Dave Eggers - What Is The What

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What Is The What: краткое содержание, описание и аннотация

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In a heartrending and astonishing novel, Eggers illuminates the history of the civil war in Sudan through the eyes of Valentino Achak Deng, a refugee now living in the United States. We follow his life as he's driven from his home as a boy and walks, with thousands of orphans, to Ethiopia, where he finds safety — for a time. Valentino's travels, truly Biblical in scope, bring him in contact with government soldiers, janjaweed-like militias, liberation rebels, hyenas and lions, disease and starvation — and a string of unexpected romances. Ultimately, Valentino finds safety in Kenya and, just after the millennium, is finally resettled in the United States, from where this novel is narrated. In this book, written with expansive humanity and surprising humor, we come to understand the nature of the conflicts in Sudan, the refugee experience in America, the dreams of the Dinka people, and the challenge one indomitable man faces in a world collapsing around him.

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Once we had embraced and my mother had wept, we would sit together all day and all night, talking until I knew about every day, every week since I had been gone. Did you think I was dead? I would ask. No, no, they would say, We always knew you would find a way to survive. Did you think I would come back? I would ask. We knew you would come back, they would say. It was right for you to come back.

— Are you forgetting that the country is in the middle of a famine? Gop asked. Gop knew my plans too well, and threatened to tie me to my bed, to cut off my feet to prevent me from walking out of Kakuma.

— Are you forgetting that you would have to pass through land held by Riek Machar's Nuer forces, who would not like to see a Dinka boy of army age? You're leaving comfort and education and a job here to go back to what?

I could not remember a time that Gop was so agitated. He followed me all the hours of the day; he amassed allies-other teachers, elders at the camp-in his quest to keep me from leaving. I was watched at all times, with friends and strangers both congratulating me on the news from home, and at the same time urging patience, a prudent course, to wait until the time was right to return.

— At the very least, give it time, Ayen said one night at dinner.-Think it over. Go to Nairobi and think about this. Remember, on the Nairobi trip you will be with both Tabitha and Miss Gladys.

When she said this, and I did not immediately respond, I saw her exchange a quick glance with Gop. They knew they had captured my interest.

— Why not go to Nairobi, and then decide? Ayen added.-Then if you do go home, you can tell your parents all about your trip to the city. Ayen was a very convincing woman.

When the day of the trip finally arrived, seeing Tabitha on that UN vehicle was devastating. I approached the bus as it idled and Tabitha's heart-shaped and symmetrical face was there, by the window, ignoring me. She was sitting with another Sudanese girl, and she finally glanced at me, made no sign she even knew me, and then returned to her conversation. This was according to plan, I should note. We had decided to make no outward signal of our feelings, though a few on the bus knew our intentions. I played my part, climbing aboard the bus and sitting with the humorous Dominic, knowing he would help pass the time on the ride, which had been described as very long and punishing.

— Hey, Madame Zero, will you be shopping for new dresses in Nairobi? he asked.

Everyone laughed, and Anthony smiled a barely tolerant smile.

It is hard to communicate how momentous it was, after seven years in that camp, to be on the way to Nairobi. It is impossible to explain. And most of those in the group were worse off than me. I lived with Gop Chol, and had a paying job with an NGO, but most of the other members of the drama group-twenty-one of us, all Sudanese and Somalis, all between twelve and eighteen-had nothing. Besides Tabitha, there were eight girls, most of them Sudanese, and this made the trip particularly enjoyable, and not at all punishing, for the rest of the Dominics. We rode on a standard blue UN staff bus, the windows open, the two days of driving buoyed by cool wind and constant songs.

The scenery was astonishing, the peaks and valleys, the mist and the sun. We passed through the Kapenguria area of Kenya, much of it mountainous and cool with rain. We saw birds with bright plumage, we saw hyenas and gazelles, elephants and zebras. And corn! So many crops, everything growing. Seeing this part of Kenya made it all the more depressing and inconceivable that our refugee camp had been placed where it had. We pressed our faces to the glass and wondered, Why couldn't they put Kakuma there? Or there, or there? Do not think it was lost on us that the Kenyans, and every international body that monitors or provides for the displaced, customarily places its refugees in the least desirable regions on earth. There we become utterly dependent-unable to grow our own food, to tend our own livestock, to live in any sustainable way. I do not judge the UNHCR or any nation that takes in the nationless, but I do pose the question.

