’t wearing that other look which said: Why don’t you solve the issue, Jack boy, why don’t you do something about it? The issue of there being no Mrs Luxton. Which was a mad look, if ever there was one, a look where Dad had himself tied up into a knot, because unless his son was supposed to go foraging (and how might that occur exactly?) it was like saying that Jack should do the very thing there was no question of his doing. The real knot being the knot that he and Ellie Merrick could never formally tie.

Jimmy Merrick and Michael Luxton should have got married themselves, Jack has sometimes thought, they should have married each other. If such a thing were possible. About as unlike as two men could be and with as little liking for each other as two men could have. But both battling with the same things: both of them wifeless, both working, on different sides of a boundary, the same sweet but tough, now disease-hit land. Both of them going to the dogs and watching each other like hawks to see who’d get eaten up first.

In Jack’s memory it was the Luxtons who’d had the upper hand (having anyway the finer-looking farmhouse and the prettier acres) especially after Merrick’s wife, Alice, had run off and abandoned him, leaving him with a sixteen-year-old daughter as his only companion and domestic workforce. An event as surprising (though Michael liked to say it was no surprise at all) as the Luxtons suddenly acquiring after eight years a second son, which, though the timing might have been better, only added to the stock at Jebb Farm and so to the abasement of the Merricks.

But then Vera had died, leaving the two men, in that respect, similarly placed. Then Tom had done his own bit of running off. Meanwhile, there was a cow disease. All of which left the two farmers, neither getting any younger, in a state of more or less equal dereliction. If anything, it was Jimmy who now had the edge, since he’d had years to get used to misfortune, while Michael, after a fair time of not doing so badly thank you, had incurred a quick succession of troubles, and anyone could see he was going down fast.

They should have got damn well hitched themselves. Or, as would have been the more customary solution and one which had only been staring them in the face for years, Jack should have married Ellie and linked their situations that way.

But that would have gone against all known history and deprived the two fathers of their fuelling disdain for each other. It would have robbed one of a daughter or one of a son, since where were the happy couple supposed to live? Did Michael seriously think that Ellie was going to hop across the fence and settle in at Jebb, when she was so clearly needed at the side of her dear old dad?

And all of this despite the fact that the son and the daughter had been chummy with each other for as long as they — or anyone else — could remember. And not just chummy. For years now, from even before Alice Merrick’s abrupt departure, he and Ellie had been pretty much behaving with each other (if only on certain weekday afternoons) as if they were married. Which was not only common knowledge in the region of Marleston, but was actually abetted, even smiled on by the two fathers, even while it retained its clandestine trappings — on the basis, presumably, that there had to be some compensation for the fact that real marriage was impossible. At the same time (and Jack had only slowly come to recognise this) it was a concession that kept them both, the son and the daughter, firmly in their places: on their own farms (except, for Jack, on Tuesday and sometimes Thursday afternoons) and in each case a slave to it.

In the beginning, Jack had simply driven over in the pick-up, with Luke in the back. This would be at times when, according to a cautious-seeming Ellie, old Merrick wouldn’t be around. He and Ellie would go up to her bedroom, knowing that they couldn’t take too long about it, especially if they wanted, which they always did, to sit and have a cup of tea in the kitchen afterwards — with Luke, who seemed to know when to make himself scarce, stretched out by the stove, eyeing them meaningfully. It wouldn’t have seemed right without the cup of tea, and that had always been the pretext, or pretence: Jack had simply popped over on a neighbourly visit (though why the hell should he do that?) and stayed for a neighbourly cup of tea.

But this had gone on for so long, without any discoveries or interruptions, that it was clear there was no real need for haste or secrecy, or to divide their time between bedroom and kitchen. Jack had begun to wonder, in fact, what it might mean if they were to have their cup of tea in bed — if Ellie might suggest it, or if he might. But he’d anyway long forgotten when he’d first twigged that Merrick might be staying away on purpose on these afternoons. Or when the idea of Jimmy’s coming back and catching them at it had become just an idea, a game, that added a little spice to proceedings. Nor did he need to have Luke sitting outside, to sound the alert if necessary. He just took Luke for the company. And Luke knew that too.

And then there was no Luke anyway.

But they’d kept up their pattern: first the bedroom, quickish, then the kitchen. Which naturally began to wane in excitement, even sometimes in satisfaction. There was a period during the cattle disease when it acquired a new adventurousness by the banning of even human movement between farms — something that generally shouldn’t have troubled the Merricks and Luxtons. Jack had let it pass for a week or two, and then thought, Hang it, and made the traditional journey (would there be government helicopters spying on him?), and found that he was greeted with some of the old fervour from the days when they could at least kid themselves they were doing something forbidden. One good effect of the cow disease.

But mostly Jack had begun to feel that these visits, though he couldn’t do without them (what else did he have?), had become just a little humiliating. Maybe Ellie felt the same. Though she’d never said, ‘Don’t bother, Jack.’ (What else did she have?) Jack even felt that his inexorable traipsings over to Westcott Farm represented the final triumph, so far as it went and after so many years of its being the other way round, of the Merricks over the Luxtons. It might be his dad who was going down the harder now, but didn’t his son’s situation only clinch it?

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