Louise Erdrich - Love Medicine

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Love Medicine: краткое содержание, описание и аннотация

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The first book in Louise Erdrich's highly acclaimed "Native American" trilogy that includes "The Beet Queen," "Tracks," and "The Bingo Palace," re-sequenced and expanded to include never-before-published chapters."A dazzling series of family portraits…. This novel is simply about the power of love." "-Chicago Tribune"

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Once I was in the room watching TV with Henry and I heard his teeth click at something. I looked over, and he’d bitten through his lip.

Blood was going down his chin. I tell you right then I wanted to smash that tube to pieces. I went over to it but Henry must have known what I was up to. He rushed from his chair and shoved me out of the way, against the wall. I told myself he didn’t know what he was doing.

My mom came in, turned the set off real quiet, and told us she had made something for supper. So we went and sat down. There was still blood going down Henry’s chin, but he didn’t notice it and no one said anything, even though every time he took a bite of his bread his blood fell onto It until he was eating his own blood mixed in with the food.

While Henry was not around we talked about what was going to happen to him. There were no Indian doctors on the reservation, and my mom was afraid of trusting Old Man Pillager because he courted her long ago and was jealous of her husbands. He might take revenge through her son. We were afraid that if we brought Henry to a regular hospital they would keep him.

“They don’t fix them in those places,” Mom said; “they just give them drugs.”

“We wouldn’t get him there in the first place,” I agreed, “so let’ s just forget about it. ” Then I thought about the car.

Henry had not even looked at the car since he’d gotten home, though like I said, it was in tip-top condition and ready to drive. I thought the car might bring the old Henry back somehow. So I bided my time and waited for my chance to interest him in the vehicle.

One night Henry was off somewhere. I took myself a hammer.

I went out to that car and I did a number on its underside.

Whacked it up. Bent the tail pipe double. Ripped the muffler loose.

By the time I was done with the car it looked worse than any typical Indian car that has been driven all its life on reservation roads, which they always say are like government promises-full of holes. It just about hurt me, I’ll tell you that! I threw dirt in the carburetor and I ripped all the electric tape off the seats. I made it look just as beat up as I could. Then I sat back and waited for Henry to find it.

Still, it took him over a month. That was all right, because it was just getting warm enough, not melting, but warm enough to work outside.

“Lyman,” he says, walking in one day, “that red car looks like shit.

” “Well it’s old,” I says. “You got to expect that.”

No way!” says Henry. “That car’s a classic! But you went and ran the piss right out of it, Lyman, and you know it don’t deserve that. I kept that car in A-one shape. You don’t remember. You’re too young. But when I left, that car was running like a watch.

MOM — Mom Now I don’t even know if I can get it to start again, let alone get it anywhere near its old condition.”

“Well you try,” I said, like I was getting mad, “but I say It’s a piece of junk.”

Then I walked out before he could realize I knew he’d strung together more than six words at once.

After that I thought he’d freeze himself to death working on that car.

He was out there all day, and at night he rigged up a little lamp, ran a cord out the window, and had himself some light to see by while he worked. He was better than he had been before, but that’s still not saying much. It was easier for him to do the things the rest of us did.

He ate more slowly and didn’t jump up and down during the meal to get this or that or look out the window. I put my hand in the back of the TV set, I admit, and fiddled around with it good, so that it was almost impossible now to get a clear picture. He didn’t look at it very often anyway. He was always out with that car or going off to get parts for it. By the time it was really melting outside, he had it fixed.

I had been feeling down in the dumps about Henry around this time.

We had always been together before. Henry and Lyman.

But he was such a loner now that I didn’t know how to take it. So I jumped at the chance one day when Henry seemed friendly. It’s not that he smiled or anything. He just said,

“Let’s take that old shit box for a spin.” just the way he said it made me think he could be coming around.

We went out to the car. It was spring. The sun was shining very bright. My only sister, Bonita, who was just eleven years old, came out and made us stand together for a picture. Henry leaned his elbow on the red car’s windshield, and he took his other arm and put it over my shoulder, very carefully, as though it was heavy for him to lift and he didn’t want to bring the weight down all at once.

“Smile,” Bonita said, and he did.

A

That picture. I never look at it anymore. A few months ago, I don’t know why, I got his picture out and tacked it on the wall. I felt good about Henry at the time, close to him. I felt good having his picture on the wall, until one night when I was looking at television. I was a little drunk and stoned. I looked up at the wall and Henry was staring at me. I don’t know what it was, but his smile had changed, or maybe it was gone. All I know is I couldn’t stay in the same room with that picture. I was shaking. I got up, closed the door, and went into the kitchen. A little later my friend Ray came over and we both went back into that room. We put the picture in a brown bag, folded the bag over and over tightly, then put it way back in a closet.

I still see that picture now, as if it tugs at me, whenever I pass that closet door. The picture is very clear in my mind. It was so sunny that day Henry had to squint against the glare. Or maybe the camera Bonita held flashed like a mirror, blinding him, before she snapped the picture. My face is right out in the sun, big and round.

But he might have drawn back, because the shadows on his face are deep as holes. There are two shadows curved like little hooks around the ends of his smile, as if to frame it and try to keep it there-that one, first smile that looked like it might have hurt his face. He has his field jacket on and the worn-in clothes he’d come back in and kept wearing ever since. After Bonita took the picture, she went into the house and we got into the car. There was a full cooler in the trunk.

We started off, cast, toward Pembina and the Red River because Henry said he wanted to see the high water.

The trip over there was beautiful. When everything starts changing, drying up, clearing off, you feel like your whole life is starting.

Henry felt it, too. The top was down and the car hummed like a top.

He’d really put it back in shape, even the tape on the seats was very carefully put down and glued back in layers. It’s not that he smiled again or even joked, but his face looked to me ONUA

OIL.

as if it was clear, more peaceful. It looked as though he wasn’t thinking of anything in particular except the bare fields and windbreaks and houses we were passing.

The river was high and full of winter trash when we got there.

The sun was still out, but it was colder by the river. There were still little clumps of dirty snow here and there on the banks. The water hadn’t gone over the banks yet, but it would, you could tell. It was ‘just at its limit, hard swollen, glossy like an old gray scar. We made ourselves a fire, and we sat down and watched the current go. As I watched it I felt something squeezing inside me and tightening and trying to let go all at the same time. I knew I was not just feeling it myself; I knew I was feeling what Henry was going through at that moment. Except that I couldn’t stand it, the closing and opening. I jumped to my feet. I took Henry by the shoulders and I started shaking him. “Wake up,” I says, “wake up, wake up, wake up!” I didn’t know what had come over me. I sat down beside him again.

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