As the land passed by, I saw my parents, my approximated visions of them, on every hill and around each bend. It seemed as logical as anything else that they would be there, on the road ahead of us. Why couldn't they be here, why couldn't we will ourselves together again? Surely my father could find a way to live and thrive in Kenya. Just the thought of my mother here, walking with me along these green paths, along that river, near those giraffes-it felt so very possible for a few hours of that drive.

We stayed in Ketale, in a hotel with beds and sheets and electricity and running water. Though this town was not the size of Nairobi, still it left us astounded. We were unaccustomed to the sky's black being punctured by lights. Some of the Somalis had experienced these things before, but those of us from southern Sudan had seen none of this; even in our homes, in our villages before the war, there was no plumbing, and any of these amenities, bedsheets and towels, were rare and coveted. At that hotel in Ketale, we ate at their restaurant, drank cold drinks from an icebox, swishing the ice cubes-which at least a portion of the group had never touched-around in our mouths. If we had turned around the next day, just that one night in Ketale would have made for the most spectacular of journeys. In all of the time at Ketale, Tabitha and I barely spoke, saving any interaction for a later time. The opportunity would arise, we knew, and we needed only to wait and watch.

We drove on in the morning, through the afternoon and through the night, and by the morning after, were in Nairobi. I have to attempt to communicate the awe that comes over a group of young people like us, after spending many years in a camp at the edge of the world, upon seeing something like Nairobi, one of the largest cities in Africa. We had nothing with which to compare it. On the bus there was a hush. You might imagine a bus full of teenagers loudly pointing at buildings, at cars and bridges and parks. But this bus was utterly silent. Our faces were pressed against the windows but no one said a word. Some of what we saw was impossible to understand. Houses upon houses, windows upon windows. The tallest building I had seen before that day was precisely two stories tall. And knowing that these buildings faced no threat, that they would stand untouched-the sense of permanence was something I had not known for many years.

When we arrived at Nairobi that morning, we were dropped off at a church and there we met our sponsors. Each of us was assigned a host family, most of whom were in some way affiliated with the national theater. I was assigned to a man named Mike Mwaniki, an extraordinarily handsome and sophisticated man, I thought. He was perhaps thirty years old, and was one of the founders of the Mavuno Drama Group, based in the city; they performed original plays by young Kenyan playwrights.

— This is the man, eh? he said to me.-You're our guy!

He shook my hand heartily and slapped me on the back and gave me a slice of cake. I had never had cake, and in retrospect it doesn't make much sense that he would greet me at nine-thirty in the morning with cake, but he did, and it was delicious. A white cream cake with stripes of sunflower orange.

The other members of the group went with their sponsors, and Tabitha went off with hers, an older couple dressed extravagantly and driving a Land Rover. Miss Gladys quickly disappeared with a very handsome and wealthy-looking Kenyan man-we did not see her again until the performance two days later-and I went with Mike. He shared an apartment with his girlfriend, a diminutive and luminous woman named Grace, and together they lived in a part of the city called BuruBuru Phase 3. It was a mad neighborhood, busier than any place I had ever known. Kakuma held eighty thousand people, but there was very little traffic, few cars, no horns, scant electricity, very little bustle. But in Nairobi, in BuruBuru Phase 3, the hum of the streets was inescapable. The motorcycles, the cars and buses run at all hours, and the sweet toxic smell of diesel is everywhere. Even in their apartment, where the floors and glass were so clean, the street was there, the smell of the roads and sounds of people passing under their windows. The cars were so many colors, an array I didn't know existed. In Kakuma all the vehicles were white, identical, all bearing the UN symbol.

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