Dave Eggers - What Is The What

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What Is The What: краткое содержание, описание и аннотация

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In a heartrending and astonishing novel, Eggers illuminates the history of the civil war in Sudan through the eyes of Valentino Achak Deng, a refugee now living in the United States. We follow his life as he's driven from his home as a boy and walks, with thousands of orphans, to Ethiopia, where he finds safety — for a time. Valentino's travels, truly Biblical in scope, bring him in contact with government soldiers, janjaweed-like militias, liberation rebels, hyenas and lions, disease and starvation — and a string of unexpected romances. Ultimately, Valentino finds safety in Kenya and, just after the millennium, is finally resettled in the United States, from where this novel is narrated. In this book, written with expansive humanity and surprising humor, we come to understand the nature of the conflicts in Sudan, the refugee experience in America, the dreams of the Dinka people, and the challenge one indomitable man faces in a world collapsing around him.

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The ride, I now know, was less than an hour, but it is impossible to convey how long it seemed that day. I had covered my mouth but still I gagged continuously: I felt chills, and my neck seemed numb. I felt sure that this truck represented the devil's most visible deeds, that in every way it symbolized his work on Earth. I knew I was being tested, and I rode until the truck finally slowed upon reaching the driveway to the Lopiding Hospital.

Without hesitation I jumped over the side and tumbled onto the ground. I meant to outrun the truck and find safe haven in the clinic. Upon landing on the hard dirt, I needed a moment to re-engage with the world, to know that I was not dead myself, that I had not been cast into Hell. I stood and felt my legs and arms working and so I ran.

— Wait, Red Army! Where are you going?

I ran from the truck, which was slowly traversing a series of potholes. I ran and outpaced the vehicle easily, aiming myself for a building on the end of the compound.

Lopiding was a series of tents and a few white brick buildings, sky-blue roofs, acacia trees, plastic chairs set outside for waiting patients. I ran to the back of a building and almost knocked over a man holding a false arm.

— Careful, boy!

The man was Kenyan, middle-aged. He spoke to me in Kiswahili. All around him were the makings of new feet, legs, arms, faces.

— Hey Red Army! Come now. It was the soldier from the truck.

— Take this. Put it on.

The Kenyan gave me a mask, red, too small for me. I sank my face into it. I could see through the holes for eyes and the Kenyan tied it closed.

— Thank you, I said.

He was a constant-smiling man, heavy-jowled and with great sloping shoulders.

— No need, he said.-Are they still looking for you?

I peered around the corner. The two men from the truck were walking toward the building. They went inside for a moment and returned to the truck with a canvas stretcher. They first unloaded the old man, and brought him inside. They returned to the truck and retrieved the teenage boy with the missing leg, and he lay on the stretcher just as he had in the truck, looking as comfortable as could be. These were the only two passengers who disembarked at Lopiding. The rest were dead or would soon be dead. The men threw the stretcher into the back of the truck and the driver climbed into the cab. The other man, maybe-rebel who taunted me, stood with one hand on the door handle.

— Red Army! Time to go! You can ride in the cab this time! he yelled.

Now I was unsure. If I did not take this ride I would probably not get another. I stepped out from the building. The maybe-rebel looked directly at me. He dropped his hand from the truck, and tilted his head. He was staring into me, but made no movement, and neither did I. I felt safe behind the mask. I knew he would not know me. He turned from me and yelled up into the trees, looking for the boy who had been in the truck.

— I'm sorry, boy! the man yelled.-I promise we'll take you to Sudan. Safe and sound. Last chance.

I stepped forward, toward the truck. The Kenyan grabbed my arm.

— Don't go. They'll get a price for you. The SPLA would be happy to have a new recruit. Those guys would be paid well for delivering you. It was an impossible decision.

— I'll get you back to Sudan if you need to go, the Kenyan said.-I don't know how, but I will. I just don't want you getting killed over there. You're too skinny to fight. You know what they do, right? You train for two weeks and then they send you to the front. Please. Just wait here a second till they leave.

I wanted so badly to join the men in the truck, wanted to believe their promise to keep me with them, in the cab, to deliver me safely over the border. And yet I found myself trusting the Kenyan, whom I did not know, more than my own countrymen. This happened occasionally and always it was a conundrum.

I was still standing in full view of the man from the truck, and again he fixed his eyes on me. It was so pleasing to wear that mask, to be invisible!

— Final chance, Red Army! he said to the boy he thought he was looking for.

The man shielded his eyes from the sun, still trying to figure out why this boy with a mask seemed so familiar. And still I stood, emboldened, until he finally turned back to the truck, lifted himself into it, and left in a cloud. The Kenyan and I watched the truck disappear into the orange dust.

I didn't want to remove the new face. I knew that the Kenyan would not give it to me, and I wondered briefly if I could escape with it at that moment. Perhaps the mask would make it possible to run-back to Kakuma or into Sudan-undetected. I luxuriated in the thought of presenting this new face to all the world, a new face, without marks, blemishes, a face that told no tales.

— Doesn't fit you, boy, the Kenyan said. His hand was on my shoulder, his grip strong enough that I knew escape was impossible. I took the mask off and handed it to the Kenyan.

— Where will they bring the bodies? I asked.

— They're supposed to bring them back to Sudan, but this is not done. They'll drop them in the creek and take paying passengers back to Sudan.

— They'll bury them at the creek?

— They won't bury them. Does it make a difference? They get buried, they're eaten by worms and beetles. They don't bury them, they're eaten by dogs and hyenas.

The man was named Abraham. He was a doctor of sorts, a maker of prosthetics. His shop was behind the hospital, under a yawning tree. He promised me lunch if I could wait an hour. I was happy to wait. I did not know what doctors ate for lunch but I imagined it was extravagant.

— What are you making now? I asked.

He was fashioning something like an arm or shin.

— Where do you live? he asked.

— Kakuma I.

— Did you hear an explosion last week?

I nodded. It had been quick, a pop, like the sound of a mine coming alive.

— A soldier, SPLA, a very young one, was visiting his family in the camp. This was Kakuma II. He had brought some souvenirs home to show his siblings. One of the souvenirs was a grenade, so here I am, making a new arm for the soldier's little brother. He is nine. How old are you?

I didn't know. I guessed that I was thirteen.

— I've been doing this since 1987. I was here when they opened Lopiding. It was fifty beds then, one big tent. They thought it would be temporary. Now there are four hundred beds and they add more every week.

Abraham carved the plastic as it cooled.

— Who is this for? I said, picking up the mask I had worn.

— A boy's face was burned off. There's much of that. The kids want to look at the bombs. One boy last year had been thrown onto a fire.

He held his creation to the light. It was a leg, a small one, for a person smaller than me. He turned it around and around, and seemed satisfied.

— Do you like chicken, boy? It's time for lunch.

Abraham brought me to a buffet line, arranged in the courtyard. Twenty doctors and nurses lined up in their uniforms, blue and white. They were a mixed bunch: Kenyans, whites, Indians, one nurse who looked like a very light-skinned Arab. Abraham helped me with my plate, filling it with chicken and rice and lettuce.

— Sit over here, son, he said, nodding his head to a small bench under a tree.-You don't want to sit with the doctors. They'll ask questions, and you never know where that might lead. I don't know what kind of trouble you're in.

He watched me tear into my chicken and rice; I hadn't had meat in months. He took a bite of a drumstick and stared at me.

— What kind of trouble are you in?

— I'm in no trouble, I said.

— How did you get out of Kakuma? I hesitated.

— Tell me. I'm a man who makes arms. I'm not an immigration officer. I told him about sneaking away and bribing the police officers.

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